Search results for "Polyphony"
showing 10 items of 33 documents
Personāži ar hibrīdu identitātēm Amitava Goša un Salmana Rušdi romānos
2017
Šis maģistra darbs analizē personāžu hibrīdu identitātes un to savdabīgās balsis Salmana Rušdi un Amitava Goša romānos. Darba teorētiskā daļa ir balstīta uz krievu filozofa Mihaila Bahtina teorijām par heteroglosiju un polifoniju romānos, kā arī Edvarda Saida, Homi Babas, Roberta Janga un citu filozofu teorijām par koloniālismu, migrāciju, diasporām un hibriditāti. Darba praktiskā daļa izmeklē personāžu hibrīdu identitātes Salmana Rušdi un Amitava Goša romānos – “Magoņu jūra”, “Pusnakts bērni”, “Zeme zem viņas kājām” un “Maura pēdējā nopūta”. Pētījums pierāda, ka Amitavs Gošs un Salmans Rušdi meistarīgi iekļauj hibriditāti savos romānos, katram personāžam piešķirot specifisku un unikālu ide…
The Lord’s Resistance Army and the arms that brought the Lord
2019
This article develops the notion of polyphonic silence as a means for thinking through the ethical and political ramifications of ethnographically encountering and writing about silenced violent pasts. To do so, it analyses and contrasts the silence surrounding two periods of extreme violence in northern Uganda: 1) the northern Ugandan war (1986–2006), which is contemporarily often shrouded by silence, and 2) the early decades of colonial and missionary expansion, which the Catholic church silences in its commemoration of the death of two Acholi catechists in 1918. Employing the notion of polyphony, the article describes how neither of these silences is a mere absence of narration. Instead,…
Quattro diagnosi sul florario di Francesco Buti per le villanelle di Girolamo Kapsperger
2009
Il messaggio etico dei testi di Francesco Buti per i "Fiori" di Girolamo Kapsperger (villanelle a 1,2,3,4 voci e Bc. del 1632) e la ricercata semplicità della musica giustificano la scelta anacronistica e stilisticamente inappropriata della titolazione di genere scelta da Kapsperger o dall’editore Masotti. Il termine villanella allude in questo caso a un giardino in cui i fiori formano un mazzetto di allegorie per il buon cristiano. Più specificamente i soggetti riguardano i miti classici collegati ai vegetali, ai quali si ispira l’autore per riprendere le leggende sull’origine dal sangue o dal latte degli dei, da cui nacquero per metamorfosi il gelsomino, la viola, la rosa, l’amaranto, l’a…
The poplyphony as an emblem of concorde in early modern Europe.
2012
Nel saggio vengono affrontate la dimensione sociale, il gioco interpersonale e il coinvolgimento affettivo nell'esecuzione di polifonia, con particolare attenzione ai documenti relativi alla prima modernità
Per una voce sola. Intertestualità e intermedialità nella scrittura di Michele Mar
2022
The aim of this paper is to compare three recent republications of Michele Mari’s works, Di bestia in bestia (1989 Longanesi and 2013 Einaudi), Asterusher. Autobiografia per feticci (2015 and 2019 Corraini edizioni) and Leggenda privata (2017 Einaudi),which all show consistent changes. The intention is precisely to point out the reciprocal relationships between these works and the different ways they have been transformed, both in the cases of literary writing alone and in those involving phototextual forms, in order to trace a possible unity of intent. In Di bestia in bestia Mari chooses to thin out the novel ; in the second case to increase the number of pages of the phototext, and in the…
From the many voices to the subject positions in anti-globalization discourse: Enunciative pragmatics and the polyphonic organization of subjectivity
2011
This contribution presents enunciative pragmatics as a methodological orientation to account for how written texts are contextualized in the act of reading. As an offspring of the pragmatic turn among French-speaking linguists, the enunciative approach is mobilized to analyze the cover page of a cartoon on the anti-globalization legend Jose Bove. Focusing on the complex interpretive problems of political discourse, the enunciative-pragmatic approach shows how readers construct subject positions following the text's complex indexicality. It reveals the polyphonic play of voices orchestrated by the enunciative markers. Therefore, enunciative pragmatics promises to bridge the gulf that separat…
Prese di parola. Sulla nozione di voce in Oswald Ducrot
2021
The paper aims at providing an overview of the main meanings that the term “voice” unfolds in the framework of the Ducrotian Polyphonic Linguistics.
Patente de corso y La zona fantasma: La identidad del locutor
2014
This study deals with the main features of locutors in La zona fantasma (Marías) and Patente de corso (Pérez Reverte). After a brief introduction on argumentative discourse and the opinion columns, the identity of the locutor/enunciator is analysed in detail. More precisely, the article will demonstrate how mode, polyphony and heterogeneity of discursive sequences support the persuasive objective pursued by this kind of discourse. En este trabajo proponemos una reflexión sobre las características del locutor de La zona fantasma (Marías) y Patente de corso (Pérez Reverte). Después de una breve introducción sobre el discurso argumentativo y las columnas de autor, se analizará la identidad de …
Ciudadanía democrática: ética, política y religión. XIX Conferencias Aranguren
2011
This article is comprised of two parts, bound together by the concept of <i>democratic citizenship</i>. The first part attempts to design the lines of <i>deliberative democracy</i> as the most appropriate model to embody the actual substance of democracy. That is why it presents the sense of deliberative democracy, its traits, its advantages compared with other models, the conditions for its start-up, its limits and the specific type of deliberative democracy that would be more adequate, and which receives the name of «communicative democracy»; all of this by way of dialogues with its main representatives. The second part addresses the specific questions of the <i…
Kombination und Rekombination in der Renaissance
2020
Ein hervorstechendes Merkmal der Musik des 15. und 16. Jahrhunderts ist die Verwendung von praexistenter Musik als Grundlage oder Ausgangspunkt einer neuen Komposition. Solche Werke lassen sich anhand zweier grundsatzlich unterschiedlicher Herangehensweisen unterscheiden, die jeweils eigene kompositionstechnische Probleme nach sich ziehen: Einerseits finden sich Kompositionen, die auf additiven Prozessen und kontrapunktisch anspruchsvollen Strukturen wie Kanons basieren, andererseits solche, in denen eine meist mehrstimmige Vorlage fragmentiert und ihre Bestandteile zu einer neuen Komposition rekombiniert werden. Im vorliegenden Artikel wird diese Unterscheidung ausgehend von Detailanalysen…