Search results for "Painter"
showing 10 items of 17 documents
Presentazione
2018
Si presenta il volume di Calogero Ridulfo mettendo maggiormente in evidenza le notizie che arricchiscono la conoscenza del patrimonio artistico dell'ultimo scorcio del Medioevo a Corleone quando vi operavano importanti pittori, da Tommaso De Vigilia a Pietro Ruzzolone, affiancati da altri abili artisti ora sottratti dall'oblio The volume by Calogero Ridulfo is presented, highlighting the news that enriches the knowledge of the artistic heritage of the last part of the Middle Ages in Corleone when important painters worked there, from Tommaso De Vigilia to Pietro Ruzzolone, alongside other skilled artists now stolen from oblivion
Jaume Mateu y el retablo de San Sebastián de Villar del Cobo (Teruel)
2014
[ES] In 1428 the painter Jaume Mateu, who was trained in the workshop of the international Gothic master of Valencia, Pere Nicolau, painted an altarpiece dedicated to San Blas for the jurist Juan Gomez from Villar del Cobo. The parish church of this town still retains some paintings that belong to an old Gothic altarpiece with scenes of San Sebastián, San Fabián, San Jorge and a Crucifixion. This study analyzes the style of the preserved works and places them in the circle of the Valencian painter documented in Villar.
Paintings as Solid Affective Scaffolds
2019
Il cratere del Pittore dei Niobidi al Museo Archeologico di Agrigento: dalla Gela post-tirannica alla Sicilia post-unitaria
2018
The paper considers the monumental crater of the Niobid Painter found in Gela in 1889 and preserved in the Archaeological Museum of Agrigento. It depicts an Amazonomachy all round its body, the myth of Herakles and Pholos along with a Centauromachy on the two sides of its neck. The first part of the contribution traces the history of the vase from its discovery to the musealization; the symbolical meaning taken up by this object and this type of precious vases in the post-united Sicily is reconstructed. In the second part of the paper, the crater (a cinerarium) with its images are analyzed in their ancient context of use. This study is an attempt to reconstruct the physiognomy of the Geloan…
Systemaattista tutkimusta ruotsalaisen keskiajan taiteen mestarista. Albertus Pictor -juhlavuoden satoa. Kirja-arvostelu teoksista: Albertus Pictor. …
2013
La pittura vascolare attica a fondo bianco: la prospettiva archeologica, l'apporto dell'indagine scientifica
2017
Il presente contributo intende offrire nuovi spunti di ricerca sui vasi attici a fondo bianco e sulla relativa tecnica pittorica. In particolare, è stato selezionato come caso di studio il cratere del Pittore della Phiale (450-440 a.C.) con il mito di Perseo e Andromeda, esposto nel Museo Archeologico di Agrigento. La prima parte del lavoro si concentra sugli aspetti archeologici e storico-artistici, cercando di ricostruire il ruolo di questa tecnica nella produzione figurativa dell’artigiano e il rapporto tra il cratere di Agrigento e gli altri prodotti del Pittore della Phiale. Inoltre, viene considerata la connessione tra tecnica e con- testo di utilizzo e acquirenti o “committenti”, la…
Il cratere attico a fondo bianco del Pittore della Phiale al Museo Archeologico di Agrigento: primi dati da un’indagine composizionale sui pigmenti
2019
Il cratere attico a fondo bianco del pittore Phiale (440 a.C.), esposto al Museo Archeologico "Pietro Griffo" di Agrigento è un manufatto di grande raffinatezza. Raffigura il mito di Perseo e Andromeda ed è molto interessante sia per l'iconografia che per la tecnica pittorica generalmente documentata su lekythoi e vasi più piccoli. La presente ricerca interdisciplinare si è concentrata sulla tecnica pittorica di questo cratere ed è stata condotta direttamente al Museo mediante tecniche spettroscopiche non invasive e non distruttive (fluorescenza a raggi X e TRFTIR). Lo studio, di cui presentiamo qui i risultati preliminari, intende definire la natura del terreno bianco e pigmenti (secondo b…
La tradición clásica como referencia de vanguardia: la Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992)
2019
This article analyses the impact of classical tradition on the artistic production of Gregorio Prieto (1897-1992), painter par excellence of the Generation of 1927. It will be discovered how this influence, far from becoming a conservative reference, would constitute an incentive for his entailment with the avant-garde, especially with surrealism. Although the classic trace is found with more intensity in the creations produced during his Roman years, between 1928 and 1929, when he also made important trips to Sicily and Greece, Greece and Rome would nevertheless continue to be constitutive of his aesthetic experience throughout his later and extensive career.
Los Requena, una enigmática familia de pintores del Renacimiento. A propósito de Gaspar Requena <i>el Joven</i>
2009
Recent exhibitions produced by the Foundation <i>La Luz de las Imágenes</i> in Valencian dioceses has allowed for numerous works of art to be seen, admired and studied under optimal conditions. In this context we offer an approach to the workshop of the Requena family, painters active in the Kingdom of Valencia between approximately 1531 and 1605. These artists, in their uneven production, owed much to Paolo da San Leocadio, the Hernandos and particularly, Joan de Joanes.<br><br>Las recientes exposiciones que viene realizando la Fundación “La Luz de las Imágenes” en el ámbito de las distintas diócesis valencianas no sólo ha acercado al público numerosas obras de arte…
Making Space for Creativity : Niche Construction and the Artist’s Studio
2022
Abstract It is increasingly acknowledged that creativity cannot be fully understood without considering the setting where it takes place. Building on this premise, we use the concepts of niche construction, scaffolding, coupling, and functional integration to expound on the environmentally situated nature of painters’ studio work. Our analysis shows studios to be multi-resource niches that are customized by artists to support various capacities, states, and actions crucial to painting. When at work in these personalized spaces, painters do not need to rely solely on their “inner” powers of imagination, memory, decision making, and technique to execute their paintings. Instead, with the help…