Search results for "Linguistics"
showing 10 items of 8097 documents
Music and emotion: Themes and development
2011
This special issue draws on a selection of papers presented at the inaugural International Conference on Music and Emotion in Durham in 2009, focusing on the scientific approach to understanding music and emotions. In this editorial we consider the current state of research into music and emotion, drawing comparisons with the earlier special issue of this journal published ten years ago and between the two edited collections which mark progress in this period. We consider issues of theory and methodology in relation to the wider field of psychology of music as illustrated by the papers in this volume and other recently published research, considering some of the barriers towards progress a…
Interaction Between Systematic Musicology and Research on Traditional Music
2018
The origin of systematic musicology is strongly linked to the studies of music cultures of non-Western origin. From the methodological point of view, folk music research applied systematic methods to collect and analyze data. Anthropology of music and later ethnomusicology had a different focus: musical phenomena should be interpreted in their cultural context. The cognitive approach was the third paradigm change in the field of systematic musicology, which again changed both methodology as well the point of view of research topics. In cross-cultural music cognition, as well as in cognitive ethnomusicology, previous approaches in systematic musicology, ethnomusicology, and cognitive science…
Commentary on Jakab's “Ineffability of Qualia”
2000
Zoltan Jakab has presented an interesting conceptual analysis of the ineffability of qualia in a functionalist and classical cognitivist framework. But he does not want to commit himself to a certain metaphysical thesis on the ontology of consciousness or qualia. We believe that his strategy has yielded a number of highly relevant and interesting insights, but still suffers from some minor inconsistencies and a certain lack of phenomenological and empirical plausibility. This may be due to some background assumptions relating to the theory of mental representation employed. Jakab's starting assumption is that there is no linguistic description of a given experience such that understanding t…
Human motor system
2020
Abstract This chapter deals with the general issues of motor control and coordination rather than with neurophysiological mechanisms that form the basis for natural, coordinated movements. It is useful that, before we consider the basics of motor behaviours and disorders, we introduce a general theoretical framework adequate to consider issues of control and coordination in biological systems. However, it is impossible to separate issues of control from issues of coordination during natural human movements. Hence, this chapter will also deal with coordination, exploring how individual effectors (such as muscles, joints and limbs) are made to act together in a task-specific way. Ultimately, …
Putting information back into biological communication.
2010
At the heart of many debates on communication is the concept of information. There is an intuitive sense in which communication implies the transfer of some kind of information, probably the reason why information is an essential ingredient in most definitions of communication. However, information has also been an endless source of misunderstandings, and recent accounts have proposed that information should be dropped from a formal definition of communication. In this article, we re-evaluate the merits and the internal logic of information-based vs. information-free approaches and conclude that information-free approaches are conceptually incomplete and operationally hindered. Instead, we …
A cognitive architecture for music perception exploiting conceptual spaces
2015
A cognitive architecture for a musical agent is presented. The architecture extends and complete an architecture for computer vision previously developed by the author by taking into account many relationships between vision and music perception. The focus of the agent architecture is an intermediate conceptual area between the subconceptual and linguistic areas. A conceptual space for the perception of tones and intervals is thus presented, based on the dissonance measure of the tones. Problems and future works of the proposed approach are finally discussed.
Smart Phone, Smart Science: How the Use of Smartphones Can Revolutionize Research in Cognitive Science
2011
WOS:000295936900019; International audience; Investigating human cognitive faculties such as language, attention, and memory most often relies on testing small and homogeneous groups of volunteers coming to research facilities where they are asked to participate in behavioral experiments. We show that this limitation and sampling bias can be overcome by using smartphone technology to collect data in cognitive science experiments from thousands of subjects from all over the world. This mass coordinated use of smartphones creates a novel and powerful scientific "instrument" that yields the data necessary to test universal theories of cognition. This increase in power represents a potential re…
Knowledge representation for robotic vision based on conceptual spaces and attentive mechanisms
1995
A new cognitive architecture for artificial vision is proposed. The architecture is aimed for an autonomous intelligent system, as several cognitive hypotheses have been postulated as guidelines for its design. The design is based on a conceptual representation level between the subsymbolic level processing the sensory data, and the linguistic level describing scenes by means of a high-level language. The architecture is also based on the active role of a focus of attention mechanism in the link between the conceptual and the linguistic level. The link between the conceptual level and the linguistic level is modelled as a time-delay attractor neural network.
Introduction: The World as a Stereogram
2014
This paper presents the historically most important theories of how visual perception is made spatial in the cognitive processing of the sensory input to the eye. All of them involve active engagement of the mind. Firstly, in the medieval theories physiological processes developed three-dimensional imagery in the brain, and active mental processing was needed to build coherence in the perceptual experience as a whole but not to yield the basic idea of spatiality. Secondly, according to Descartes, the eyes produced a unified two-dimensional visual image that was neurally transmitted to the inner surface of the brain. The innate conception of three-dimensional spatiality was superimposed inte…
In Defense of Position Uncertainty
2015
The authors comments on the article "Orthographic coding in illiterates," by J. A. Dunabeitia, et al. There is a high degree of flexibility in letter-position coding during visual word recognition and reading. This phenomenon is explained based on the presence of perceptual noise in the information used for locating the positions of objects, namely, letters, across space.