Search results for "Iconography"

showing 10 items of 116 documents

The Maya wall paintings from Chajul, Guatemala

2020

The recent renovation of a house in Chajul in western Guatemala has revealed an unparalleled set of wall paintings, most probably from the Colonial period (AD 1524–1821). The iconography of the murals combines pre-Columbian elements with imported European components in a domestic rather than a religious setting, making them a unique example of Colonial-period art. Here, the authors present the results of iconographic, chemical and radiocarbon analyses of the Chajul house paintings. Dating to the seventeenth to eighteenth centuries AD, the paintings may be connected to a revival of the local religious organisation (cofradías) in the context of waning Spanish colonial control.

010506 paleontologyArcheologyHistoryContext (language use)Ancient historyColonialism01 natural scienceslaw.inventionPintura rupestrelawpigment analysisColonial artMaya0601 history and archaeologyRadiocarbon datingIconographyChajul0105 earth and related environmental sciencesPainting060102 archaeologyIxil MayaGeneral Arts and Humanitieswall paitings06 humanities and the artsGuatemalaColonial periodAntiquity
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Sello alimentario romano relacionado con Juno Sospita procedente del SE Hispano

2017

Roman alimentary stamps have an iconography that sometimes is difficult to interpret. In this paper, some valuations on the images displayed on both sides of one of these objects, namely an example belonging to a private collection in Murcia, are offered. In its original publication a relation to agrarian cults through motifs that would refer to the goddess Ceres was proposed. However, it is a composition having its closest parallels in a series of Roman Republican coins issued in 64 bc by Lucio Roscio Fabato. These denarii are mainly linked to Juno Sospita and secondarily also to the Egyptian cults of Mediterranean expansion. Therefore we evaluate the possibility that such religious intera…

010506 paleontologyArcheologyHistorygeographyHistorygeography.geographical_feature_category060102 archaeology06 humanities and the artsAncient history01 natural sciencesAgrarian societyPeninsula0601 history and archaeologyPrivate collectionIconographyRelation (history of concept)ParallelsComposition (language)0105 earth and related environmental sciencesZephyrvs
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Acerca del híbrido <em>Sideritis ×pertegasii</em>, nothosp. nov. <em>(Labiatae)</em>

2018

Se describe el híbrido Sideritis ×pertegasii recolectado por Pau, interpretando su origen como producto del cruzamiento entre S. spinulosa subsp. subspinosa y S. tragoriganum subsp. juryi (Labiatae). Se presenta una descripción morfológica, una tabla con los principales caracteres diagnósticos del híbrido frente a sus progenitores, una fotografía del pliego con el holotipo y dos ilustraciones con iconografía del híbrido y sus progenitores.

0106 biological sciences0301 basic medicinebiologyHolotypePlant Sciencebiology.organism_classification010603 evolutionary biology01 natural sciences03 medical and health sciences030104 developmental biologyGeographyBotanySideritisTable (landform)IconographyCollectanea Botanica
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Materiality and atmosphere. Two American beat artists painting Europe

2019

The article discusses how European painting heavily influenced two American Beat painters in the post war years. Post-war American painting was often concerned with breaking away from traditional iconography and style, but Jay DeFeo and Joan Brown chose to engage with European traditional painting. Both artists travelled to Europe early in their careers and both declare an intense interest in European painters, paintings, and architecture. In Brown’s case particularly the works of Goya, Velazquez, and Rembrandt become scrutinized and remodeled in her pasty abstract style. De Feo, on her hand, states a particular interest in how the European cities’ distinct colors, lights and textures inspi…

050101 languages & linguisticslcsh:Fine Artsmedia_common.quotation_subjectArt historylcsh:Aamerican abstract expressionismjoan brownlcsh:AZ20-9990501 psychology and cognitive sciencesmedia_commonPaintinglcsh:NX1-820General Arts and Humanities05 social sciencestraditional iconography050301 educationArtlcsh:Arts in generallcsh:History of scholarship and learning. The humanitiesbeat culturebeat artjay defeoeuropean iconographyMateriality (law)Post warVDP::Humaniora: 000::Kunsthistorie: 120lcsh:Nlcsh:General Works0503 educationBeat (music)Cogent Arts & Humanities
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Who designs the classroom’s images? Study of visual culture diversity at three Valencian schools

2021

The research reported on here elaborated on the effects that images displayed on the walls have in schools as a variable in evaluating the educational quality. Mixed methods were used to analyse the images displayed on the walls of 27 classrooms to determine their provenance and authorship. The results show quantitative, qualitative and aesthetical values of the school visual culture, thanks to the numerous photographic series (resembling in graphs) which are a testimony of each classroom. After the typologies of the displayed images at the schools had been documented, it was demonstrated that images mostly come from the school products industry and from faculty members.i  The kind of analy…

060106 history of social sciencesEducational qualitymedia_common.quotation_subject05 social sciences050301 education06 humanities and the artsValencianlanguage.human_languageEducationStyle (sociolinguistics)Cultural diversityMathematics educationlanguage0601 history and archaeologyPersonal experienceIconographyPsychology0503 educationVisual cultureDiversity (politics)media_commonSouth African Journal of Education
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The Portrayal of Paul's Outer Appearance in the Acts of Paul and Thecla. Re-Considering the Correspondence between Body and Personality in Ancient Li…

2008

AbstractThis essay claims that Paul's description in Acts Paul Thecl. 3, if read against the background of Graeco-Roman physiognomics, i.e., the belief in the coherence between outer appearance and inner qualities of a person, is not derogative as assumed in older research but agreeable. The positive interpretation of Paul's outer appearance is corroborated by an analysis of the reactions he evokes in followers (Onesiphorus, Thecla) as well as opponents (Theoclia, Thamyris). It is demonstrated that Paul's physiognomy corresponds to his apostolic identity.

Ancient literatureThamyrisInterpretation (philosophy)Philosophymedia_common.quotation_subjectReligious studiesIdentity (social science)PhysiognomyHistory of religionsPersonalityIconographyTheologySocial Sciences (miscellaneous)media_commonReligion and Theology
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Animal agency in Iron-Age Sicilian art (VIII-VI BCE): Interaccion between bovines and man

2019

El objetivo del presente artículo es el análisis de las relaciones entre bovinos y humanos bajo la perspectiva de la agencia animal a través de varios objetos artísticos encontrados en el asentamiento de Polizzello (Sicilia occidental), datados entre los ss. VIII-VI a. C. Concretamente, presentamos un conjunto de jarras cerámicas decoradas con bucráneos, así como también representaciones de bovinos y seres híbridos en distintos soportes cerámicos como son vasos de almacenamiento, de consumo y servicio de alimentos. En primer lugar, nos centraremos brevemente en explicar el contexto histórico y social de la isla en la Edad del Hierro, haciendo especial énfasis en sus tradiciones artísticas. …

Animal agencyAnimals en l'artHistoryVisual Arts and Performing ArtsIron Agemedia_common.quotation_subjectContext (language use)ArtBucraniaBovinosNonhuman animalsEdad del HierroIconographyBovinesAgencia animalSiciliaAncient ArtBucráneosHumanitiesArte antiguoIconografíaSicilymedia_commonAnimales no humanos
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Beyond the myth: A social interpretation about the mosaic of the Twelve Labours of Hercules (Liria, Valencia)

2018

On the occasion of the centenary of the mosaic’s discovery of the Twelve Labours of Hercules in Liria (Valencia), this article aims to approach to some aspects overlooked in previous works. Within the study of Roman domestic spaces, the room’s decoration is an essential factor in order to understand its function. Over the years, several studies have focused their efforts on a descriptive analysis of the mosaic, mentioning only the social interpretation, whereas the current trends try to analyze other aspects such as the study of elites and their symbolism. For this reason, our goal in this article is to analyze the social aspect of this pavement, which particular choice of the central motif…

ArcheologyHistoryHistoryRoman art; domus; iconography; mythologyInterpretation (philosophy)Identity (social science)arte romano; domus; iconografía; mitologíamitologíaarte romanoMosaicMotif (narrative)iconografíaArchaeologydomusHumanitiesOrder (virtue)CC1-960Archivo Español de Arqueología
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La fase del Ibérico final en el asentamiento del Torrelló del Boverot (Almazora, Castellón): dos piezas cerámicas singulares

2000

Since the end of 1988, when excavation was resumed at the Torrelló del Boverot site in Almazora (Castellón), large amounts of material —mostly ceramics— have been recovered, dating from the end of the Iberian period, which, chronologically, marked the end of the village's life. This paper discusses two unusual ceramic pieces from this late period, documented during the excavations that took place in 1995, undertaken in the central area of the site. The records obtained in this work matches that of a batch of materials donated to the Museum of Almazora by the amateurs who excavated this village in the mid-1970s.

ArcheologyHistoryIberian epigraphyCerámica ibéricaIconografía ibéricaArqueologiaCerámica ibérica; Iconografía ibérica; Epigrafía ibérica; Yacimiento de El Torrelló del Boverol (Almazora Castellón)Castellón)yacimiento de el torrelló del boverol (almazoraEpigrafía ibéricaIberian potteryIberian iconographySite of El Torrelló del Boverot (Almazoralcsh:CC1-960IconographySite of El Torrelló del Boverot (Almazora Castellón)Yacimiento de El Torrelló del Boverol (AlmazoraYacimiento de El Torrelló del Boverol (Almazora Castellón)Iberian pottery; Iberian iconography; Iberian epigraphy; Site of El Torrelló del Boverot (Almazora Castellón)ExcavationArchaeologyEpigraphyGeographyArchaeologyLate periodlcsh:Archaeologycastellón)CC1-960Archivo Español de Arqueología
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Sobre cerámicas Helenísticas en Iberia / Hispania. Significado y funcionalidad

2012

In this work we are going to take a chronological and typological tour by studying the iconography that appears in the Hellenistic wares imported from the Central and Oriental Mediterranean between 3rd and 2nd centuries BC in Hispania Citerior, in particular from Cartagena. We are going to analyze its functionality in the places of origin, and with the help of the Hispanic contexts we will conclude whether its presence here is a consequence of a certain commercial dynamic, or if it answers to a decorative preference, of taste or trend; even if the images are significant related to ritual or convivial uses, public or private, by the local inhabitant who acquires and uses them.

ArcheologyHistorymedia_common.quotation_subjectIconografía; cerámicas helenísticas; Gnathia; cuencos de relieves; fíalas; laginos; KlíbanosgnathiaIconography; Hellenistic wares; Gnathia; bowls of reliefs; phiales; lagynos; klibanosphialesHellenistic wareslcsh:CC1-960Iconographymedia_commoncuencos de relievescerámicas helenísticaslaginosTaste (sociology)bowls of reliefsArtPreferencefíalasiconografíaArchaeologyIconographylcsh:ArchaeologyEthnologyklibanosHumanitiesCC1-960lagynosklíbanosArchivo Español de Arqueología
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