Search results for "Musicology"

showing 10 items of 497 documents

Supplemental Material, Appendices_(1) - Is it me or the music? Stress reduction and the role of regulation strategies and music

2019

Supplemental Material, Appendices_(1) for Is it me or the music? Stress reduction and the role of regulation strategies and music by Margarida Baltazar, Daniel Västfjäll, Erkin Asutay, Lina Koppel and Suvi Saarikallio in Music & Science

190406 Music Composition190409 Musicology and Ethnomusicology190407 Music PerformanceFOS: Arts (arts history of arts performing arts music)
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Combining gestures and vocalizations to imitate sounds

2015

International audience; Communicating about sounds is a difficult task without a technical language, and naïve speakers often rely on different kinds of non-linguistic vocalizations and body gestures (Lemaitre et al. 2014). Previous work has independently studied how effectively people describe sounds with gestures or vocalizations (Caramiaux, 2014, Lemaitre and Rocchesso, 2014). However, speech communication studies suggest a more intimate link between the two processes (Kendon, 2004). Our study thus focused on the combination of manual gestures and non-speech vocalizations in the communication of sounds. We first collected a large database of vocal and gestural imitations of a variety of …

Acoustics and UltrasonicsComputer scienceInformationSystems_INFORMATIONINTERFACESANDPRESENTATION(e.g.HCI)Speech recognition02 engineering and technologyRepresentation (arts)[ SPI.SIGNAL ] Engineering Sciences [physics]/Signal and Image processing[INFO.INFO-NE]Computer Science [cs]/Neural and Evolutionary Computing [cs.NE][INFO.INFO-CL]Computer Science [cs]/Computation and Language [cs.CL]Loudness[INFO.INFO-AI]Computer Science [cs]/Artificial Intelligence [cs.AI][SCCO]Cognitive science0202 electrical engineering electronic engineering information engineering[ INFO.INFO-NE ] Computer Science [cs]/Neural and Evolutionary Computing [cs.NE]050107 human factorsComputingMilieux_MISCELLANEOUSSound (medical instrument)05 social sciences[ SHS.ANTHRO-SE ] Humanities and Social Sciences/Social Anthropology and ethnology[INFO.INFO-MA]Computer Science [cs]/Multiagent Systems [cs.MA][ SCCO.COMP ] Cognitive science/Computer science[SCCO.PSYC] Cognitive science/Psychology[INFO.INFO-SD]Computer Science [cs]/Sound [cs.SD][ SCCO.NEUR ] Cognitive science/Neuroscience[SCCO.PSYC]Cognitive science/Psychology[ INFO.EIAH ] Computer Science [cs]/Technology for Human Learning[ INFO.INFO-MA ] Computer Science [cs]/Multiagent Systems [cs.MA][INFO.EIAH]Computer Science [cs]/Technology for Human Learning[SPI.SIGNAL]Engineering Sciences [physics]/Signal and Image processingGesture[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsAcoustics[SCCO.COMP]Cognitive science/Computer scienceArts and Humanities (miscellaneous)[ INFO.INFO-HC ] Computer Science [cs]/Human-Computer Interaction [cs.HC]0501 psychology and cognitive sciences[ INFO.INFO-CL ] Computer Science [cs]/Computation and Language [cs.CL][INFO.INFO-HC]Computer Science [cs]/Human-Computer Interaction [cs.HC]Set (psychology)[ INFO.INFO-AI ] Computer Science [cs]/Artificial Intelligence [cs.AI][SPI.ACOU]Engineering Sciences [physics]/Acoustics [physics.class-ph][SPI.ACOU] Engineering Sciences [physics]/Acoustics [physics.class-ph][SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ INFO.INFO-ET ] Computer Science [cs]/Emerging Technologies [cs.ET][SCCO.NEUR]Cognitive science/Neuroscience020207 software engineering[SHS.ANTHRO-SE]Humanities and Social Sciences/Social Anthropology and ethnologyVariety (linguistics)loudness[INFO.INFO-ET]Computer Science [cs]/Emerging Technologies [cs.ET]Noise (video)[ INFO.INFO-SD ] Computer Science [cs]/Sound [cs.SD]
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Comparing identification of vocal imitations and computational sketches of everyday sounds

2016

International audience; Sounds are notably difficult to describe. It is thus not surprising that human speakers often use many imitative vocalizations to communicate about sounds. In practice,vocal imitations of non-speech everyday sounds (e.g. the sound of a car passing by) arevery effective: listeners identify sounds better with vocal imitations than with verbal descriptions, despite the fact that vocal imitations are often inaccurate, constrained by the human vocal apparatus. The present study investigated the semantic representations evoked by vocal imitations by experimentally quantifying how well listeners could match sounds to category labels. Itcompared two different types of sounds…

Acoustics and UltrasonicsComputer science[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsSpeech recognitionAcoustics[SCCO.COMP]Cognitive science/Computer science[ SPI.SIGNAL ] Engineering Sciences [physics]/Signal and Image processing[INFO.INFO-NE]Computer Science [cs]/Neural and Evolutionary Computing [cs.NE][INFO.INFO-CL]Computer Science [cs]/Computation and Language [cs.CL][INFO.INFO-AI]Computer Science [cs]/Artificial Intelligence [cs.AI][SPI]Engineering Sciences [physics][SCCO]Cognitive scienceArts and Humanities (miscellaneous)[ INFO.INFO-HC ] Computer Science [cs]/Human-Computer Interaction [cs.HC][ INFO.INFO-CL ] Computer Science [cs]/Computation and Language [cs.CL][INFO.INFO-HC]Computer Science [cs]/Human-Computer Interaction [cs.HC][ INFO.INFO-NE ] Computer Science [cs]/Neural and Evolutionary Computing [cs.NE][ INFO.INFO-AI ] Computer Science [cs]/Artificial Intelligence [cs.AI]ComputingMilieux_MISCELLANEOUSSound (medical instrument)[ INFO.INFO-ET ] Computer Science [cs]/Emerging Technologies [cs.ET][SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SCCO.NEUR]Cognitive science/Neuroscience[SHS.ANTHRO-SE]Humanities and Social Sciences/Social Anthropology and ethnologyIdentification (information)[ SHS.ANTHRO-SE ] Humanities and Social Sciences/Social Anthropology and ethnology[INFO.INFO-MA]Computer Science [cs]/Multiagent Systems [cs.MA][ SCCO.COMP ] Cognitive science/Computer science[ SCCO.NEUR ] Cognitive science/Neuroscience[INFO.INFO-SD]Computer Science [cs]/Sound [cs.SD][ INFO.EIAH ] Computer Science [cs]/Technology for Human Learning[ INFO.INFO-MA ] Computer Science [cs]/Multiagent Systems [cs.MA][INFO.INFO-ET]Computer Science [cs]/Emerging Technologies [cs.ET][INFO.EIAH]Computer Science [cs]/Technology for Human Learning[ INFO.INFO-SD ] Computer Science [cs]/Sound [cs.SD][SPI.SIGNAL]Engineering Sciences [physics]/Signal and Image processing
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Contribution de l’analyse de scène auditive à l’analyse de la performance

2017

Disponible sur : http://euromac2017.unistra.fr/wp-content/uploads/2017/05/Ext.-Lalitte-Philippe.pdf. Intervention donnée en Session 13C : Analyser la performance aujourd'hui : enjeux et perspectives; International audience; L’analyse de la performance de musiques savantes écrites des XXe–XXIe siècles pose des problèmes méthodologiques spécifiques à ce répertoire (Lalitte, 2015). Plus que dans un autre répertoire, l’interprète a un rôle particulièrement important pour transmettre à l’auditeur une image auditive (McAdams, 1984) la plus cohérente possible d’œuvres fréquemment qualifiées de perceptivement complexes. Cette constatation est particulièrement cruciale dans la musique polyphonique o…

Analyse de Scène Auditive[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsPerformanceGroupements auditifsImage auditiveMémoireScène auditive[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsAnalyse de la performanceInterprétationMusique du XXe siècleAttentionPerceptionMusique savante écrite des XX e – XXIe siècles
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: African Stars: Studies in Black South African Performance . Veit Erlmann.

1992

Arts and Humanities (miscellaneous)Cultural anthropologyAnthropologyAnthropologyEthnomusicologySociologyAfricana studiesAmerican Anthropologist
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The Theories of Helmholtz in the Work of Varèse

2011

In 1905 Varese discovered the French edition of Die Lehre von den Tonempfindungen als physiologische Grundlage fur die Theorie der Musik [On the Sensations of Tone as a Physiological Basis for the Theory of Music] of Hermann von Helmholtz (1863), the explicit intention of which was to bring together the common frontiers of science and music. This discovery was a revelation for the 22-year-old composer that went on to condition his whole philosophy of sound. The experiences of the German scientist, achieved with the aid of sirens, resonators or tuning forks, caught the imagination of the young composer. This article investigates the importance of the theories of Helmholtz for the Varesian ae…

AtonalityContext (language use)Revelation060404 music[SHS]Humanities and Social SciencesGermansymbols.namesakeComposition (language)ComputingMilieux_MISCELLANEOUS[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsPhilosophy05 social sciences050301 education06 humanities and the artsTone (literature)language.human_language[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsAestheticsHelmholtz free energylanguagesymbolsPerformance art[SHS] Humanities and Social Sciences0503 education0604 artsMusic
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Electrophysiological Correlates of Aesthetic Music Processing

2009

We analyzed the processes of making aesthetic judgments of music, focusing on the differences between music experts and laypersons. Sixteen students of musicology and 16 control subjects (also students) judged the aesthetic value as well as the harmonic correctness of chord sequences. Event-related potential (ERP) data indicate differences between experts and laypersons in making aesthetic judgments at three different processing stages. Additionally, effects of expertise on ERP components that have previously been proven to be sensitive to musical training were replicated. The study thus provides insights into the effects of musical expertise on neural correlates of aesthetic music processi…

Auditory perceptionNeural correlates of consciousnessEstheticsMusic psychologyGeneral NeuroscienceMusicalControl subjectsGeneral Biochemistry Genetics and Molecular BiologyElectrophysiologyMusicologyAcoustic StimulationHistory and Philosophy of ScienceMusic and emotionAuditory PerceptionHumansLearningChord (music)PsychologySocial psychologyMusicCognitive psychologyAnnals of the New York Academy of Sciences
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Tensions and expression in Milos Forman’s American films

2012

Milos Forman’s American films require a plural outlook. The director has always been drawn to stories of conflicts that are essential, according to him, to study human passion. This tension, thematic as well as esthetic, allows him to show the smallest mechanisms that lead to oppression in European and American stories, providing the viewer with a lesson of anatomy that pinpoints the most invisible magnetic forces leading to power. This course is accompanied by a journey to individualism, through forces involved in the identification with attractive though realistic characters, through the rediscovery of individual freedom within primitive or regressive worlds, insisting on the necessity of…

BalanceFreedomTruth[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsConflict[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsRealismVéritéExpressionRéalismeTensionsÉquilibre[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsAméricainConflitLibertéAmerican
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Une histoire complète et méthodique des théâtres de Rouen publiée par le docteur Jules-Édouard Bouteiller entre 1860 et 1880

2017

International audience; Une histoire complète et méthodique des théâtres de Rouen est un ouvrage incontournable pour les Rouennais, curieux, érudits ou historiens du théâtre. Il s’inscrit plus généralement dans un vaste mouvement national qui consiste à publier des études locales sur l’histoire des théâtres de France dans la seconde moitié du xixe siècle et dans la première moitié du xxe siècle. Il est également l’un des premiers à paraître en 1860 et semble être considéré comme un modèle du genre, qui inspirera d’autres études, notamment celle sur les théâtres du Havre de Charles Vesque. Cet article propose dans un premier temps de reconstituer le parcours de son auteur, Jules-Édouard Bout…

Bouteiller[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsThéâtre de société[SHS.ART]Humanities and Social Sciences/Art and art historyBoieldieuHistoriogaphie[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artshistoire des théâtresJules-Édouard Bouteiller[SHS.HIST] Humanities and Social Sciences/HistoryThéâtre des Arts de Rouen[SHS.ART] Humanities and Social Sciences/Art and art historyhistoriographie[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS
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"Don't Call Us Immigrants": The musical and political legacy of reggae in Britain

2020

International audience

British history & politics[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artspopular music[SHS.HIST] Humanities and Social Sciences/History[SHS.HIST]Humanities and Social Sciences/HistorymigrationComputingMilieux_MISCELLANEOUSreggae
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