Search results for "MU501"

showing 10 items of 34 documents

How to make people become Ambassadors of Jazz - A Comparative Case Study of Voluntary Jazz Concert Promoters in Agder

2018

Master's thesis Music Management MU501 - University of Agder 2018 This study observes the comparative cases of two jazz clubs in the region of Agder, South of Norway. The cases investigated are the Non-Profit Organisations (NPOs) and voluntary associations (VOs); Kristiansand Jazzvesen (KJV) and Arendal Jazzklubb (AJ), that has slightly different organisational structures and environments. The main objective has been to unveil if there is a need for ambassadors of jazz, or jazz enthusiasts, in order for these jazz concert promoters to ‘thrive’, improve their live jazz concert experiences and recruit new volunteers. Then, how this can be achieved in a fast-changing digitalised “festivalised”…

Jazz AmbassadorsConcert PromotersLive ConcertsNon-Profit OrganisationsMU501Jazz ClubAudience ExperiencesVDP::Samfunnsvitenskap: 200::Sosiologi: 220
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Copyright Laws and Digital Piracy in Music Industries : The Relevance of Traditional Copyright Laws in the Digital Age and How Music Industries shoul…

2020

Master's thesis in Music management (MU501) The copyright laws formed in the publishing age in the eighteenth century have come a long way to the twenty-first century of the modern digital age. From the Statute of Anne in 1710 to Music Modernization Act in the U.S. and Article 17 in the European Union in 2018, several conventions held up until this date, but there are still issues or even more issues emerging in the music industries. On the other hand, digital technologies have been rapidly growing with the advent and access of the internet, which has dramatically reformed traditional music business models. Even after the successful shut down of Napster by RIAA, the music industries are con…

MU501ComputingMilieux_LEGALASPECTSOFCOMPUTINGVDP::Samfunnsvitenskap: 200::Rettsvitenskap: 340::Privatrett: 342
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Girl Meets Music Business : A qualitative research of how it is to be female in the Pop Culture off [i.e. of] the twenty-first century

2017

Master's thesis Music Management MU501 - University of Agder 2017

MU501VDP::Humaniora: 000::Musikkvitenskap: 110::Musikkhistorie: 111VDP::Samfunnsvitenskap: 200::Kvinne- og kjønnsstudier: 370
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The Underrepresentation of Female Personalities in EDM : A Closer Look into the “Boys Only”-Genre

2017

Master's thesis Music Management MU501 - University of Agder 2017 EDM, or Electronic Dance Music for short, has become a big and lucrative genre. The once nerdy and uncool phenomenon has become quite the profitable business. Superstars along the lines of Calvin Harris, David Guetta, Avicii, and Tiësto have become the rock stars of today, and for many, the role models for tomorrow. This is though not the case for females. The British magazine DJ Mag has an annual contest, where listeners and fans of EDM can vote for their favorite DJs. In 2016, the top 100-list only featured three women; Australian twin duo NERVO and Ukrainian hardcore DJ Miss K8. Nor is it easy to find female DJs and acts o…

MU501VDP::Samfunnsvitenskap: 200::Kvinne- og kjønnsstudier: 370VDP::Humaniora: 000::Musikkvitenskap: 110::Annen musikkvitenskap: 119
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TONO-reporting in Norwegian Churches : A quantitative study and analysis of reporting practices and its prominence amongst free churches in Norway

2021

Master's thesis in Music management (MU501) Modern churches are some of the most frequent music users in our society. Many of them have several services during a week, and worship music is a very important component here. Contemporary worship music is performed in churches all over the world each week, and new songs are constantly added to the “pool”. This is also the case in Norway. When music is performed, copyright is involved. According to copyright law, music cannot be performed publicly without a license. In Norway, there are certain arrangements to ensure this for music venues, but also for churches. Based on my experience as a worship musician for many years, I wondered how well thi…

MU501VDP::Samfunnsvitenskap: 200::Rettsvitenskap: 340
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Not (just) for the money: Motivations behind the start-up of music festivals and the management challenge of balancing the needs of art and profit in…

2018

Master's thesis Music Management MU501 - University of Agder 2018 The background for this study is the acknowledgment, by academics, researchers and policy makers, of the relevance of Cultural Industries and cultural content created and distributed by them. Cultural products are indeed “complex, ambivalent and contested”, as Hesmondhalgh affirmed: big cultural corporations tend to be motivated by profit maximization, but simultaneously there are many cultural artefacts and organizations that are not moved by capitalistic interests (Hesmondhalgh, 2013, p.5). However, the relation between the artistic and idealistic and the commercial remains cause of tensions in the field of cultural industr…

MU501VDP::Samfunnsvitenskap: 200::Sosiologi: 220
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The Music Producers´ Role in A Digital Era : “An understanding of a how digitalization and the development of the producers’ role over time, has affe…

2018

Master's thesis Music Management MU501 - University of Agder 2018 As we all know the Music has been through quite a shift due to the digitalization both in business models and the way it is structured. There has been little research on the way these changes have affected the specific professions within the industry. This paper aims to look at how these changes have affected the Music Producers labor practices, and how the dynamics between the different parts in the industry has changed. It also aims to look at why it has happened, and what it has led to. The paper concludes with the fact that there is a lot of structural changes that has forced the producers to work different in order to st…

MU501VDP::Samfunnsvitenskap: 200::Sosiologi: 220
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The Effects of COVID-19 on Norwegian Artists : An explorative research of Norwegian artists ́ wellbeing and worklife during the COVID-19 pandemic

2021

Master's thesis in Music management (MU501) In this thesis the focus mainly lies on how Norwegian artists were reported during the COVID-19 pandemic, from the pandemic came to Norway until the end of this thesis, which is about halfway into 2021. The COVID-19 pandemic drastically changed many artists ́ work-and daily life. In times like these many of us have been given an opportunity to reflect. With the world being forced into more isolation and social distancing this thesis focus lies in attempting to investigate the more introspective effects that the COVID-19 pandemic has had for Norwegian artists. This study has based itself on mainly focusing on using two methods: literature research …

MU501VDP::Samfunnsvitenskap: 200::Sosiologi: 220
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Påvirker et ønske om komponistandeler produsentens kreative valg i studio?

2018

Masteroppgave Music Management MU501 - Universitetet i Agder 2018 Denne masteroppgaven undersøker om produsentens kreative bidrag i studio brukes i en økende grad som avlønning av rollen. Videre drøftes det om produsenter er tilbøyelige til å ta kreative grep for å øke sin komponistandel i kreative samarbeidssituasjoner. Jeg har satt opp et teoretisk rammeverk som tar for seg historikken til produsentrollens funksjoner, tradisjonelle inntektsstrømmer og insentivene til å skape innen immateriell rettighetslovgivning. For å generere et empirisk sammenligningsgrunnlag til teorien, har jeg foretatt fire intervjuer i en åpen samtaleform, der selve forskningsspørsmålet er blant spørsmålene jeg st…

MU501VDP::Samfunnsvitenskap: 200::Sosiologi: 220
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Traditional project management vs project management in the music industry : Research to identify whether project management within the music industr…

2018

Master's thesis Music Management MU501 - University of Agder 2018 This research paper is addressing the topic of project management within the music industry. The background of this thesis is based on the author’s personal interest in project management and the music business. The objective of this paper is to find out whether project management in the music business is any different than the traditional project management applied in today’s businesses. A few research questions arise from this interest and are treated throughout this essay: Is a project elaborated within the music industry different than any other project? Is taking a normal project management set-up into the music industry…

MU501VDP::Samfunnsvitenskap: 200::Sosiologi: 220
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