Search results for "Movie"
showing 10 items of 124 documents
Film programming: curating for cinemas, festivals, archives
2016
Private Space in Soviet Cinema: Case Study of Riga
2018
Abstract The aim of this article is to discover the discourse of living spaces of Riga through the films of the Soviet period and to examine essential changes of private space in different residential structures. This study contributes to the field of human geography by conducting content analysis of a vast number of Soviet films with a focus on the development and spatial organization of apartments in Riga. The analysis of 264 films illustrates that living spaces are rarely portrayed in the Soviet cinema and they mostly provide intentionally formed idealistic information about the qualities and achievements of Soviet private space.
"That's Real! That's What You Want!": Producing Fear in George A. Romero's Dawn of the Dead (1978) vs Zack Snyder's remake (2004)
2011
International audience; This article examines traditional oppositions between terror and horror in Dawn of the Dead (1978) and its recent remake (2004), by focusing on one of the major changes made by the producers of the remake: the use of running zombies, which emphasizes the danger the creatures represent to the characters, and enables the film-makers to resort to the kind of cheap startle effects that abound in contemporary slasher and action movies. That the living dead of 1978 were slow-moving allowed for contemplation of their pathetic state and questioned the border between living and dead. The 1978 film underlined how incompatible the living dead were with such techniques that rely…
Cinema audiences reproducibly vary the chemical composition of air during films, by broadcasting scene specific emissions on breath
2016
AbstractHuman beings continuously emit chemicals into the air by breath and through the skin. In order to determine whether these emissions vary predictably in response to audiovisual stimuli, we have continuously monitored carbon dioxide and over one hundred volatile organic compounds in a cinema. It was found that many airborne chemicals in cinema air varied distinctively and reproducibly with time for a particular film, even in different screenings to different audiences. Application of scene labels and advanced data mining methods revealed that specific film events, namely “suspense” or “comedy” caused audiences to change their emission of specific chemicals. These event-type synchronou…
Filmowe rozmowy na ekranie i przed ekranem. O wieloaspektowej dialogiczności filmu
2020
Autor artykułu zwraca uwagę na podwójną dialogiczność filmu: jako komunikatu kierowanego do widza oraz jako źródła inspiracji do rozmów publiczności. Od początku istnienia pierwszego audiowizualnego medium, jakim jest film, rozmowa stanowi część narracji, której adresatem jest widz. Słowa obecne w filmie to komunikaty, które dostarczają informacji o przedstawionym w nim świecie, wpływają na rozwój akcji i tworzą atmosferę scen. Filmowe monologi czy rozmowy, będące w istocie dialogiem z widzem, umożliwiają zagłębienie się w znaczenia kreowane przez twórców filmów, którzy dotykają także spraw istotnych. W artykule przywołane zostały przykłady takich rozmów, zaczerpnięte z twórczości Krzysztof…
Inmigrantes “chinxs” en la Buenos Aires globalizada
2018
En las últimas décadas y debido a la globalización, aun siendo su afincamiento restrictivo, la movilidad de personas coloca incluso a sociedades como la argentina, que se autodefine como de inmigrantes, frente a interesantes encrucijadas discursivas: ¿Qué elementos mueve la vulnerabilidad de los actuales inmigrantes en la autopercepción de las autobiografías migratorias de lxs argentinxs? El artículo 25 de la Constitución argentina fomenta explícitamente “la inmigración europea”, pero, ¿qué sucede con la “nueva migración”, por ejemplo con la de personas originarias de China, que se establecieron en los años 1980 y ya cuentan con una “segunda generación” o con otras llegadas aún más reciente…
Biblia w filmie
2009
Produksjon av nærvær : en undersøkelse av sanselig tilstedeværelse i møte med kunst
2013
Masteroppgave i kunstfag – Universitetet i Agder 2013
Exploring the relational element in the photographic portrait : how may contemporaneity in the form of the relational be reflected in the photographi…
2013
Masteroppgave i kunstfag – Universitetet i Agder 2013 This dissertation focuses on relational elements in the photographic portrait, asking how contemporaneity in the form of the relational may be reflected in the photographic portrait today, in 2013. The question is approached phenomenologically and hermeneutically, by probing the topography between art and photography theory, the work of other artists and the author’s personal artistic practice. Central theorists are Roland Barthes, Jacques Rancière and curator Nicolas Bourriaud, and referred artists are Roni Horn, Rineke Dijkstra and Nelli Palomäki. The final result will be disseminated by the exhibition Cast off - a portrait photography…
Ellidas Ocean : en undersøkelse av det kreative utbyttet i møtet mellom et drama og scenisk poesi.
2014
Masteroppgave kunstfag- Universitetet i Agder, 2014