Search results for "Movie"
showing 10 items of 124 documents
Der hermeneutische Akt des Übersetzens. Schleiermacher und die Literaturverfilmung
2015
Friedrich Schleiermacher’s notion of translation can be applied productively to the dialogical relationship of literature and film. Whilst a literary translator translates the original text into the target language, thus stepping back behind the original, this process is entirely different in the case of literary adaptation. Here it is the director who takes the author’s place, ostensibly causing the original text to disappear. Furthermore, the translation of a literary text into the language of cinema is an interpretative engagement with, and an attempt to better understand, the original work. In contrast with translation in a stricter sense, which has by its nature a duty to uphold and to…
Cinema Letters: Queer Typography to Training Teachers in Diversity and Visual Culture
2020
This paper presents a series of proposals to innovate in the field of teacher training from a critical perspective. We use art and design education incorporating creative aspects that range from the textual discourses of visual culture (cinema) and typography to issues of sexual diversity and queer dissidences. We promote creative experiences by introducing as a reference the study of typographies designed for films that raise LGBT issues. We review the typographical tradition of design elements related to the cinema, such as posters or main titles. We approach different questions from a multidisciplinary perspective, always thinking about teacher training and also about the educational pot…
La dictadura del cuerpo: el cuerpo como objeto de propaganda
2014
ABSTRACT Body of athletes has been settled as a modern icon in the same movement that has settled the sport man into hero. But we can find the strategies to transform it into a deity or a product of marketing in such an old film as Olympia (1938), audiovisual discourse about Olympic Games of Berlin. It is also considered as one of the main examples of propaganda in modern cinema. We suggest a comparative analysis that confronts Olympia with First (2012), last official olimpic film distributed, where we can discover the propagandistic possibilities and the consequences of this visual strategies. Analysis proposes to study if the common places and strategies are not only form coincidences bet…
Las mujeres caídas como herederas de María Magdalena en el audiovisual (1910-1919)
2021
espanolLas imagenes actuan como focos de influencia para la creacion de otras imagenes, historias o personajes (Fritz Saxl). Este es el caso de la mitica Magdalena, quien ha funcionado como agente contaminante para crear toda una estirpe de herederas, entre las que se encuentran las mujeres caidas. Estos personajes viven su auge en la literatura decimononica, teniendo tambien su presencia en la pintura de esa misma cronologia. Despues, saltaran al cine con un importante momento de auge en la segunda decada del siglo XX. NO ME PERMITE TERMINAR DE INCLUIR EL RESUMEN EnglishImages can be a point of influence for the creation of other images, stories or characters. This is true of the mythical …
ROMOT: A Robotic 3D-Movie Theater Allowing Interaction and Multimodal Experiences
2017
In this paper we introduce ROMOT, a RObotic 3D-MOvie Theater. ROMOT is built with a robotic motion platform, includes multimodal devices and supports audience-film interaction. Differently from other similar systems, ROMOT is highly versatile as it can support different setups, integrated hardware and contents. Regarding to the setups, here we present a first-person movie, a mixed reality environment, a virtual reality interactive environment and an augmented reality mirror-based scene. Regarding to integrated hardware, the system currently integrates a variety of devices and displays that allow audiences to see, hear, smell, touch and feel the movement, all synchronized with the filmic exp…
Da skrekken kom til Norge : en studie av hva som skremmer i norsk horrorfilm
2009
Masteroppgave i nordisk språk og litteratur- Universitetet i Agder 2009
¿Es el cine japonés un cine nacional?
2018
Resumen 
 La construcción del cine japonés como cine nacional ha partido a menudo de una visión esencialista que ha ignorado la dimensión transnacional de esta filmografía. Por un lado, el descubrimiento occidental de ciertos autores japoneses en los años cincuenta condujo a la articulación del paradigma del cine nacional japonés a partir de películas dirigidas a asombrar al público europeo con imágenes exóticas de Japón. Los grandes maestros, Kurosawa, Mizoguchi y Ozu fueron escogidos como representantes de una supuesta japonesidad cinematográfica ignorando el peso de Occidente en sus obras. Por otro lado, el estudio de este corpus tradicionalmente ha evolucionado con herramientas teó…
Assessing movie similarity using a multilayer network model
2021
International audience; This work investigates the movie similarity issue. A multilayer network model capturing various aspects of the story is built from movie scripts. Based on this representation, movies are compared not from summary or actors but using their storyboard. We rely on the "Portrait divergence" to quantify distances between graph characteristics. We illustrate the effectiveness of this approach in comparing movie series.
El escultor del tiempo: claves de la “filosofía cinematográfica” de Gilles Deleuze
2018
Gilles Deleuze ha ofrecido en sus dos estudios sobre cine —L’image–mouvement y L’image– temps— una de las propuestas más ambiciosas de las últimas décadas en lo que concierne a la relación entre filosofía y cine, hasta el punto de construir una auténtica “filosofía cinematográfica” y de inaugurar, en paralelo a Stanley Cavell, una fructífera línea de investigación filosófica que ha dado en denominarse como “film–philosophy”. Su primera obra se centra, fundamentalmente, en elaborar una metafísica del tiempo inspirada en la filosofía de Henri Bergson, pero utilizando las posibilidades del cine para complementar y trascender las ideas del autor de L’évolution créatice. En su se…
Movements by Drawing: Avant-Garde Set-Design and Sound Landscapes
2018
The article deals with the study of visual images produced by the movement through the drawing’s set-design realized between 1920 and 1930, moment of theatre revolution, which saw the cooperation of different sectors of art, including photography, painting, architecture, cinema, dance, sculpture, and music. The visual values that triggered the theorization of the artistic avant-garde and, subsequently, the production of the scenographic drawing, in form and space, constitute a corollary of dynamic systems, a metaphor of the deconstructed movement through the figuration of the idea and at the same time signification of the interpretative distortion. The aim is to deepen the issue of movement…