Search results for "Rock art"
showing 10 items of 25 documents
El Cinto de las letras (Dos Aguas), revisió del panell 55 anys després de la seua publicació
2006
En aquest paper revisem el panell llevantí del Cinto de las Letras, Dos Aguas (Valencia). Presentem els nous calcs realitzats, l´estudi de la composició i de l´estil basat en la figura humana i la seqüència d´execució i addició que desprén de l´analisis de les figures.
Documentação digital da arte rupestre: apresentação e avaliação do método em dois sítios de Monte Alegre, Amazônia, Brasil
2013
Um dos aspectos mais importantes no estudo da arte rupestre é a documentação. No Brasil, são raros os trabalhos que apresentam os métodos e as técnicas empregados na documentação deste tipo de vestígio arqueológico. Grande parte dos estudos publicados no país está voltada para a classificação, a terminologia, as definições crono-estilísticas, interpretações e comparações entre conjuntos gráficos. Atualmente, a fotografia digital e os programas de manipulação de imagem constituem ferramentas de grande utilidade e precisão para a documentação da arte rupestre. Este artigo apresenta os resultados da aplicação do método do decalque digital na Amazônia, desenvolvido pelo Departamento de Arqueolo…
FROM Δηομένη TO Madonna dell’Itria... AND VICEVERSA. TWO MARIAN ICONOGRAPHIES SUPERIMPOSED IN A “PALIMPSEST WALL” OF MARSALA (TP)
2019
During a recent restoration in an underground chapel in Marsala (TP), the wall to which the altar is attached proved to be a palimpsest of several layers. The oldest dated back from the late twelfth to early thirteenth century displaying a “velarium” in the lower register. Overhead we see a Madonna in prayer (Δηομένη) preceded by a theory of Saints. A second layer, from the 15th century, decisively changes the original iconography thus transforming it into the typically Sicilian iconography of the “Madonna dell’Itria”. The Child, positioned in the center of the Mother’s breast, sits inside a chest supported by two old chants. The latter devotional image, due to the perishability of the plas…
Neolithic rock art in context: Landscape history and the transition to agriculture in Mediterranean Spain
2008
Rock art is one of the most salient features of Neolithic societies in eastern Spain and an explicit form of landscape history. This paper summarizes current debates of Mediterranean rock art chronology and interpretation and explores the contextual differences in two areas of Neolithic settlement with rock art: the Canyoles Valley (Valencia) and the Alcoi Basin (Alicante). Large-scale survey of the Canyoles Valley resulted in a clearer understanding of agricultural land use during the Neolithic that contrasts with evidence from the Alcoi Basin. By analyzing Neolithic rock art in its archaeological context, we discuss the significance and limitations of rock art analysis for understanding a…
The end of the Upper Palaeolithic in the Mediterranean Basin of the Iberian Peninsula
2012
This paper presents a synthesis of the Magdalenian in the Mediterranean Basin of the Iberian Peninsula, with special attention to the lithic and bone/antler assemblages, rock art, economy and radiocarbon dates. The data obtained in Cendres cave, situated in the middle of the Mediterranean Iberian Peninsula, permit articulation of the discussion about the Lower, Middle and Upper Magdalenian in this region. Furthermore, the paper discusses the end of the Magdalenian sequence with the Epimagdalenian industries.
El arte de los cazadores y recolectores del Paleolítico superior
2001
Si atendemos a criterios tales como el número de conjuntos parietales conocidos, la amplitud de periodos artísticos en ellos representados, o el número de yacimientos que han proporcionado evidencias artísticas, el ámbito valenciano no destaca especialmente en el panorama peninsular. Incluso resultaría pobre al compararlo con el arte parietal paleolítico de Andalucía. En realidad, el mapa de situación de los yacimientos citados en este apartado ofrece una reducida dispersión de puntos, con notables vacíos geográficos, que queda francamente por debajo de las concentraciones que caracterizan algunas zonas de la región cantábrica o de Francia. Sin embargo, uno de los yacimientos de la zona val…
Prehistoric land use at an archaeological hot-spot (the rock art park of Campo Lameiro, NW Spain) inferred from charcoal, synanthropic pollen and non…
2013
Pollen, non-pollen palynomorphs and charcoal from a colluvial soil surrounded by prehistoric petroglyphs (Campo Lameiro, NW Spain) were studied in order to assess the nature of human activities and their impact on Holocene vegetation patterns. Several phases of anthropogenic impact were observed. (i) Between 7.6 and 6.5 ka cal BP, synanthropic taxa (Urtica dioica type, Plantago lanceolata type) and coprophilous fungi (e.g. Sporormiella-type) are indicative of early (pre-agricultural) creation of small patches of pasture using fire, possibly for incipient animal husbandry or as part of a deliberate strategy to improve game availability. Such activities only had a minor effect on the deciduou…
An approximation to the study of black pigments in Cova Remigia (Castell on, Spain). Technical and cultural assessments of the use of carbon-based bl…
2014
International audience; Spanish Levantine Rock Art is a unique pictorial expression within the prehistoric European context. Located in shelters in the inland regions of the Iberian Mediterranean basin, this art form, which must be necessarily studied in the frame of the process of neolithization of this territory, still lacks direct dating, and therefore its authorship is still open to debate. In this paper we present the first characterization of black pigments used in the Cova Remigia shelters in the Valltorta-Gassulla area (Castell on, Spain) by means of EDXRF spectrometry combined with SEM-EDS and Raman spectroscopy. Our aim is both to identify the raw material used for the preparation…
Within the symbolic world of the prehistoric hunters: A GIS-based and 3D model analysis of sites with complexes of linear incisions in western Sicily
2021
Abstract The prehistoric peopling of Sicily has left scattered traces of symbolic activities through well-known rock art expressions in caves and rock shelters located all around the island (among the most significant, the sites of Addaura, Racchio and Genovese). A peculiar phenomenon is the incision of linear signs, often grouped on the same rocky walls, hidden in fissures or placed at the entrance of the underground chambers of caves. In this report, we investigate a sample of these graphic expressions from a spatial and technical point of view. A GIS-based approach presents the territorial pattern providing insight, on a macroscale, into the intentional positioning of the sign complexes.…
Corpi che contano. Prolegomeni per una teoria della materialità delle immagini
2022
Oggetto di questo saggio è un tipo di artefatti che ha avu- to in passato, ha ancora e avrà in futuro un significato centra- le nella produzione dell’Homo Sapiens: le miniature. Si tratta di oggetti che hanno accompagnato tutta la sua evoluzione e la cui datazione non ha smesso di sorprendere i paleontologi. Sappiamo, ad esempio, che la scultura antropomorfa ritro- vata a Berekhat Ram (fig. 1) in Israele e quella di Tan Tan (fig. 2) in Marocco risalgono a parecchie centinaia di migliaia di anni fa, e dunque sono ben più antiche delle cosiddette Veneri che popolano il Paleolitico superiore europeo. The subject of this essay is a type of artifact that has had in the past, still has and will h…