Search results for "IGM"
showing 8 items of 1928 documents
Indian Yellow and Titanium White : A Material-centred Perspective on the Pigments Used by Artists Helene Schjerfbeck and Akseli Gallen-Kallela in the…
2022
This article presents the results of material studies focused on identifying and comparing the contents of the pigment palettes of two notable Finnish painters, Helene Schjerfbeck (1862–1946) and Akseli Gallen-Kallela (1865–1931). The research methods used comprise energydispersive X-ray fluorescence spectrometry (EDXRF) and polarised light microscopy (PLM). In addition, certain pigments have been identified in colour areas of the works using specular reflection FT-infrared spectrometry (FTIR) and Raman spectrometry. To support the results gathered using scientific analytical methods, archival research has been conducted in order to find notes and references to the pigments made by the arti…
Making Sense of Business Ethics - About Not Walking the Talk
2006
By using a sensemaking perspective, this article argues that it is not relevant to fully expect firms to walk their talk in ethical matters. Accuracy between words and deeds is utopia in a post-modern world, with chaos and complexity. Integrating diverse ways of doing ethical business across global regions rather creates legitimacy, trust and a good image among firms in business networks. So what is the role of the ethics code? The article gives examples from a case study on Stora Enso, where the ethics code has a certain strategic meaning, but where the CEO also states that the firm has to do what it says, and say what it does. In short, the article discusses a new paradigm which influence…
‘Ags. wlanc: alcune annotazioni’
1976
Warczeć, zipać, krzyczeć - czasowniki nie tylko dźwiękonaśladowcze i ich potencjał słowotwórczy
2018
The article is a tentative analysis of the word-forming potential for Polish not only onomatopoeic verbs. As the input material for analysis, the author selected 84 word-forming nests of verbs, taken from Słownik gniazd słowotwórczych współczesnego języka ogólnopolskiego (Kraków 2004). The selected verbs are the base for nouns, verbs, adjectives, adverbs. The derived nouns and verbs were divided into 23 semantic classes. The analysis of word-forming paradigms showed that onomatopoeic verbs quite regularly will derive verbs accentuating the beginning or the end of the action; verbs expressing intensity or weakening of the action; verbs naming reactions; there will also be nouns as names of a…
Sodanikäiset eivät vanhene
2022
Creating entrepreneurial opportunities : interpretative research about role of POP Advertising Displays in customer purchase decision making
2013
Long-term changes in pigmentation of arctic Daphnia provide potential for reconstructing aquatic UV exposure
2016
Abstract Despite the biologically damaging impacts of solar ultraviolet radiation (UV) in nature, little is known about its natural variability, forcing mechanisms, and long-term effects on ecosystems and organisms. Arctic zooplankton, for example the aquatic keystone genus Daphnia (Crustacea, Cladocera) responds to biologically damaging UV by utilizing photoprotective strategies, including pigmentation. We examined the preservation and content of UV-screening pigments in fossil Daphnia remains (ephippia) in two arctic lake sediment cores from Cornwallis Island (Lake R1), Canada, and Spitsbergen (Lake Fugledammen), Svalbard. The aims were to document changes in the degree of UV-protective p…
Sur-contrainte e possibili narrativi “Pierrot mon ami” di Raymond Queneau
2009
"Pierrot mon ami" de Raymond Queneau se caractérise par une phase pré-rédactionnelle très complexe, qui dérive du choix de détruire la codification du genre proposée par Van Dine et d’écrire un antiroman policier. Les dossiers préparatoires montrent la complexité des modalités d’intervention et de transgression de Queneau par rapport au genre policier, transgression qui insiste sur le bouleversement des contraintes génériques et qui agit à la fois sur la structure et la diégèse. Les histoires dépourvues sans final, dans la version définitive, confirment la présence de narrations supprimées : les histoires restent inachevées et ouvertes, ce qui relève d’une volonté délibérée d’inachèvement, …