Search results for "MUSICIANS"
showing 10 items of 26 documents
Nomi d’arte e soprannomi di cantautori, rapper e band della scena musicale siciliana
2019
Nowadays the names and bynames of pop-groups and musicians are more and more characterized by multiple, differentiated onomaturgical solutions which allow us to explore and comprehend current linguistic and cultural trends as well as the metalinguistic awareness/competence of authors and «users» of the music industry. On the one hand, as far as the national and international scenario is concerned, many names are based on a sort of game of mirrors: from personal names to place names and street names, from sign names to brand names, a lot of linguistic material «rebounds” on the names of singers and bands. On the other hand, as far as the Sicilian dialect song context is concerned, most names…
Coupling of Action-Perception Brain Networks during Musical Pulse Processing: Evidence from Region-of-Interest-Based Independent Component Analysis
2017
Our sense of rhythm relies on orchestrated activity of several cerebral and cerebellar structures. Although functional connectivity studies have advanced our understanding of rhythm perception, this phenomenon has not been sufficiently studied as a function of musical training and beyond the General Linear Model (GLM) approach. Here, we studied pulse clarity processing during naturalistic music listening using a data-driven approach (independent component analysis; ICA). Participants’ (18 musicians and 18 controls) functional magnetic resonance imaging (fMRI) responses were acquired while listening to music. A targeted region of interest (ROI) related to pulse clarity processing was defined…
Dolor orofacial en músicos instrumentistas de viento
2012
Dentro de la amplia gama de tecnopatías que afectan a los intérpretes musicales (sean profesionales o no), el dolor orofacial es una de las más frecuentes, especialmente en los músicos de viento (viento-madera o viento-metal). Este trabajo pretende realizar una revisión bibliográfica relacionada con dicho tema, centrándose en los instrumentistas de viento. Material y métodos Se realizó la búsqueda en la National Library of Medicine's PubMed database así como en otras bases de datos médicas para identificar aquellos artículos revisados por pares en la literatura relacionados con los problemas orofaciales en músicos de viento, usando tanto palabras clave dentro de los Medical Subject Headings…
The Sound of Sadness : The Effect of Performers' Emotions on Audience Ratings
2013
Very few studies have investigated the effect of performers’ felt emotions on the audience perception of their performances. Does it matter what a performer feels or thinks about when performing? To investigate this, we asked four violinists to play the same musical phrase in response to three different instructions. The first in-struction was to focus on the technical aspects of their playing. The second instruction was to give an expres-sive performance. Following a sadness-inducing mood induction task, the third instruction was to play while focusing on their felt emotions. High quality audio and motion-capture recordings were made of all perfor-mances. Subsequently, motion-capture anima…
Muusikon tietämisen tavat : moniälykkyys, hiljainen tieto ja musiikin esittämisen taito korkeakoulun instrumenttituntien näkökulmasta
2011
Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion Capture
2015
<p>Techniques based on motion capture can be useful in <span><span style="font-size: x-small;">analyzing a wide range of musical styles and practices</span></span>: in this case, Transylvanian village music. We focused on a repertoire known as “Gypsy songs of sorrow”, played by professional Gypsy musicians during parties and celebrations of their own community. Two parameters were the object of study: rhythmic duration, and synchronization between musicians (a violinist and a viola player). Results show that rhythm is a local variant of <em>aksak</em> and is based on two duration units (S=short, L=long) which respect the formula 2:3 &lt; S:L &am…
It's Sad but I Like It The Neural Dissociation Between Musical Emotions and Liking in Experts and Laypersons
2016
Emotion-related areas of the brain, such as the medial frontal cortices, amygdala, and striatum, are activated during listening to sad or happy music as well as during listening to pleasurable music. Indeed, in music, like in other arts, sad and happy emotions might co-exist and be distinct from emotions of pleasure or enjoyment. Here we aimed at discerning the neural correlates of sadness or happiness in music as opposed those related to musical enjoyment. We further investigated whether musical expertise modulates the neural activity during affective listening of music. To these aims, 13 musicians and 16 non-musicians brought to the lab their most liked and disliked musical pieces with a …
Effects of musicianship and experimental task on perceptual segmentation
2015
The perceptual structure of music is a fundamental issue in music psychology that can be systematically addressed via computational models. This study estimated the contribution of spectral, rhythmic and tonal descriptors for prediction of perceptual segmentation across stimuli. In a real-time task, 18 musicians and 18 non-musicians indicated perceived instants of significant change for six ongoing musical stimuli. In a second task, 18 musicians parsed the same stimuli using audio editing software to provide non-real-time segmentation annotations. We built computational models based on a non-linear fuzzy integration of basic and interaction descriptors of local musical novelty. We found tha…
A kevert (online és offline) módszerű hallásképzés lehetőségei: egy kutatás eredményei
2020
Dynamic Functional Connectivity in the Musical Brain
2019
Musical training causes structural and functional changes in the brain due to its sensory-motor demands. This leads to differences in how musicians perceive and process music as compared to non-musicians, thereby providing insights into brain adaptations and plasticity. Correlational studies and network analysis investigations have indicated the presence of large-scale brain networks involved in the processing of music and have highlighted differences between musicians and non-musicians. However, studies on functional connectivity in the brain during music listening tasks have thus far focused solely on static network analysis. Dynamic Functional Connectivity (DFC) studies have lately been …