Search results for "Platon"
showing 10 items of 120 documents
Razionalità e irrazionalità nella dialettica di Platone
1995
FAILURE of TERATMENT in CHILDHOOD EXTRACRANIAL and EXTRATESTICULAR MALIGNANT GERM CELL TUMOURS (mgct)
2001
Platinum based chemptherapy improves the cure rate of patients with MGCT to over 80 poer cent, but tumour recurrence is associated with an unfavourable prognosis. We sought to identify factors predicitive of poor outcome following relapse.
"Platonism", "Aristotelianism" and "Renaissancism" in Luca Pacioli's double-entry
2013
The famous Tractatus XI particularis de computis et scripturis of Luca Pacioli (1494) marked a critical passage in the history of Ragioneria because, for the first time, it has claimed an explicit co-presence of practical, technical and theoretical aspects. But, since Paciolo was primarily “mathematicus rarissimus” e “theologus insignis”, his main motivations towards the double-entry should probably be found on motivations and knowledge of metadisciplinary level, chronologically foregoing and perhaps logically pre-eminent compared to the disciplinary ones. Therefore this paper aims to investigate whether, beyond his own initiation, he has felt for this kind of writing such an interest to in…
L'eredità politica di Socrate. Platone o Antistene? in "Storia e politica", I(2/2009), pp. 347-366.
2009
L'Analogie chez Aristote
2021
Revue de philosophie dont l’objet est de montrer, d’interroger ou d’évaluer les comparaisons effectives dans les différents champs disciplinaires, Analogia est une publication scientifique annuelle de l’IPC.Chaque numéro réunit un conseil scientifique nouveau chargé de sélectionner les contributions en double aveugle.L’Analogie chez Aristote.Sous la direction d’Emmanuel Brochier.Conseil scientifique :- Katerina Ierodiakonou (Genève – Athènes)- André Laks (Paris)- Benjamin C. Morison (Princeton)- Jean-Luc Solère (Boston)Sommaire :- Présentation, par Emmanuel Brochier, p. 5 ;- Christof Rapp : "Spotting similarities between disparate items" Observations on the use of analogy in Aristotle’s met…
Concepts and Concept Formation in Early Modern Philosophy
2013
The Renaissance witnessed a revival of ancient and Arabic philosophical traditions, such as Platonism, Skepticism and Averroism. Renaissance syncretism was especially influential at the universities in Northern Italy, where several scholars reinterpreted Medieval Latin conceptions of intelligible species. In the sixteenth and seventeenth century, university teaching in most European universities was dominated by second scholasticism. Francisco Suarez was the most philosophically inventive, as well as most influential, among these early modern scholastics (1).
Louis Le Roy traducteur de Platon : pour un français philosophique au XVIe siècle
2014
Axe 2 OS Nat; National audience; no abstract
Le Lysis de des Périers à Vigenère : enjeux linguistiques, religieux, politiques
2014
OS Nat; National audience; no abstract
The Politics of Utopia: Walter Pater’s “Lacedaemon”
2016
Walter Pater is not usually considered as a politically committed writer, neither is Aestheticism of which he was the gifted theoretician with The Renaissance (1873). Although the political commitments of the Aesthetic movement have been questioned over the last two decades, both by including women aesthetes, and by re-evaluating the movement’s dissemination among the middle classes, discussion of Pater’s political ideas is almost non-existent. His Plato and Platonism (1893) is however not so remote from politics since it discusses Plato’s political philosophy. In particular, “Lacedaemon”, the chapter devoted to Sparta, enables Pater to intervene in the political debate from an original sta…
Teoria malarstwa abstrakcyjnego a Platońska koncepcja sztuki
2016
Tezą artykułu jest twierdzenie, że w założeniach teoretycznych malarstwa abstrakcyjnego odnajdujemy Platońską koncepcję sztuki. Jest to interesująca zbieżność, tym bardziej że jest ona niezależna, nie wynika z inspiracji abstrakcjonistów filozofią Platona, czy odwoływania się do jego koncepcji sztuki. Także Platon nie zakładał rozwoju takiego kierunku w sztuce, a mimo to u podstaw teoretycznych malarstwa abstrakcyjnego odnajdujemy te same prawdziwościowe, poznawcze założenia co w Platońskiej koncepcji sztuki. Określają one zarówno jej istotę, jak i funkcję oraz wartość. Stanowią także wyraz negatywnego stosunku Platona do malarstwa naśladowczego.