Search results for "Historia del arte"
showing 10 items of 586 documents
Emblemática, mnemotecnia y el arte de narrar: El episodio de Everardo en El peregrino en su patria de Lope de Vega
2016
ABSTRACT: This essay examines an aspect of Lope de Vega’s iconographic program in The Pilgrim, or Stranger in His Own Country by focusing on the interpolated tale of Everardo, a Christian knight who has been confined to a prison cell that is painted with «hieroglyphs and verses». The episode combines rhetorical and dialectical aspects of memory and establishes a connection between artificial memory systems, emblems, secular meditational practices, and story telling. I propose that Everardo’s tale displays a mnemonic intentionality that connects it with artificial systems of memory developed in classical antiquity and later used as prototypes during the early modern period. The episode not o…
La representació de l’arbre en l’Arbre de ciència de Ramon Llull
2017
ABSTRACT: The abundant use of graphic material in the work of Ramon Llull makes for a space where words and images intersect. The figure of the tree which Llull describes verbally in his Arbre de ciencia (1295-1296) is a complex and special case of the application of a rhetorical device called «ekphrasis». Despite the fact that the author did not envisage the possibility of making a visual representation, in the work's later transmission attempts were made to provide graphic images with results which were unsatisfactory for many reasons, of which the most important was the fact that Llull conceived of his tree as multidimensional. KEYWORDS: Llull; tree; ekphrasis. RESUM: L’us abundant de re…
García Mahíques, Rafael, Doménech García, Sergi (eds.) [2015]. Valor discursivo del cuerpo en el Barroco hispánico.
2017
Recension del libro: GARCIA MAHIQUES, Rafael, DOMENECH GARCIA, Sergi (eds.) [2015]. Valor discursivo del cuerpo en el Barroco hispanico. Anejos de Imago. Revista de Emblematica y Cultura Visual, n. 4. Valencia, Universitat de Valencia, 464 pp .
On the Origins of Spanish Hieroglyphs: Part Two
2016
En este trabajo, dividido en dos partes, la recepción española de los jeroglíficos y sus desenlaces se presentan como un aspecto importante del proceso de transmisión de los jeroglíficos en Europa. Este cambio de perspectiva es importante porque da un marco general para el fenómeno en España, aclara sus vínculos con el resto del continente a través del proceso de difusión de ideas y –quizás lo más relevante– pone de relieve las características distintivas que jeroglíficos lograron en España como un reflejo de su adaptación a una mentalidad diferente, que culminó con la creación de lo que el autor se refiere como «jeroglíficos clásicos españoles». PALABRAS CLAVES: Jeroglífico, Emblema, Difus…
Convenció i excepció en la imatge dels gravats de Ramon Llull
2017
ABSTRACT: Study of the engravings that depict Ramon Llull, which are found mainly in Lullian editions from the sixteenth to the nineteenth centuries. This study first analyzes the conventional images that define the conceptual iconographic type of Llull. It also examines two engravings whose meaning is related to the context of the period. KEYWORDS: Ramon Llull; Francesc Rossello; Lullian editions; Lullian iconography. RESUM: Estudi dels gravats que representen Ramon Llull, localitzats en les edicions lul·lianes entre els segles XVI al XIX. En primer lloc s’analitzen les imatges convencionals que defineixen el tipus iconografic conceptual de Llull. En segon lloc, dos gravats, el significat …
García Mahíques, Rafael (dir.), Los tipos iconográficos de la tradición cristiana, vol. 2. Los Ángeles I. La Gloria y sus jerarquías
2017
Recension del libro: GARCIA MAHIQUES, Rafael (dir.) [2016]. Los tipos iconograficos de la tradicion cristiana, vol. 2. Los Angeles I. La Gloria y sus jerarquias, Madrid, Ediciones Encuentro, 594 pp.
Emblemas del papado. La representación del vicio en la propaganda protestante alemana del siglo XVI
2016
ABSTRACT: Those of the Wittenberg Circle who had undergone reformation continually submitted their criticisms to the Papacy throughout the sixteenth century. They saw in this institution one of the principal evils of the Catholic Churchn which they saw one of the principal males of the Catholic Church. As a result, they identified the Papacy ad nauseam with the Antichrist and with cardinal sins such as lust, gluttony, greed or pride. This article thus analyzes diverse aberrant ways of depicting the Papacy in order to evaluate the importance and meaning of this identification as part of the political-religious polemics and of the phenomenon of the propaganda of the convulsed period of the P…
Los retratos de Miguel de Cervantes: de la búsqueda del hombre al triunfo del mito
2017
ABSTRACT : Miguel de Cervantes has his own gallery of images that have come down to posterity, but who painted the portraits of Miguel de Cervantes that have been discovered over the course of time? Beginning with the verbal self-portrait of himself that Cervantes crafts in the prologue of his Novelas ejemplares (1613), this study traces the route of the different portraits sine 1738 that have been claimed as the true image of the author from Alcala de Henares. It is a path that follows along the character known as Miguel de Cervantes, which has imposed itself on the myth, taking precedence over the man who lived during the Golden Age. KEYWORDS: Cervantes; Portrait; Cervantine Iconography…
Strategies for the page and strategies for the stage, the interplay of image and language
2017
ABSTRACT: The present study dwells on certain common features of the strategies followed by emblem books and by drama composed for the stages of the English Renaissance. These features include the expressive as well as the enigmatic dumb show, choric interventions, allegorical tableaux, and the uses of sententiae in dramatic discourse. KEYWORDS: Shakespeare; Dumb Show; Choric Interventions; Allegorical Tableaux; Sentential. RESUMEN: Este estudio se centra en ciertos rasgos comunes de las estrategias utilizadas en los libros de emblemas y en los dramas concebidos para su representacion en los tablados del Renacimiento ingles. Estos rasgos incluyen tanto la pantomima por senas expresiva como …
El ritual de la dedicación de la iglesia en los pontificales medievales y su ciclo iconográfico
2014
ABSTRACT: The 12 th century saw the culmination of a massive reform movement within the Church, intended both to reinforce the figures of the Pope and bishops and to standardise the Western European liturgy, based on the one utilized at that time in the papal chapel. To this end, a number of books were published, among which was a new version of the pontifical, accompanied by an iconographic cycle in which the descriptive dimension of the portrayals stands out prominently to support the text in its task of ritual codification. The aim of this study is to analyse the iconographic cycle that depicts the ritual of church dedication and its relationship with the rubrics described in the rites. …