Search results for "Music"
showing 10 items of 3804 documents
Estudio y análisis del lenguaje musical cinematográfico de Juan Durán Alemany (1894-1970)
2014
Fil: Botella Nicolás, Ana María. Universidad de Oviedo; España Fil: Gimeno Romero, José Vicente. Universidad de Valencia; España Fil: Botella Nicolás, Ana María. Universidad de Valencia; España Fil: Gimeno Romero, José Vicente. Conservatorio de Música de Valencia; España Resumen: Este trabajo pretende dar a conocer el lenguaje musical cinematográfico del compositor español Juan Durán Alemany. Para ello, se ha llevado a cabo un estudio de la música compuesta para la película Han matado a un cadáver, analizando los diferentes bloques musicales que configuran su banda sonora. Además, se ha establecido una distinción entre los bloques que corresponden a lo que consideramos música diegética y lo…
Picard and the Italian Mathematicians: The History of Three Prix Bordin
2016
It is usually said that in the transition period between 19th and 20th centuries, French scholars (mainly Picard and Humbert) as well as Italian scholars (mainly Castelnuovo, Enriques and Severi) were interested in the study of algebraic surfaces, though using different methods.
La réussite en éducation musicale : des facteurs individuels aux facteurs contextuels
2007
This study aim to improve knowledge about individual and contextual factors of success in music education during elementary level's first year. There are three main subjects : acquisitions' social inequalities, teacher-effect and children' interest about in class musical activities. Two musical tests (one at the beginning of the year, another at the end) were administrated to 1184 students living in Burgondy. Questionnaries completed by various actors (teachers and students) gave a lot of data. Data were analysed with multivariate models. Our results demonstrated that 1°) musical practices develop abilities and explain social origin's effect on musical acquisitions at the beginning of the y…
Dzieje organów w kościele parafialnym w Niemczy
2018
Pierwsze wzmianki o organach w kościele parafialnym w Niemczy pochodzą z przełomu XVI i XVII wieku. W latach 1597–1598 niewielki instrument wybudował Abraham Grasse. W 1617 roku ten sam organmistrz postawił nowe organy, liczące sześć głosów w manuale i trzy w pedale. Strawił je pożar w 1633 roku. W 1648 roku do odbudowanego kościoła zakupiono używany pozytyw. W 1725 roku świątynia wzbogaciła się o 20-głosowe organy wybudowane przez Ignatzego Mentzla. Służyły one parafii do 1852 roku, wówczas zamknięto, a następnie rozebrano kościół. Organy znajdujące się w obecnej świątyni pochodzą z 1866 roku i są dziełem Gottfrieda Riemera z Brzegu. Miały pierwotnie 18 głosów i mechaniczną trakturę rejest…
Musical Competition Culture in 19th Century Italy. The Concorso Basevi (Florence) and the Circolo Bonamici (Naples)
2021
Musical competitions played an important function in Italian musical culture of the 19th century. Florence and Naples offer two interesting examples in this field. In the Tuscan city, Abramo Basevi (1818-1885) established an annual composition competition specially dedicated to chamber music, which reached great popularity throughout Europe; the “Concorso Basevi” took place six times starting from 1861. In Naples Ferdinando Bonamici (1827-1905) showed more varied interests and organized not only composition but also performance competitions between 1863 and 1865. Both experiences, based on individual or small group initiatives, were undoubtedly fragile, but they contributed significantly to…
María Magdalena. Continuidad y variación en la cultura audiovisual (1897-2014)
2017
El objetivo principal de esta tesis consiste en analizar la presencia de María Magdalena en las producciones audiovisuales del periodo comprendido entre 1897 y 2014. Dichas producciones proceden de Europa, Estados Unidos, Canadá y México. El marco metodológico general a partir del que se plantea el análisis es la iconología, entendida como Zwichenraum o tierra de confluencias. En concreto, la noción de continuidad y variación, iniciada por Aby Warburg y continuada por Fritz Saxl, es la principal cuestión teórica en la que se basa la aproximación. El estudio se lleva a cabo en perspectiva diacrónica con el objetivo de detectar dichas fases de continuidad y variación del personaje a lo largo …
Muzikālās inteliģences iekļaušanas pazīmes ikdienas mācībās 6.-9. klasēs
2018
Lai iegūt augstākas atzīmes un būt sekmīgi skolā var but grūti skolniekiem. Šijā pētiumā mērķis ir parādīt, vai un kā mūzikas inteliģenci var izmantot studenta ikdienas grafikā, lai palīdzētu viņiem sasniegt augstākas atzīmes visos studiju kursos. Tad salidzināt ar skolniekiem kuri nav iesaistīti mūzikā. Strādājot kopā grupās un pielietojot šīs inteliģences ko studenti mācās mūzikas kursos, mācīšan var kļūt vieglāka studentiem visos pirekšmetos. Viņi stimulē un izmanto savas smadzenes biežāk nekā studenti, kas nav muzikanti, tādējādi atvieglojot mācību stundu saturu. Šajā pētījumā studentu atzīmes salīdzin visos kursos pierādot ka tie studenti, kuri aktīvi iesaistās mūzikā, saņem augstākas …
An Overview on Italian Arithmetic after the Disquisitiones Arithmeticae
2007
Thedecades around 1800were not a period inwhich puremathematics in general, and number theory in particular, flourished in Italy, see [Bottazzini 1994]. It is significant in this respect that Joseph Louis Lagrange, whose birth and early studies took place in Torino, finally became a prominent representative of the Frenchmathematical school and that, decades later, Guglielmo Libri still spent most of his academic career in France. Thus, Gauss’s Disquisitiones Arithmeticae did not have an immediate resonance in Italian mathematical circles. Gianfrancesco Malfatti, a professor in Ferrara, already seventy years old at the time of the publication of theDisquisitiones Arithmeticae, was one of the…
Andrei Șerban: The Search for ‘New Forms’
2021
This chapter discusses the theatre of Andrei Șerban, definitely one of the most important theatre directors of the second half of the twentieth century. He began directing in Communist Romania in the 1960s and had to deal with censorship, so in order to avoid this uncomfortable context, he focused on interpreting the text—he constantly searched for new nuances and made use of all possible subtexts. These are the premises of his work and when he moved to the USA, he continued this artistic strategy. Throughout his career, Andrei Șerban has been passionate about staging The Seagull (five times), as he is constantly looking for new forms, just like Chekhov’s character Treplev. A special accent…
Semantic structures of timbre emerging from social and acoustic descriptions of music
2011
The perceptual attributes of timbre have inspired a considerable amount of multidisciplinary research, but because of the complexity of the phenomena, the approach has traditionally been confined to laboratory conditions, much to the detriment of its ecological validity. In this study, we present a purely bottom-up approach for mapping the concepts that emerge from sound qualities. A social media ( http://www.last.fm ) is used to obtain a wide sample of verbal descriptions of music (in the form of tags) that go beyond the commonly studied concept of genre, and from this the underlying semantic structure of this sample is extracted. The structure that is thereby obtained is then evaluated th…