Search results for "Forming."
showing 10 items of 1704 documents
Opera houses as cultural white elephants? The effect of the creative city model, bureaucratic mismanagement and lack of accountability in Valencia's …
2020
Cultural institutions are growing in importance as tools of cultural policy and for promoting the city brand. Moreover, these major cultural institutions devour the lion's share of public subsidies...
Cultural heritage law in the UNESCO Chairs’ activities. The 30th anniversary of the UNITWIN/UNESCO Chairs Programme (Prawo dziedzictwa kultury w dzia…
2022
The UNESCO Chairs and UNITWIN Networks are recognized as UNESCO’s “extended family” (Doc. 207 EX/11) and their membership brings a wealth of knowledge and expertise to UNESCO Programmes, while serving as an important dimension of UNESCO’s comparative advantage for other potential partners. The UNESCO Chairs Programme celebrates its 30th anniversary this year. The main celebrations for this achievement will be held in Paris in November 2022. The international conference is organized by UNESCO with the support of the French national commission for UNESCO. At the national level, more events will be held online and in person.
The Added European Value of Cultural Heritage. The European Heritage Label
2018
Europe’s cultural heritage plays a strategic role in European Union (EU) politics. Heritage is viewed as a shared resource and common good that eventually can produce a broader acceptance of the EU. This article focuses on the exploration of European heritage in the context of the European Heritage Label (EHL), a recent EU heritage action. It first gives an overview of the EHL action and examines the significance attributed to the European dimension of heritage. Next the article discusses the added value of the EHL network of heritage sites for the promotion of European heritage in the context of the European Year of Cultural Heritage (EYCH) 2018. The two initiatives share similar approache…
Economic reasoning and creative industries progress
2017
ABSTRACTThis article offers a theoretical discussion on how major neoclassical economic theory assumptions blur the understanding of creative industries. By distinguishing between creative-rational and creative-intuitive industries, with different compositions of commercial and cultural attributes, we particularly show how the latter sector has characteristics and dynamics that are incompatible with a theory based on preference rationality, profit maximisation and equal access to information among actors. When customer utility is composed of economic, as well as aesthetic, spiritual, social, historical, symbolic and authenticity values, then all these will affect customers' willingness to p…
Fashion Stylists: History, Meaning and Practice, Ane Lynge-Jorlén (ed.) (2020)
2021
Review of: Fashion Stylists: History, Meaning and Practice, Ane Lynge-Jorlén (ed.) (2020) London: Bloomsbury Visual Arts, 272 pp., ISBN 978-1-35011-505-7, h/bk, £76.50
Designing a New Method of Studying Feature-Length Films
2019
Measuring viewers’ experiences of films has become a critical issue for filmmakers because all kinds of audiences now have access to new releases from all over the world. Some approaches have focused on the cognitive level of the experience, while others have emphasized the structure of films. Additionally, some have used quantitative objective methods to examine audience reactions to short film sequences, while others have applied qualitative approaches to study feature-length films. However, an integrated method that combines the features of these approaches is needed. In this article, we describe a new method that combines quantitative and qualitative data to study viewers’ experiences o…
The writer’s contest: manifestos and literary struggle in Catalonia (2014–2020)
2021
This article analyses the transformation of the Catalan writer’s social space, which intensified with the independence process against Spain during last decade. More specifically, we shall focus on...
The European Landscape Convention with respect to the cultural landscape – a Polish perspective (Europejska Konwencja Krajobrazowa wobec krajobrazu k…
2022
Celem niniejszego artykułu jest odniesienie się do tego, w jaki sposób Europejska Konwencja Krajobrazowa (ELC) definiuje krajobraz kulturowy oraz jakie tworzy narzędzia jego ochrony. Kluczowe jest również ustalenie, z punktu widzenia polskiego porządku prawnego, jak ustawodawca implementuje ochronę krajobrazu kulturowego do prawa krajowego. Ogólna teza artykułu brzmi: ELC tworzy zintegrowany model ochrony krajobrazu, w którym krajobraz kulturowy jest traktowany jako jego nieodłączny element. Tezie ogólnej towarzyszy teza szczegółowa, że ELC nie tworzy samodzielnie optymalnego poziomu ochrony krajobrazu kulturowego, ale raczej kształtuje kierunek, w jakim ta ochrona będzie zmierzać. ELC defi…
“Narrative Museums” and Curators’ Rights: The Protection of a Museum Exhibition and Its Scenario under Polish Law
2020
Since at least the 1990s, museums have expanded to cover a variety of societal functions, often enabling inclusive and participatory spaces for critical dialogue about the past and the future, and bridging together various narratives and cultural experiences, contributing to social cohesion and reconciliation. The new functions of museums, involving novel technological forms of display and communication, pose several legal questions concerning the management of such institutions, their resources, and exhibitions, including issues of copyright and other intellectual property rights. While referring to a recent case concerning an alleged infringement of the moral rights of the authors of the …
Designing Dissensual Common Sense: Critical Art, Architecture, and Design in Jacques Rancière’s Political Thought
2021
How can design be socially engaged and politically efficient, as proposed by discourses labeled as critical design? This article introduces a conceptualization and historiography of politically charged design discourse based on philosopher Jacques Rancière’s work on the intersections of politics, aesthetics, and critical artistic practices. By focusing especially on Rancière’s reading of the genealogy of design from Ruskin to constructivism and the Bauhaus, the article aims to show that there is an important connection between design and politics present in Rancière’s thought. Rather than solely revealing the oppressive dimension embedded in designed forms, for Rancière, design is itself a …