Search results for "Padua"
showing 9 items of 9 documents
Tra connoisseurship e militanza culturale: Pietro Selvatico e Ernst Förster nell'oratorio di San Giorgio (1837-1846)
2020
The Nineteenth-Century rediscovery of the Oratory of S. Giorgio offers the opportunity to question the conservation methods, historical analysis and creative reception of fourteenth-century painting in this crucial period for the establishment of art history as a scientific discipline. This essay reconstructs the historical circumstances of the discovery of Altichiero’s frescoes and the consequent discussions among connoisseurs concerning the autography and the cultural value of these paintings. The protagonists of this scholarly discussion – the German art historian Ernst Förster (1800-1885) and his Italian colleague Pietro Selvatico Estense (1803- 1880) – see the Paduan fresco cycle as a …
Appunti sulla promozione della cultura polacca in Italia nel XVI secolo. Viaggi e viaggiatori a Padova
2017
In the sixteen century Poland was well known in Italy, especially in the Republic of Venice and in its University in Padua. Padua was the theater of two rides: the Polish queen Bona Sforza (1556) and the Polish king Henry III de Valois (1574) had a great impact on getting Polish culture and history in Veneto, and still now the oral tradition of the legend about the crested hen from Poland is a symbol of culinary culture and the most well-known Polish 'traveler’.
Il satiro come maestro di moralità. Una stravagante invenzione di Jan Kochanowski
2016
Three visits of Jan Kochanowski in Padua, at that time under the rule of the Republic of Venice which influenced both cultural and intellectual life in the city, had a considerable impact on his literary output. This essay proves that there was a significant mark of the Serenissima entering into the theatrical life, related to one of his earliest texts, Satyr albo Dziki Mąz (The Satyr or the wild Man), dedicated to the king Sigismund II August and published presumably for the first time in 1563. An unsolved issue concerns not only the idea of making the Satyr a morality teacher, but also the question whether it was just a text meant for reading or for being performed in a theatrical form. T…
Capezzale con la Visione di sant’Antonio da Padova
2017
Scheda scientifica sul capezzale con la Visione di sant'Antonio da Padova in agata, ambra, avorio, corallo, diaspro, lapislazzuli, madreperla, etc. di maestranze trapanese del 1720/1740 circa esposto al MUZA di La valletta (Malta) Scientific sheet on the bedside with the Vision of St. Anthony of Padua in agate, amber, ivory, coral, jasper, lapis lazuli, mother of pearl, etc. of workers from Trapani about 1720/1740 exhibited at the MUZA of La Valletta (Malta)
Alexander Auf der Heyde, Per l'«avvenire dell'arte in Italia»: Pietro Selvatico e l'estetica applicata alle arti del disegno nel secolo XIX, Pisa, Pa…
2013
Attraverso le vicende di un protagonista autorevole e controverso delle arti figurative – il marchese padovano Pietro Selvatico Estense (1803-80) –, il volume narra l'articolarsi di un discorso artistico nazionale fortemente attento alla contemporanea produzione francese e tedesca, ma sullo sfondo specifico di una prospettiva pedagogica che accomuna le élites moderate d’epoca risorgimentale. This monograph investigates Pietro Selvatico Estense's (1803-1880) art writings and his commitment to the Italian Nineteenth-Century system of the Arts. Among the priorities of this study are Selvatico's contacts to the german-speaking countries (Bavaria, Prussia, Saxony and Austria) and to France, his …
REFLEXIONES SOBRE EL AMBIENTE CULTURAL DE CAMILLA HERCULIANA
2020
espanolCamilla Herculiana era una boticaria en Padua en el siglo XVI. En 1584 publica sus Lettere di philosophia naturale, en las que debate sobre las causas del Diluvio Universal, la naturaleza del ser humano y la formacion del arco iris. Esta obra esta escrita en forma de cartas con Georges Garnier y el canciller de Transilvania, Marton Berzeviczy, a quienes conocio gracias al ambiente cultural e intelectual de Padua, del que tambien formaban parte sus interlocutores. El objetivo de este trabajo es estudiar y destacar la importancia del ambiente en el que se formo y desarrollo su trabajo Camilla Herculiana. EnglishCamilla Herculiana was an apothecary in Padova in the 16th century. In 1584…
Dzieje i znaczenie tzw. metryki nacji polskiej w Padwie: 1592–1745
2019
Artykuł przedstawia tzw. metrykę nacji polskiej na Uniwersytecie Padewskim, przechowywaną w Archiwum Historycznym Uniwersytetu Padewskiego. Dwa tomy wpisów przedstawicieli Rzeczypospolitej Obojga Narodów, studiujących lub tylko przebywających w Padwie pomiędzy rokiem 1592 a 1745, określano dawniej m. in. jako Album, Codicilli, Liber Nationis, Liber Congregationis s. Stanislai. Jest to unikatowe źródło do badań dziejów życia umysłowego Polski w dobie późnego renesansu i baroku. Ten wyjątkowy materiał archiwalny stanowi także niezastąpioną pomoc w badaniach nad obecnością Polaków na uniwersytetach włoskich, w tym głównie Padewskim, oraz historią podróży edukacyjno-kulturalnych. Ze względu na …
Un messaggio per i posteri. La tomba di Stanisław Miński nella Basilica di Sant'Antonio a Padova
2021
The article deals with the first burial in the tomb crypt built under the altar of the natio polona in the Basilica of St. Anthony in Padua. Stanisław Miński, a Polish state dignitary and diplomat who was passing through Padua on his way from Naples, was the one buried here. The tombstone, removed only in the first half of the 20th century, contained information about the laying of Miński’s body to rest in the place where church services associated with Poland and Poles were performed. For over three centuries, the tomb attracted the attention of pilgrims from Poland coming to Padua, reminding them not only of the outstanding Polish diplomat, but also of the natio polona, which, in the 16th…
Z Polin do Grodu Antenora. Wyprawy żydowskich studentów po nauki do Padwy w czasach I Rzeczypospolitej
2022
Wśród studiujących w Padwie przybyszy z Rzeczypospolitej Obojga Narodów, o których wiemy z zachowanych archiwaliów uniwersyteckich, znalazło się kilkunastu Żydów. Ich obecność w gronie scholarów uczęszczających na zajęcia medyczne prowadzone w ramach Uniwersytetu Artystów, traktowana jest w historiografii zarówno jako przejaw tolerancji władz Gymnasium Patavinum, jak i dowód na istnienie w państwie polsko-litewskim swobód religijnych niespotykanych w innych zakątkach ówczesnej Europy. W niniejszym artykule, bazując na materiale źródłowym i dotychczasowych ustaleniach badaczy, przedstawiam krótką analizę sytuacji studentów żydowskich, uczących się w padewskim „Ateneum” w XVII i XVIII wieku. …