Search results for "Musician"
showing 10 items of 32 documents
“Pour consideracion des bons et aggreables services”: dons, musiciens et communication politique à la cour de Bourgogne (1404–1467)
2023
Early auditory processing in musicians and dancers during a contemporary dance piece
2016
AbstractThe neural responses to simple tones and short sound sequences have been studied extensively. However, in reality the sounds surrounding us are spectrally and temporally complex, dynamic and overlapping. Thus, research using natural sounds is crucial in understanding the operation of the brain in its natural environment. Music is an excellent example of natural stimulation which, in addition to sensory responses, elicits vast cognitive and emotional processes in the brain. Here we show that the preattentive P50 response evoked by rapid increases in timbral brightness during continuous music is enhanced in dancers when compared to musicians and laymen. In dance, fast changes in brigh…
Music Migrations from the Bohemian Lands to Trieste and the National Awakening of the Southern Slavs
2017
After obtaining the status of free port under the Austrian administration (1719), Trieste was transformed into a rich cosmopolitan town of the Adriatic sea, in which conveyed German and Slavic peoples, and then some groups from the Mediterranean countries. Among them, the Czechs played a key role in spreading the classical style at the end of the eighteenth century, as testified by the individual migration of composers to the nearby cities of Gorizia and Ljubljana (František Josef Dusík, Vaclav Vratny, Jan Kejha, Johannes Schreiber). Equally important, in the second part of the nineteenth century, was the creation of the modern violin school thanks to the contribution of Friedrich Pixis’s p…
Nomi d’arte e soprannomi di cantautori, rapper e band della scena musicale siciliana
2019
Nowadays the names and bynames of pop-groups and musicians are more and more characterized by multiple, differentiated onomaturgical solutions which allow us to explore and comprehend current linguistic and cultural trends as well as the metalinguistic awareness/competence of authors and «users» of the music industry. On the one hand, as far as the national and international scenario is concerned, many names are based on a sort of game of mirrors: from personal names to place names and street names, from sign names to brand names, a lot of linguistic material «rebounds” on the names of singers and bands. On the other hand, as far as the Sicilian dialect song context is concerned, most names…
Coupling of Action-Perception Brain Networks during Musical Pulse Processing: Evidence from Region-of-Interest-Based Independent Component Analysis
2017
Our sense of rhythm relies on orchestrated activity of several cerebral and cerebellar structures. Although functional connectivity studies have advanced our understanding of rhythm perception, this phenomenon has not been sufficiently studied as a function of musical training and beyond the General Linear Model (GLM) approach. Here, we studied pulse clarity processing during naturalistic music listening using a data-driven approach (independent component analysis; ICA). Participants’ (18 musicians and 18 controls) functional magnetic resonance imaging (fMRI) responses were acquired while listening to music. A targeted region of interest (ROI) related to pulse clarity processing was defined…
ENTREACTO / ENTR?ACTE Un film / A Film Chopin y los Sand, amor a cuatro bandas. Aproximación a la esfera privada de Fryderyk Chopin a partir de la pe…
2021
Two centuries later, the legend Chopin-Sand continues to supply the collective imaginary with vague readings, where historical truthfulness, let alone musical truth, is often contingent on the literary. The much discussed and bellicose romance between the Polish composer and the French novelist, George Sand, tends to some reductionism and evades an obvious reality: Fryderyk Chopin meets George Sand when she was already the mother of two children. This circumstance suggests reformulating certain romantic stereotypes. Jerzy Antczak?s biographical film Pragnienie Mi?o?ci (Chopin: Desire for Love, 2002) does not overlook this detail and makes it one of its narrative axes. The relationship betwe…
Dolor orofacial en músicos instrumentistas de viento
2012
Dentro de la amplia gama de tecnopatías que afectan a los intérpretes musicales (sean profesionales o no), el dolor orofacial es una de las más frecuentes, especialmente en los músicos de viento (viento-madera o viento-metal). Este trabajo pretende realizar una revisión bibliográfica relacionada con dicho tema, centrándose en los instrumentistas de viento. Material y métodos Se realizó la búsqueda en la National Library of Medicine's PubMed database así como en otras bases de datos médicas para identificar aquellos artículos revisados por pares en la literatura relacionados con los problemas orofaciales en músicos de viento, usando tanto palabras clave dentro de los Medical Subject Headings…
Influencia de la práctica instrumental en el sistema orofacial
2014
Introducción. El aparato estomatognático es muy importante para los instrumentistas de viento ya que les permite la ejecución musical. Por lo tanto, les debería preocupar su estado en cuanto a función y salud. Se ha observado que una maloclusión puede afectar a la correcta posición del instrumento en la boca, al igual que tocar instrumentos de viento podría influir en el esqueleto dentofacial. Sin embargo la exacta relación entre ellos no se conoce en profundidad. Es a esta relación a lo que pretendemos aportar con este trabajo. Objetivos. El propósito general es valorar los cambios y patologías orofaciales asociadas, con relación de causa-efecto, a la práctica con instrumentos musicales de…
The Sound of Sadness : The Effect of Performers' Emotions on Audience Ratings
2013
Very few studies have investigated the effect of performers’ felt emotions on the audience perception of their performances. Does it matter what a performer feels or thinks about when performing? To investigate this, we asked four violinists to play the same musical phrase in response to three different instructions. The first in-struction was to focus on the technical aspects of their playing. The second instruction was to give an expres-sive performance. Following a sadness-inducing mood induction task, the third instruction was to play while focusing on their felt emotions. High quality audio and motion-capture recordings were made of all perfor-mances. Subsequently, motion-capture anima…