Search results for "INTU"
showing 10 items of 1069 documents
Maria Magdalena dins l'univers barroc: entre el plor i l'èxtasi
2008
Una de las imágenes más características de Maria Magdalena, en los albores del Barroco, es la que la representa en la soledad de su vida retirada del mundo, con los cabellos al viento, jugando a cubrir sensual-mente su cuerpo desnudo y en el instante en que el acto de penitencia, asociado frecuentemente a su llanto, se convierte en espasmo extático. El pequeño trabajo que proponemos pretende tratar la evolución hacia esta representación del personaje, su contenido dramático generador de catarsis y construir a la vez un itinerario a través de sus identidades y de la leyenda que la ha dotado de peripecia y caracteres.
INTUITION OF FAMILY ENTREPRENEURS: AN EXPLORATORY STUDY OF PERCEPTIONS AND EXPERIENCES
2005
Many business problems do not appear in ideal conditions. Sometimes decisions have to be made very quickly, or there is no explicit knowledge regarding a problem, or there is neither enough time nor enough information. Therefore, entrepreneurs are not always equipped to make the necessary decision or to solve the problem. A successful entrepreneur needs to rely more often on intuition in making decisions and in solving problems. Intuition can be considered, for example, as a sudden awareness of knowledge. Using this type of knowledge, a person knows facts or relations, but without knowing why.Previous studies have described the nature of intuition and they have also addressed the intuitive …
Space-Time, Phenomenology, and the Picture Theory of Language
2010
To estimate Minkowski’s introduction of space-time in relativity, the case is made for the view that abstract language and mathematics carries meaning not only by its connections with observation but as pictures of facts. This view is contrasted to the more traditional intuitionism of Hume, Mach, and Husserl. Einstein’s attempt at a conceptual reconstruction of space and time as well as Husserl’s analysis of the loss of meaning in science through increasing abstraction is analysed. Wittgenstein’s picture theory of language is used to explain how meaning is conveyed by abstract expressions, with the Minkowski space as a case.
Philippe Quantin et la peinture à Dijon dans la première moitié du xviie siècle
2020
International audience
Language as an “Indispensable Tool and Organ” of Reason: Intuition, Concept and Word in Schopenhauer
2020
On the first sight, Schopenhauer’s theory of language seems to be a rather simple instrumental one: Language is a means to convey information to others by sensual, vocal or written signs. However, Schopenhauer also argues that the real empirical object is the basis of a concept, which is abstracted from the former leaving out most of its properties and keeping the “essential” ones. In this paper, it is shown that Schopenhauer’s view on language cannot be reduced to an instrumental theory of language. Such a reduction would be really surprising in view of Schopenhauer’s style of writing and his critique of language.
Actividad real y actividad ideal (§§ 3 y 4)
2012
La nocion de intuicion intelectual que Fichte introduce en el § 1 causa continuamente problemas en la exposicion. Por convincente que esa nocion pueda ser en principio, resulta enseguida patente que se trata de una nocion hibrida, la nocion de algo que ni es intuicion ni es concepto, que puede hacer referencia a algo que no es ni lo uno ni lo otro, pero que a veces hace referencia a ambos a la vez. Por «intuicion intelectual» y por «intuicion» en general Fichte entiende en estos paragrafos introductorios la auto-transparencia de una actividad intelectual en el propio ejercicio de esa actividad. En contraposicion con la intuicion intelectual, el concepto no puede ser sino un echarse para atr…
El doble rechazo de la reflexión en Ser y tiempo
2021
The objective of this article is to clarify the Heideggerian rejection of the idea of reflection as the method of philosophy. The need for such explanation lies on the counterintuitive nature of this philosophical thesis and on the interpretive problems that this criticism presents in Being and Time. In order to solve them, a brief historical-conceptual examination of the reflection is realized, leading to two different meanings of the concept, a psychological and a transcendental one. Thanks to this distinction, it is possible to expose systematically the double criticism presented in Being and time and, therefore, clarify the ultimate reasons underling the Heideggerian rejection of the …
From the unity of sensible intuition to the sensible unity of intuition : revisiting the proof-structure of Kant?s B-Deduction argument
2019
The B-Deduction accounts for Kant’s utmost solution at safeguarding both the distinctiveness and a necessary relation between understanding and sensibility. I aim at proposing an original thesis to the debate on this solution: the B-Deduction argument profits from a methodology correlating the unity of sensible intuition to the sensible unity of intuition. At first, Kant’s definition of “transcendental cognition” is set forth. Secondly, an inquiry into the argument’s methodology is carried out. After that, the justification of the categories within the understanding’s domain is taken into account. Finally, the relation of the understanding to sensibility is brought into discussion.
A Challenge to Boghossian's Incompatibilist Argument
1998
The paradox arises as we realize that (3) is clearly not knowable a priori, but (1) and (2) are. (2) holds 'a priori' because, according to Boghossian, it "just is the view that I have called the doctrine of privileged self-knowledge" (p. 202). The core of the paper is devoted, though, to argue that an externalist (i.e., someone who holds the view that "... facts external to a thinker's skin are relevant to the individuation of (certain of) his mental contents" (p. 199). is bound to concede that (1) is knowable 'a priori'. It would follow that, contrary to intuition, (3) can be known a priori since is the conclusion of an inference that relies on two premises that are, in
La sensación sonora y visual del mar en la pintura valenciana de finales del siglo XIX
2010
This work presents an interpretation from a phenomenological point of view of the visual and sonorous experience on the perception of the sea in the context of XIX century Valencian painting. The use of senses to generate images of the sea establishes a network of links between them that plays a key role in the comprehension and interpretation of its image. The analysis starts from the identification of an autonomous and separated poetics of the sea, focusing on the study of its immensity from the different points of view that its contemplation presents. It ends on the interpretation of the sonorous and mobile potentiality of its matter. The study has identified in the chosen images of the …