Search results for "Musicology"

showing 10 items of 497 documents

A Musical Pattern Discovery System Founded on a Modeling of Listening Strategies

2004

Music is a domain of expression that conveys a paramount degree of complexity. The musical surface, composed of a multitude of notes, results from the elaboration of numerous structures of different types and sizes. The composer constructs this structural complexity in a more or less explicit way. The listener, faced by such a complex phenomenon, is able to reconstruct only a limited part of it, mostly in a non-explicit way. One particular aim of music analysis is to objectify such complexity, thus offering to the listener a tool for enriching the appreciation of music (Lartillot and SaintJames, 2004). The trouble is, traditional musical analysis, although offering a valuable understanding …

Computer scienceSpeech recognitionMusical050105 experimental psychology060404 music[INFO.INFO-AI]Computer Science [cs]/Artificial Intelligence [cs.AI][INFO.INFO-TS]Computer Science [cs]/Signal and Image Processing[STAT.ML]Statistics [stat]/Machine Learning [stat.ML][INFO.INFO-FL]Computer Science [cs]/Formal Languages and Automata Theory [cs.FL]Media Technology0501 psychology and cognitive sciencesSet (psychology)Musical formCognitive scienceStructure (mathematical logic)[INFO.INFO-PL]Computer Science [cs]/Programming Languages [cs.PL][SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts05 social sciences06 humanities and the artsData structureComputer Science ApplicationsExpression (architecture)Music theory[INFO.INFO-SD]Computer Science [cs]/Sound [cs.SD]NA0604 artsMusicMusical analysis
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De la musique comme soin en temps de pandémie

2022

Covid-19 Musique expériences musicales[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSEO] Humanities and Social Sciences/Cultural heritage and museology[SHS] Humanities and Social Sciences
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"Indépendance Cha Cha": African pop music since the independence era

2010

Investigating why Latin American music came to be the soundtrack of the independence era, this contribution offers an overview of musical developments and cultural politics in certain sub-Saharan African countries since the 1960s. Focusing first on how the governments of newly independent African states used musical styles and musicians to support their nation-building projects, the article then looks at musicians' more recent perspectives on the independence era. Der Beitrag gibt eine kurze Übersicht über die Entwicklung ausgewählter Musikstile in verschiedenen afrikanischen Ländern seit der Unabhängigkeit. Der Autor schildert die Bemühungen der Regierungen in den jungen Nationalstaaten, M…

Cultural StudiesLatin Americanssoziokulturelle EntwicklungSociology and Political Sciencemedia_common.quotation_subjectMusikEthnologie Kulturanthropologie EthnosoziologieMusicalDevelopmentMusic historySociology & anthropologyAfrikaPopular musicsociocultural developmentNation-buildingmusicSociologySocial scienceSocial sciences sociology anthropologyPopmusikmedia_commonCultural Sociology Sociology of Art Sociology of LiteratureAnthropology; Ethnomusicology; music; socio-cultural change; Soziokultureller Wandel; Africa; 1957-2010ethnologySozialwissenschaften SoziologieEthnology Cultural Anthropology EthnosociologyMedia studiesIndependenceEthnologieViolin musical stylesSoziologie AnthropologieEthnomusicologyPolitical Science and International RelationsAfricaddc:300ddc:301Kultursoziologie Kunstsoziologie Literatursoziologiepop music
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Popular Music and the Anthropocene

2020

International audience; We are at a major turning point, probably irreversible for thousands of years. Despite the continued use of slogans like ‘Save the Planet’, it is living beings, more than the Earth (which has already seen many upheavals) who are threatened with extinction. Although the proponents of the term Anthropocene agree that human activities have become a force that is influencing the geological course of the Earth, and stratigraphers are already finding traces of that process in rocks and sediments (Zalasiewicz 2010), we can however identify two contrasting narratives about the Anthropocene.

Cultural StudiesanthropoceneHistoryCulture and CommunitiesApplied Music Research Centre060404 music060104 historyPopular musicAnthropocene0601 history and archaeologyTurning pointCentre for Media and CultureComputingMilieux_MISCELLANEOUS[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsEnvironmental ethics06 humanities and the arts[SHS.ART]Humanities and Social Sciences/Art and art history[SDE.ES]Environmental Sciences/Environmental and Society[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts13. Climate actionpopular musicThreatened species[SHS.ART] Humanities and Social Sciences/Art and art history[SDE.ES] Environmental Sciences/Environmental and Societyecology0604 artsMusic
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STTEPping in the right direction? Western classical music in an orchestral programme for disadvantaged African youth

2008

This article looks at STTEP, an outreach project currently housed at the University of Pretoria, which concentrates on the teaching of western orchestral instruments, plus background areas such as music theory, to disadvantaged children and youth from a variety of townships around Pretoria, South Africa. STTEP’s direction can well be described as ‘right’ – pupils are already surrounded by all kinds of global phenomena, and their formal music studies in western classical music are not making them forget their roots. In fact, the contrary has been found to be the case and some interesting cultural fusions are already seen – always a sign of a living culture.

Cultural StudiesmusiikkikasvatusGender studiesMusic GeographyMusic educationEducationDisadvantagedmonikulttuurisuusClassical musicMusicologyPopular musicMusic theorykehitysyhteistyöPower structureEtelä-AfrikkaSocial sciencePsychologyIntercultural Education
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Coordinated Interpersonal Behaviour in Collective Dance Improvisation: The Aesthetics of Kinaesthetic Togetherness

2018

International audience; Collective dance improvisation (e.g., traditional and social dancing, contact improvisation) is a participatory, relational and embodied art form which eschews standard concepts in aesthetics. We present our ongoing research into the mechanisms underlying the lived experience of "togetherness" associated with such practices. Togetherness in collective dance improvisation is kinaesthetic (based on movement and its perception), and so can be simultaneously addressed from the perspective of the performers and the spectators, and be measured. We utilise these multiple levels of description: the first-person, phenomenological level of personal experiences, the third-perso…

Dance improvisationPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Intragroup ProcessesPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Social CognitioncoordinationPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Personality and CreativityPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Theories of Personality[SHS.PSY]Humanities and Social Sciences/PsychologySocial and Behavioral SciencesPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Moral BehaviorBehavioral Neuroscience0302 clinical medicinePsychologyPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Testing and AssessmentPsyArXiv|Social and Behavioral Sciences|Social and Personality PsychologyPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Self-regulationGeneral Psychologyta515PsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Motivational Behaviormedia_commonembodimentPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Prejudice and Discriminationbepress|Social and Behavioral Sciences|PsychologyPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Well-beingkinaestheticsPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Social Influenceimprovisation05 social sciencesPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Affect and Emotion RegulationPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Social Well-beingPsyArXiv|Social and Behavioral Sciences|Theory and Philosophy of SciencePsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Intergroup ProcessesFOS: PsychologyFeelingAestheticsbepress|Social and Behavioral Sciences|Psychology|Social PsychologyPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Self and Social Identitybepress|Social and Behavioral Sciences|Psychology|Personality and Social Contextsbepress|Social and Behavioral Sciences|Psychology|Theory and PhilosophyPerforming artsPsychologyPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Attitudes and PersuasionSocial PsychologyPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Politicsmedia_common.quotation_subjectlcsh:BF1-990PsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Individual DifferencesPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Nonverbal BehaviorPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|InterventionsPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Narrative ResearchmirroringExperimental Analysis of BehaviorInterpersonal communicationimprovisation; kinaesthetics; togetherness; coordination; interpersonal behaviours; agency; mirroring; rhythm; movement analysis; embodiment; enactivismPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|DiversityDevelopmentmovement analysisrhythmPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Genetic factors050105 experimental psychologyArticlePleasure03 medical and health sciencesPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Interpersonal RelationshipsPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Personality and SituationsPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Personality ProcessesGeneticsPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Impression Formation0501 psychology and cognitive sciencesPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Violence and AggressionPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|DisabilityEcology Evolution Behavior and SystematicsPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Achievement and StatusTheory and PhilosophyImprovisationPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Prosocial Behavior[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsinterpersonal behavioursPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Self-esteemPsyArXiv|Social and Behavioral Sciencestogethernesslcsh:PsychologyPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|SexualityPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Cultural DifferencesEmbodied cognitionPsyArXiv|Social and Behavioral Sciences|Psychology otherPsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Trait Theoryagencybepress|Social and Behavioral SciencesPersonal experiencePsyArXiv|Social and Behavioral Sciences|Social and Personality Psychology|Religion and Spirituality030217 neurology & neurosurgeryenactivismBehavioral Sciences
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Évolution de la durée et du tempo dans les enregistrements du Sacre du printemps de Stravinski de 1929 à 2019

2021

Le Sacre du printemps (1913) d’Igor Stravinski est sa première œuvre gravée pour le disque et l’une des plus enregistrées. Tous les plus grands chefs d’orchestre de phalanges internationales, abordant le répertoire d’orchestre du XXe siècle, ont enregistré l’œuvre, certains d’entre eux plusieurs fois au cours de leur carrière. Stravinski qui avait une idée très précise de la façon dont ses œuvres doivent être exécutées, a lui-même effectué quatre enregistrements du Sacre afin d’offrir un modèle à suivre, notamment quant au strict respect des tempi. Cependant, ses propres versions discographiques ne respectent pas toujours les indications de la partition, si bien que leur valeur en tant que …

Enregistrement Le Sacre du printemps Stravinski[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts
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Analyzing multidimensional movement interaction with generalized cross-wavelet transform

2021

Humans are able to synchronize with musical events whilst coordinating their movements with others. Interpersonal entrainment phenomena, such as dance, involve multiple body parts and movement directions. Along with being multidimensional, dance movement interaction is plurifrequential, since it can occur at different frequencies simultaneously. Moreover, it is prone to nonstationarity, due to, for instance, displacements around the dance floor. Various methodological approaches have been adopted for the study of human entrainment, but only spectrogram-based techniques allow for an integral analysis thereof. This article proposes an alternative approach based upon the cross-wavelet transfor…

FOS: Computer and information sciencesDanceComputer sciencetanssiMovementBiophysicsmusiikkiWavelet AnalysisExperimental and Cognitive PsychologyTranslation (geometry)sosiaalinen vuorovaikutus050105 experimental psychologyEntrainmentMethodology (stat.ME)03 medical and health sciences0302 clinical medicinerytmitajuHumans0501 psychology and cognitive sciencesOrthopedics and Sports MedicineliikeanalyysiStatistics - MethodologyMovement (music)signaalinkäsittely05 social sciencesJoint actionGeneral MedicineliikeEntrainment (biomusicology)Time–frequency analysisDyadic interactionTime-frequency analysisDyadic interactionLeader-follower dynamicsSpectrogramsynkronointiAlgorithmRotation (mathematics)030217 neurology & neurosurgery
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Music, Architecture, Proportion and the Renaissance Way of Thinking

2020

During the Renaissance, the language of proportion became a unified theory capable of encompassing the understanding of the world within a coherent theological, philosophical and artistic framework. Music, with its harmonic paradigm, plays a key role in this construction. From the fifteenth century through to the end of the sixteenth century, architects and architectural theorists made reference, both in new treatises and commentaries to Vitruvius, to musical matters, transforming architecture into the summa of knowledge. The affinity to music was grounded on both a common mathematical and rhetoric gnosiology. Formerly conceived of as ideal, numbers became eloquent, reinforcing the quantita…

Fifteenthmedia_common.quotation_subjectGeography Planning and DevelopmentMusicalArtHumanism[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsTechneAestheticsPolitical Science and International RelationsBeautyRhetoric[SHS.ART] Humanities and Social Sciences/Art and art historyRepetition (music)Architecturemedia_commonEuropean Review
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'Fly me to the moon', Pink Floyd et la conquête de l'Amérique

2019

International audience

Fly me to the moon[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsPink FloydComputingMilieux_MISCELLANEOUSconquête de l'Amérique
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