Search results for "Meri"
showing 10 items of 7596 documents
"Las manos de mama" di Nellie Campobello: madre reale e madre mitica
2018
In "Las manos de mama" by the Mexican writer Nellie Campobello the figure of the mother is idealized and associated with nature, she is mother-nature who reminds the vision that AZtec civilitazion shared about Teteoinnan, the mother goddess, queen of the earth.
El diario de Augusto Monterroso: La letra E
2007
In El diario de Augusto Monterroso: La letra E (in Assunta Polizzi, Parole discorsi testi nelle culture ispaniche, a cura di, Palermo, Flaccovio, 2007, pp.21-36) the author reflects on the genre of the journal within the framework of the ‘modern’, halfway between the existential testimony and an exercise in writing; fiction and confession. The paper examines the journal of Augusto Monterroso, La letra E, a text focusing on the image of a writer continually searching for adequate forms of expression and his doubts on the very act of writing. La letra E thus ends up being a further testimony to the commitment of the writer to the written word and –at the same time- to his clear intention to p…
Introduzione
2011
Veracité du récit et formes du témoignage chez les Wayuu (Colombie et Venezuela)
2008
Desde los margenes de la narrativa peruana: Faite de Cronwell Jara
2020
en ese texto se coloca a la obra de Cronwell Jara dentro del panorama literario canonico peruano y se hace un analisis de su ultima novela: Faite
La minificcion en el Peru
2010
Racconti peruviani
2007
La Lima literaria de Jorge Eduardo Eielson y Mario Vargas Llosa
2013
Maria Rosa Macedo y la narrativa indigenista peruana femenina
2009
Visioni apocalittiche in El cuerpo de Giulia-no di Jorge Eduardo Eielson
2013
Jorge Eduardo Eielson is a well-known poet and plastic artist, but his narrative works remain little-known, even in his native Peru. El cuerpo de Giulia-no is a discontinous and elusive text. Written in the 1950s but not published until 1971 in Mexico, it is an undoubtedly innovative work which thwarts the readers’s expectations with its fragmentary composition, elliptical tendencies, and the underlying dislogue amongst literature, visual arts and science running throughout the text. Like a typical Eislson work, it is a ‘chaotic’ text, which brings together the themes of the indigenist conflict and the Apocalypse emboded by the crisis of language with elements of meta-theatre and science fi…