Search results for "Jacques"
showing 10 items of 66 documents
Chasing Shakespeare: The Impurity of the “Not Quite” in Norry Niven’s From Above and Abbas Kiarostami’s Where Is My Romeo
2017
The essay situates the “not Shakespeare” of this volume within the theoretical problematics of the “post-textual.” It re-elaborates the “post-textual” as the uncanny re-appearance of Shakespeare in the form of heterogeneous fragments that are made to cohabit with various textual and media environments. These media products include a “Shakespeare” that is not quite Shakespeare, an “entity” that becomes the site of unceasing transactions (for instance, between an “outside” and an “inside,” between visibility and invisibility, between the “original” and its iteration) and multiple contaminations (through media, characters, and plays).
Critica scientifica, popolarizzazione dell’etnografia ed etica dell’antropologo: sulla “controversia yanomami”, per esempio
2021
La “controversia sugli Yanomami” ha investito questioni centrali, tanto epistemologiche quanto etiche e politiche, per la disciplina e la pratica dell’antropologia, riguardando in particolare l’etica della ricerca sul campo; il modo di impiegare i dati di ricerca per sostenere determinate ipotesi teoriche; i rapporti tra popolarizzazione e politicizzazione delle ricerche e, più in generale, la responsabilità degli antropologi rispetto sia agli usi dei loro studi nella sfera pubblica sia nei confronti dei soggetti umani con cui lavorano. In quest’articolo esamino alcuni momenti chiave della “controversia”. In particolare provo a ricostruire il modo in cui si è inizialmente consolidata, dentr…
El último intelectual (y 4). Un modelo
2007
Varastamisen ja haltuunoton rajoilla : siivoojat varkaina Lucia Berlinin "Siivoojan käsikirjassa" ja Elizabeth Jolleyn "Viimeisessä sadosssa"
2020
Recensione a: Resta, C., L’evento dell’altro. Etica e politica in Jacques Derrida, Bollati Boringhieri, Torino 2003
2003
The Italian reception of Benda’s «Ariadne auf Naxos» and «Medea»: fascination and compromise
2016
The monodramas “Ariadne auf Naxos” and “Medea” by the Czech composer Jiří Antonín Benda had an interesting and little known circulation in Italy, where they were translated, performed and adapted to local taste. Both the works were performed in Naples, in 1783 and in 1790 respectively, thanks to Norbert Hadrava, an officer in the Austrian army with a great passion for German music. The article demonstrates that Hadrava presented the two pièces on the stage of Teatro de’ Fiorentini with the original music by Benda, obtaining a large success. A manuscript score of “Medea” now in the library of the Conservatorio San Pietro a Majella in Naples is examined, as it is likely connected to the Neapo…
Tentare il teatro: “Le devin du village” e “Pygmalion”
2004
L'idea di teatro di Jean-Jacques Rousseau rivisitata alla luce delle sue prove come autore di opere musicali.
Appunti per tradurre Jacques Lacan. Analisi della traduzione dell' "Hommage fait à Marguerite Duras du ravissement de Lol V. Stein"
2009
Il contributo presenta uno studio che si propone di analizzare la vasta produzione neologica nell'opera di Jacques Lacan, tanto da un punto di vista teorico (statuto e funzioni del neologismo nella teoria lacaniana), quanto da un punto di vista linguistico (analisi formale dei neologismi lacaniani).
The limits of subtractive politics: Agamben and Rousseau’s inheritance
2020
The article critically engages with Giorgio Agamben’s reading of Rousseau in order to explore the affinities between the two authors’ subtractive approach to political subjectivation. In The Kingdom and the Glory. Agamben argues that Rousseau’s Social Contract reproduces, in a secularized manner, the providential paradigm of government, whose origins Agamben finds in early Christianity. This paradigm establishes a fictitious articulation between transcendent sovereignty and immanent government, presenting particular acts of government as emanating from general divine laws. We shall demonstrate that Rousseau was neither unaware of the problematic character of this paradigm nor did he venture…