Search results for "SHAKESPEARE"
showing 10 items of 89 documents
"La lettera a teatro: il caso di 'Hamlet'"
2010
"Ihana, hyvä, tosi, siinä kaikki" : transferenssi kirjallisuudentutkimuksessa
2019
Prof. J. Lautenbacha angļu literaturas vēsture XVI. gadsimtenī
1922
"Fellowship in Coriolanus"
2006
International audience
Il peccato dello straniero. Riflessi mitici nell'Othello di Shakespeare
2008
"The 'Woman as Wonder' Trope: From Commedia Grave to Shakespeare's Pericles and the Last Plays"
2011
SHAKESPEARE: VELENO E TRAGEDIA
1999
Veleno: una parola che ricorre con insistenza nelle tragedie di Shakespeare. Quali motivazioni hanno spinto il drammaturgo inglese a inserire in tutte le sue opere almeno una volta il “veleno”? Il saggio indaga le ricorrenze del termine, ma si sofferma anche su un altro aspetto assai rilevante: tutti i personaggi che muoiono per soffocamento sono innocenti, mentre tutti quelli che sono uccisi (o si suicidano) col veleno sono colpevoli. Non può trattarsi di una coincidenza, bensì di una preordinata impostazione dell’impianto drammatico. Il volume così dimostra che in Shakespeare esiste un preciso ordine tripartito che regola le colpe di tutti i personaggi delle tragedie.
Rhetoric of academic applications : Perspectives from Quentin Skinner’s Forensic Shakespeare
2019
The tools of classical and Renaissance rhetoric that Quentin Skinner uses in his Forensic Shakespeare (2014) are here applied to a contemporary context. Skinner’s discussion might have a fairly direct value for a genre of writing that most academics today must master, namely the rhetoric of applications. They have been seldom discussed from a rhetorical perspective, although knowledge of rhetoric is highly valuable for applicants, evaluators and those deciding between applications. Skinner’s book contains both advices for applicants and discussions on both the criteria of application and the possibilities of their revisions in case of innovative applications. peerReviewed
Shakespeare e i romantici
2008
Amnésie collective et réécritures de l'histoire dans les deux tétralogies historiques de Shakespeare
2015
The genre of the history play was in its heyday in England between the 1580s and the 1610s. The transition from the concept of realm to those of state and nation took place at the same time, which could suggest that the history play should be seen as a patriotic genre. Yet, a close reading of both of Shakespeare’s historical tetralogies shows that things are far more complex. The plays are not so much a reflection of history as a reflection on history. The historical events they depict are thwarted, rewritten and blended with fiction in order to provide a reflection on the games of politics and comments on the contemporary situation as well as the process of writing history itself.