Search results for "Painter"
showing 10 items of 17 documents
Systemaattista tutkimusta ruotsalaisen keskiajan taiteen mestarista. Albertus Pictor -juhlavuoden satoa. Kirja-arvostelu teoksista: Albertus Pictor. …
2013
Los Requena, una enigmática familia de pintores del Renacimiento. A propósito de Gaspar Requena <i>el Joven</i>
2009
Recent exhibitions produced by the Foundation <i>La Luz de las Imágenes</i> in Valencian dioceses has allowed for numerous works of art to be seen, admired and studied under optimal conditions. In this context we offer an approach to the workshop of the Requena family, painters active in the Kingdom of Valencia between approximately 1531 and 1605. These artists, in their uneven production, owed much to Paolo da San Leocadio, the Hernandos and particularly, Joan de Joanes.<br><br>Las recientes exposiciones que viene realizando la Fundación “La Luz de las Imágenes” en el ámbito de las distintas diócesis valencianas no sólo ha acercado al público numerosas obras de arte…
A conceptual analysis of the oceanic feeling : with a special note on painterly aesthetics
2015
Perceived sufficiency of physical activity levels among adults at high risk of type 2 diabetes. The FIN-D2D study
2012
Purpose. This study assessed the determinants of perceived physical activity levels (PALs) among adults at high risk of diabetes, and the associations with self-reported physical activity. Methods. In total, 10,149 adults participated in the FIN-D2D lifestyle intervention at baseline. Opportunistic screening was used in identifying high risk individuals. Physical activity and perceived PAL sufficiency were assessed and compared. Key risk factors for diabetes and psychosocial and demographic characteristics were analyzed as determinants using logistic regression. Results. PAL sufficiency was rated realistically by 73% of men and 75% of women. Perception of sufficient PAL was more likely amon…
Paintings as Solid Affective Scaffolds
2019
Segunda Martínez, la profesionalización de una mujer en el XIX
2017
Este trabajo analiza la figura de Segunda Martínez de Robles, pintora, traductora y escritora de la novela Las españolas náufragas o Correspondencia de dos amigas (1831). La autora refiere en ese texto algunos hechos con claras referencias autobiográficas. La novela fue escrita en estilo epistolar, un género emergente en aquellos años, y en su prólogo Segunda deja oír su propia voz justificando la osadía de su escritura novel por una necesidad económica. Su caso nos ilustra sobre cómo fue la profesionalización de las mujeres artistas en el siglo XIX y su acceso a los circuitos; y sobre cómo se configuró el yo femenino emergente en aquellos años, indagando en la autorrepresentación de la muj…
Making Space for Creativity : Niche Construction and the Artist’s Studio
2022
Abstract It is increasingly acknowledged that creativity cannot be fully understood without considering the setting where it takes place. Building on this premise, we use the concepts of niche construction, scaffolding, coupling, and functional integration to expound on the environmentally situated nature of painters’ studio work. Our analysis shows studios to be multi-resource niches that are customized by artists to support various capacities, states, and actions crucial to painting. When at work in these personalized spaces, painters do not need to rely solely on their “inner” powers of imagination, memory, decision making, and technique to execute their paintings. Instead, with the help…
La tradición clásica como referencia de vanguardia: la Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992)
2019
This article analyses the impact of classical tradition on the artistic production of Gregorio Prieto (1897-1992), painter par excellence of the Generation of 1927. It will be discovered how this influence, far from becoming a conservative reference, would constitute an incentive for his entailment with the avant-garde, especially with surrealism. Although the classic trace is found with more intensity in the creations produced during his Roman years, between 1928 and 1929, when he also made important trips to Sicily and Greece, Greece and Rome would nevertheless continue to be constitutive of his aesthetic experience throughout his later and extensive career.
Jaume Mateu y el retablo de San Sebastián de Villar del Cobo (Teruel)
2014
[ES] In 1428 the painter Jaume Mateu, who was trained in the workshop of the international Gothic master of Valencia, Pere Nicolau, painted an altarpiece dedicated to San Blas for the jurist Juan Gomez from Villar del Cobo. The parish church of this town still retains some paintings that belong to an old Gothic altarpiece with scenes of San Sebastián, San Fabián, San Jorge and a Crucifixion. This study analyzes the style of the preserved works and places them in the circle of the Valencian painter documented in Villar.
The oceanic feeling in painterly creativity
2014
The oceanic feeling has been a relatively persistent topic of discussion in both creativity research and aesthetics. Characterized by a sensation of self-boundary dissolution, the feeling has often been reported to involve experiences of fusion with various objects, including works of art. In this article, I will discuss the oceanic feeling in the specific context of painterly creativity. I will begin by arguing that the oceanic feeling cannot be classified as an emotion, mood, or bodily feeling in the established senses of these terms. I will then introduce philosopher Matthew Ratcliffe’s theory of existential feelings to help formulate a more accurate view of the oceanic feeling. More spe…