Search results for "Modernisme"

showing 10 items of 42 documents

Arquitectura industrial: los primeros garajes de Valencia

2015

La impor­tan­cia social del auto­mó­vil y como con­se­cuen­cia de todo lo que le rodeaba, hicie­ron que los gara­jes se con­vir­tie­ran en edi­fi­ca­cio­nes inde­pen­dien­tes, con una tipo­lo­gía espe­cí­fica y donde se refle­ja­ban las carac­te­rís­ti­cas de la arqui­tec­tura moder­nista y regio­na­lista que se suce­die­ron en la Valen­cia de la época. Una mues­tra de la impor­tan­cia de los gara­jes es la auto­ría de las edi­fi­ca­cio­nes, a cargo de los arqui­tec­tos y maes­tros de obra con más renom­bre de la ciu­dad , como D. Fran­cisco Alme­nar, D. Deme­trio Ribes o D. José Peris.

Arquitectura i societatModernisme (Arquitectura)Arquitectura
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Contre l'autonomie et la clôture du texte : formes et ambiguïtés de la fiction moderniste européenne : (1910-1939)

2014

Although it has been a key concept of literary criticism in the English-speaking world for more than a half-century, modernism remains a relatively misunderstood notion in France, owing to its proximity to somewhat close concepts such as modernity and avant-garde, which it only partially overlaps. The concept is relevant to experimentation in all literary genres, but this study focuses on the novel, with texts by James Joyce, André Gide, Ramón Gómez de la Serna and Virginia Woolf. Those have often been mischaracterized by literary critics as either mimetic novels — though more realistic than realist novels — or more frequently as emblematic of the self-referential text, as defined by the do…

Fiction theory[SHS.LITT]Humanities and Social Sciences/LiteratureWoolfLittérature européenne du vingtième siècleVirginia20th Century European literature[ SHS.LITT ] Humanities and Social Sciences/LiteratureThéories de la fictionLiterary theoryRamón[SHS.LITT] Humanities and Social Sciences/LiteratureAndréRomanThéorie littéraireJamesModernismJoyceModernismeGómez de la SernaNovelGide
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The architecture of the first garages of Valencia

2014

[ES] El desarrollo y la expansión del automóvil a principios de siglo XX originó la necesidad de lugares de guarda y custodia: los garajes, que, además, servían como talleres, lavaderos, venta de accesorios y gasolina, y, en ocasiones, funcionaron también como agencias de exposición y venta de vehículos. Las construcciones destinadas a garaje se diseñaban con un programa de necesidades bien definido y con una estética acorde a los edificios de tendencias eclécticas, modernistas y post-modernistas de la época. En este trabajo se aborda el nacimiento de estas instalaciones en la ciudad de Valencia, hasta finales de los años veinte, y se muestra la evolución en el emplazamiento, la distribució…

GarajesmodernismArquitectura i societatautomóvilgarajes; modernismo; eclecticismo; Valencia; automóvilGarageseclecticismgarajesmodernismogaragescarCargarages; modernism; eclecticism; Valencia; carEclecticismModernisme (Arquitectura)ModernismeclecticismoValenciaPROYECTOS DE INGENIERIAArquitectura
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Savant et populaire. Le post-modernisme (1977-2011) selon Charles Jencks

2015

International audience

Historiographie de l'architecture du XXe sièclepostmodernismecanon[SHS] Humanities and Social SciencesComputingMilieux_MISCELLANEOUSCharles Jencksvulgarisation[SHS]Humanities and Social Sciences
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Evocaciones del Reino perdido. La antigua Casa de la Generalitat de Valencia como monumento

2021

Durante el siglo XIX se teje un relato historiográfico iniciado por intelectuales románticos y culminado por la Renaixença en el que se revaloriza el edificio de la Casa de la Generalitat de Valencia por su relación con las instituciones forales del Reino de Valencia, desaparecidas en 1707. Esta construcción historiográfica e ideológica culmina en su declaración jurídica como monumento en 1931 y en su restauración material en estilo, que se completa en 1952. Tras la abolición de los fueros albergó la Audiencia y la Diputación Provincial. Convertido en monumento, desde la promulgación del Estatuto de Autonomía en 1982 es sede del gobierno autónomo valenciano.

HistoryVisual Arts and Performing ArtsModernisme (Arquitectura)ArteBSAA arte
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The Artistic Commitment of Kenyon Cox: An American Neoclassical Artist

2016

At the end of the nineteenth century, the United States had undergone deep transformations. The second Industrial Revolution had created huge amounts of new wealth and power. This led to an alteration of the urban social fabric and to a repositioning of the country on the international scene.Since the 1870s, the American Renaissance had been a vehicle for the diffusion of new values and new concepts. As a broad neoclassical movement in the arts, it was committed to a rewriting of the country’s national past.At the time, Kenyon Cox (1856-1919) distinguished himself as one of the major artists of the movement, but also as one of its most influential critics and theorists. Cox developed theori…

Historymedia_common.quotation_subjectSecond Industrial Revolutionclassicismevolution(ism)The artsVisual arts[SHS]Humanities and Social SciencesPower (social and political)anti-modernisme[ SHS ] Humanities and Social Sciencesévolutionnismelcsh:Social sciences (General)évolutionclassicismeComputingMilieux_MISCELLANEOUSmedia_commonEnthusiasmPaintinglcsh:English languageKenyon CoxThe RenaissanceSpanish Civil WarCox - Classicism - FormalismKenyon Cox + Neoclassicismantimodernismlcsh:H1-99[SHS] Humanities and Social Scienceslcsh:PE1-3729Classicism
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Alt vil være, som det var før. Krisediskurs og utopi i Ben Lerners 10:04

2020

Sammendrag Krisenarrativer er et centralt emne i Ben Lerners anden roman, 10:04 (2014). Romanen, som indledes og afsluttes med en storm, undersøger de konsekvenser og forventninger, der er forbundet med at udnævne en bestemt hændelse eller tid til at være en krise, hvad enten begivenheden er opstået som følge af naturen, økonomien eller individuelle årsager. Antropologen Janet Roitman har beskrevet, hvordan krisenarrativer definerer og former vores forståelse af verden og på denne måde begrænser vores muligheder for at forandre verden. I 10:04 forsøger Lerner, i efterdønningerne af den finansielle krise i 2007-09, at undersøge, hvordan krisens rammeværk påvirker vores forståelse af verden, …

KrisediskursUtopia (typeface)Philosophypengelcsh:Literature (General)VDP::Allmenn litteraturvitenskap: 041General EngineeringBen Lernerlcsh:PN1-6790UtopiermetamodernismeVDP::General literature studies: 041UtopiasutopiHumanitiesøkonomiske netværk
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John Lehmann’s New Writing: The Duty to Be Tormented

2011

John Lehmann’s magazine New Writing, launched in 1936, may be said to give literary historians a slow-motion image of the evolution of artistic consciousness in one of the most turbulent periods of the twentieth century. Throughout the fourteen years of its existence, encompassing the Spanish Civil War and the Second World War, the magazine covers a neglected period of transition in the evolution of modernism. Through his editorial policy and a susceptible interpretation of the Zeitgeist, Lehmann voices the particular torments of his generation, too young to have participated in the First World War, but deeply affected by it. The magazine constitutes an attempt to change the role and social…

Late Modernism[SHS.LITT]Humanities and Social Sciences/Literatureliterary historyModernist magazineshistoire de l’édition[ SHS.LITT ] Humanities and Social Sciences/Literaturerevues modernistesprofession d’auteur[SHS.LITT] Humanities and Social Sciences/Literaturehistory of publishinghistoire de la littératurefin de l’époque du modernismeModernismeauthorshipComputingMilieux_MISCELLANEOUSengagement
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Ivy and Bones: ruins and reversibility during the Blitz

2012

"Ivy and bones: ruins and reversibility during the Blitz" examines how the representation of the ruins of the Blitz is informed by the aesthetic and semiotic tension between abstraction, modernist purity and picturesque accretion. Subsequently building on the notion of reversibility, it explores the way wartime destruction and/or cultural decline is recorded as well as counteracted and compensated for in works by Elizabeth Bowen, Herbert Furst, Claire Leighton, Rose Macaulay, John Piper, and Virginia Woolf. The trope of reversibility provides a template to consider some of the sites where aesthetic conflicts are re-enacted, from blitzed spaces to the printed page as threatened modernist art…

Late Modernismmodernisme tardifSeconde Guerre mondiale[SHS.LITT]Humanities and Social Sciences/Literature[ SHS.ART ] Humanities and Social Sciences/Art and art history[ SHS.LITT ] Humanities and Social Sciences/Literature[SHS.ART]Humanities and Social Sciences/Art and art history[SHS.LITT] Humanities and Social Sciences/LiteratureBlitz fictionSecond World Warbooklivrelittérature du Blitz[SHS.ART] Humanities and Social Sciences/Art and art historywood-engravinggravure sur bois
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La ribellione delle lingue: interrelazione delle arti e poesia sperimentale

2018

Este artículo plantea una sintética historia del surgimiento de la poesía ex perimental en España, enfocada hacia la utopía expresiva de la integración de las artes como lenguaje supranacional y réplica al dominio de la imagen en la cultura de masas. This paper presents a synthetic history of the emergence of experimental poetry in Spain, focused on the expressive utopia of the integration of the arts as a supranational language and a replica of the hegemony of image in mass culture. Cet article présente une histoire synthétique de l’émergence de la poésie expérimentale en Espagne, centrée sur l’utopie expressive de l’intégra tion des arts en tant que langue supranationale et réplique de l’…

Neo-avantgardes; Experimental poetry; Relation between the arts; Visual culture; PostmodernismVisual cultureNeo-avantgardesRelations entre les artsPoesía experimentalExperimental poetryPostmodernismeInterrelación de las artesPoesia sperimentaleNéo-avantgardesRelazione tra le artiNeovanguardias; Poesía experimental; Interrelación de las artes; Cultura visual; PostmodernismoArte. GeneralidadesCultura visualPoésie experimentaleRelation between the artsCulture visuelleNéo-avantgardes; Poésie experimentale; Relations entre les arts; Culture visuelle; PostmodernismeNeo-avanguardie; Poesia sperimentale; Relazione tra le arti; Cultura visiva; PostmodernismoPostmodernismoPostmodernismNeo-avanguardieArteNeovanguardiasCultura visiva
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