Search results for "Pompei"
showing 10 items of 28 documents
Note sulla definizione della possessio nel Festo Farnesiano (Napoli, BNN, IV. A. 3)
2019
The eleventh-century manuscript known as the Codex Farnesianus (now Naples, BNN, IV. A. 3) sole medieval witness of Sextus Pompeius Festus' work De verborum significatione, transmits Aelius Gallus' definition of the legal concept of possession (Fest. pp. 260-262 L.). The interpretation of this definition entirely depends on the reconstruction of the text. Two passages are problematical because of two blank spaces (fol. 11r int., lin. 3 and lin. 4), in connection with which the scribe characterizes the model of the manuscript as 'blind' (caecus). Lindsay's edition of Festus' work does not constitute a codicologically valid starting point of for a reliable reconstruction of the definition. Fu…
Schede materiali bronzei e ceramici nn.24-26, 80-84
2019
Schede di alcuni reperti in terracotta e in bronzo (lucerne, ceramica fine da mensa e un incensiere) provenienti da Pompei e da Torre del Greco, relativi alle donazioni che i Borbone fecero al Museo della Regia Università di Palermo, esposti nella Mostra “Palermo capitale del Regno. I Borbone e l’archeologia a Palermo, Napoli e Pompei”, Museo Archeologico Regionale A. Salinas, Palermo, 1/12/2018 – 30/06/2019. Catalogue of lamps, fine tableware and an incense burner from Pompeii and Torre del Greco, relating to the 'Donazioni borboniche' to the Museum of the University of Palermo, in the exhibition “Palermo capitale del Regno. I Borbone e l’archeologia a Palermo, Napoli e Pompei”, Museo Arch…
Allusioni plautine ne «Gli ultimi giorni di Pompei» di Edward Bulwer-Lytton
2021
This note presents the summary and the analysis of citations, allusions and references to Plautus’s comedies in «The Last Days of Pompeii» by Edward Bulwer-Lytton. From the analysis here conducted it emerges that the English writer used Plautus for precise purposes, for ironic and satirical resolutions, appropriately contextualizing the allusions to Plautus within the plot of the novel.
Ettore De Maria Bergler, "Naiadi. Bozzetto per la Sala Pompeiana del Teatro Massimo", in F. Parisi, A. Villari (a cura di), “LIBERTY IN ITALIA. Artis…
2016
La scheda prende in esame il bozzetto delle Naiadi, decorazione realizzata da Ettore De Maria Bergler per la Sala Pompeiana del Teatro Massimo in accordo con il programma decorativo sviluppato da Ernesto Basile tra il 1893 e il 1897.
A new approximation procedure for fractals
2003
AbstractThis paper is based upon Hutchinson's theory of generating fractals as fixed points of a finite set of contractions, when considering this finite set of contractions as a contractive set-valued map.We approximate the fractal using some preselected parameters and we obtain formulae describing the “distance” between the “exact fractal” and the “approximate fractal” in terms of the preselected parameters. Some examples and also computation programs are given, showing how our procedure works.
Incontrarsi: teatri e ginnasi
2017
I teatri e i ginnasi sono tra le componenti più significative della riqualificazione del quadro urbano delle città ellenistiche, sia in Grecia che in Occidente. Si delineano gli aspetti culturali, sociali e ideologici di queste categorie di edifici- complessi e le valenze della loro acquisizione a Pompei.
Una caccia al cinghiale, mostri marini e temi nilotici nei mosaici pavimentali dell’ottocentesco palazzo Forcella a Palermo: tra suggestioni classich…
2016
The Marquise Forcella palace in Palermo shows a curious mixture of neoclassical and neo-medieval styles. It was built in the years immediately after the revolution of 1820. Particularly close to the Borbonic Court, Enrico Forcella was the administrator of the restoration of the Royal Palace in Palermo. As he had at his disposal the same specialized workers of the Royal Palace, he decided to copy some of the artworks from King Roger’s room and the Cappella Palatina. He also added some details derived from other Norman buildings in Palermo. These included the Zisa Castle, but he also sourced the Islamic Palaces of Andalusia, in particular the Alhambra in Granada and the Alcazar in Seville. A …
Measure differential inclusions: existence results and minimum problems
2020
AbstractWe focus on a very general problem in the theory of dynamic systems, namely that of studying measure differential inclusions with varying measures. The multifunction on the right hand side has compact non-necessarily convex values in a real Euclidean space and satisfies bounded variation hypotheses with respect to the Pompeiu excess (and not to the Hausdorff-Pompeiu distance, as usually in literature). This is possible due to the use of interesting selection principles for excess bounded variation set-valued mappings. Conditions for the minimization of a generic functional with respect to a family of measures generated by equiregulated left-continuous, nondecreasing functions and to…
Pompei, Casa di Sallustio (Regio VI 2, 4): 2. Statuetta di Eracle con la cerva cerinite; 3. Vasca marmorea; 4. Monopodio con erma barbata; 5. Tavola;…
2019
Si presentano i rinvenimenti più significativi dagli scavi di S.M. la Regina Carolina di Borbone nella domus pompeiana poi divenuta nota come Casa di Sallustio: arredi marmorei e scultorei (sia in marmo che in bronzo) che consentono di ricostruire, in particolare, l'allestimento ricercato dell'atrio nella risistemazione augustea della domus
Quid meruere nepotes. Responsabilità e merito nella Pharsalia di Lucano
2017
Il contributo indaga l’epos lucaneo ricostruendo i contesti in cui compaiono nel poema meritum e derivati, immagini che coinvolgono tanto la nozione di merito quanto quella di responsabilità. Si tratta di un’oscillazione ben visibile ed operante all’interno dell’opera, dove tali accezioni tornano con frequenza a scandire tanto le azioni dei protagonisti quanto i severi giudizi del narratore. The paper deals with Lucan’s Pharsalia, reconstructing the contexts in which meritum and derivatives appear, images that both involve the notion of merit as that of responsibility. It is a highly visible and active presence within the poem, where such meanings frequently appear, characterizing both the …