Search results for "Esthetics"
showing 10 items of 761 documents
Landscape Urbanism and Architecture of the Voids
2017
Il paper è focalizzato sull'importanza che la nozione di "vuoto" riveste nello sviluppo del Landscape Urbanism. Vengono prese in considerazione le teorie di Secchi e Koolhaas per quanto riguarda la possibilità di una nuova ricezione dll'idea di vuoto. Inoltre l'intervento Chassé Terrain a Breda ddegli OMa è analizzato in modo da mostrare come esso costituisce una tappa importante per i successivi progetti urbanistici. This paper is focused on the relevance of the idea of “void” for the development of landscape urbanism. The theories of Secchi and Koolhaas are considered as far as a new acceptance of void is concerned. Furthermore the highly influential Chassé Terrain intervention in Breda b…
Children’s art: Work or play? Preschoolers considering the economic questions of their theatre performance
2011
During their theatre project, a group of 6-year-old children tried to pursue the role of active actors, decision-makers and producers. For them their theatrical activity was viewed as work, despite the fact that adults tend to count it as play. Children were also eager to earn from their performance. Money was a sign of appreciation and status, and it determined for its part children’s position as genuine actors in an artistic project. The article considers whether some of children’s activity could be understood as work.
Latvian Multiculturalism, Postcolonialism, and World Literature
2020
The aim of this chapter is to discuss the complexity of the self-consciousness of the inhabitants of contemporary Latvia from a postcolonial perspective. This approach demonstrates how the experience of a small nation helps to reveal the common roots of Europe and to build both theoretical and practical bridges between different societies and their members. It also contextualizes the relation of so-called small literatures to the global literary field. The highly acclaimed novel of contemporary Latvian author, Inga Ābele, Klūgu mūks (2014), about the life and work of the Catholic priest and politician Francis Trasuns, provides the focus of attention and serves as the background for a case s…
Neoextractivism, or the birth of magical realism as world literature
2021
In recent years, literary criticism has shown increased interest towards the manner in which fiction depicts (neo)extractivism as a set of practices whereby large quantities of natural resources ar...
Combination of simple mirrors – childish game or useful tool?
2015
International audience; The Scottish inventor of the kaleidoscope, Sir David Brewster (1781-1868), examined references to previous combinations of mirrors in his defense of his own invention, The Kaleidoscope, Its History, Theory and Construction (1858). Sir David Brewster who was eager to prove that his invention, dating back to 1816, was genuinely innovative, dismissed the use of what he called “combinations of plane mirrors” as productive of “poor effect”. His examination of the mirror devices described in the works of Gianbattista della Porta (1535-1615) Athanasius Kircher (1601-1680) and Richard Bradley (1688-1732), led him to the conclusion that they could hardly have been the result …
The notion of physical and moral well-being : relationship and interaction in George Eliot's literary works
2020
This dissertation analyzes the concept of well-being in the writings of George Eliot in order to account for the question of the individual in his/her relationships with the other and others such as animals and the environment so as to obtain physical, moral as well as personal and social well-being along the resulting ethics and aesthetics. For the novelist, well-being finds its source in the individuals’ suffering in British nineteenth-century society. Conceiving well-being from Eliot’s point of view therefore means giving priority to individual relationships and interactions. This relational vision of well-being amounts to considering the social regularities related to community life, th…
Approaches to Film and Reception Theories
2012
Les différentes approches de la question des réactions du " public ", aussi difficile soit-il de définir ce terme, conçoivent celles-ci comme étant déterminées, soit par la structure de l'œuvre, par le contexte historique et culturel dans lequel cette réception se déroule, ou par les caractéristiques individuelles de ce public, lecteur ou spectateur. Ce recueil propose de faire le point sur l'état de la recherche actuelle, et d'offrir de nouvelles perspectives dans l'étude de la réception, et de la manière dont elle évolue et conditionne notre rapport à l'art. Les travaux présentés ici se concentrent sur la littérature et surtout le cinéma, et visent à croiser des perspectives que la critiq…
The Politics of Utopia: Walter Pater’s “Lacedaemon”
2016
Walter Pater is not usually considered as a politically committed writer, neither is Aestheticism of which he was the gifted theoretician with The Renaissance (1873). Although the political commitments of the Aesthetic movement have been questioned over the last two decades, both by including women aesthetes, and by re-evaluating the movement’s dissemination among the middle classes, discussion of Pater’s political ideas is almost non-existent. His Plato and Platonism (1893) is however not so remote from politics since it discusses Plato’s political philosophy. In particular, “Lacedaemon”, the chapter devoted to Sparta, enables Pater to intervene in the political debate from an original sta…
The Good, the Bad and the Ugly Graffiti
2020
Emotions play an essential role in aesthetic and art experience. Graffiti is an example of urban visual communication, and it can also be understood as a form of art. Like other works of art, graffiti can evoke different aesthetic emotions in its audiences, such as pleasure, wonder, interest and pride but also disinterest, disappointment or embarrassment, and even anger and disgust—further impacting, for example, how they value this art form. However, few studies have explored what kinds of emotions people feel when they appraise graffiti. This chapter discusses emotions in graffiti using examples from participant interviews in the Purkutaide study. Interview quotes are assessed against the…
Experience and Existence Revisited Something Essential on A Philosophical Education in Film Art
2013
Abstract The film, the living imagery, traces out its legend before the eyes of the viewer seated there in the darkened space, and in his consciousness becomes a lived spectacle, an interiorised impress of experience. It takes up its abode in him and he falls in step with its movement, merging with the stream of its narrative. In this there evolves an aesthetic-existential situation – of one, many; of one, a qualitative multiplicity is born, and with it the experienced essence of the unique, the inimitable. On this same, the critic pronounces judgement – as often as not his verdict – on this spectacle which he – and another – has beheld; that individual, original experience is thus now couc…