Search results for "Spectacle"
showing 9 items of 69 documents
The effect of blue-light-blocking lenses on retinal straylight
2021
Sometimes yellow-tinted lenses are recommended to help improve visual quality. As yellow lenses filter blue light, it is believed that their use could decrease the intensity of scattered light in the eye (retinal straylight). However, the results of some studies have contradicted this assumption (Van Os et al. 2017). Currently various nontinted blue-light-blocking lenses are used to protect the eyes from short-wavelength light. The objective of this study was to determine whether blue-light-blocking lenses affect the levels of retinal straylight in the eye. A straylight meter (C-Quant, Oculus) was used for retinal straylight measurements. The measurements were performed under four different…
Understanding the impact of digital on performing arts: a systematic literature review proposal
2023
Digital technologies have profoundly changed the cultural and creative industries. Due to the intrinsic characteristics of the performing arts sector, this digital transition has had a later impact on it. However, it has accelerated since the Covid-19 pandemic, forcing organizations to digitally transform themselves to keep in touch with their audience(s). Now that this crisis is over, many strategic and operational questions still remain unanswered. This research proposes a systematic literature review in order to establish the state of the art of the research on digitalization of the performing arts sector and to highlight the main research avenues to be explored.
Scènes baroques
2006
L'article fait une analyse des nouvelles technologies dans les spectacles et les arts, du théâtre de rue.
“Never shake thy gory locks at me” (Macbeth, III.iv.50-51): Objecting to Gestures in Macbeth
2018
International audience; Shakespeare's Macbeth displays a pattern of characters objecting to gestures, be it others' or their own. This includes Macbeth refusing to shake hands with his opponent before the battle, his words to Banquo's ghost quoted in the title above, Banquo's own puzzlement at the weird sisters' placing a finger over their lips, the doctor's suspicions at Lady Macbeth's rubbing her hands and sleepwalking, as well as Malcom's request that Macduff not pull his hat over his eyes. In many of these cases, gesture is pitted against speech, which seems to undermine the classically-derived ideal of "suit[ing] the word to the action, the action to the word" (Hamlet, 3.2.16-18). This…
« Des vitrines sur les planches »
2011
Le musée est une source d’inspiration pour le spectacle vivant : les multiples exemples proposés ici montrent comment ce regard – parfois déformant – porté sur l’institution muséale est également un moyen pour celle-ci, d’une part de toucher d’autres publics et, d’autre part de renouveler les représentations de chacun sur l’objet et sur les collections (1).
The everyday and spectacle of subdued citizenship in northern Uganda
2019
Drawing on ethnographic research in the Acholi town of Kitgum in northern Uganda, this chapter illustrates how citizenship practices are embedded in particular relationships between the state and its citizens. Two key arenas for learning are identified: the everyday, which in this region is tinged by memories of past violence and fears of its recurrence, and moments of spectacular state performance such as the burial of a prominent politician. The chapter shows how practices of citizenship are learned through embodied experiences: by taking part in public debate, by voting or by greeting a flag, but also by running away from a soldier or by staying quiet due to fear. The chapter’s overall a…
L'interaction lieu - objet comme conceptualisation de l'expérience vécue : test d'un modèle intégrateur
2008
L'expérience vécue par le consommateur fait l'objet de conceptualisations réductrices et normatives en marketing. Cet article défend une conceptualisation plus étoffée de l'expérience vécue fondée sur une interaction lieu-objet et s'appuyant sur le concept de valeur. Une analyse empirique dans le domaine du spectacle vivant est menée en vue de comparer des modélisations concurrentes de l'expérience vécue. Les résultats mettent en avant l'importance du rôle joué par le lieu de consommation comme cadre de l'expérience vécue et confirment son influence indirecte sur la valeur globale perçue. Enfin, ils permettent une validation des différents outils destinés à opérationnaliser ce modèle.
Anatomiczny spektakl w dawnej poezji erotycznej
2016
Artykuł stanowi próbę deskrypcji dawnych zabiegów medycznych, takich jak sekcja zwłok, w kontekście kulturowo-literackiego wydarzenia popularnego w XVI- i XVII-wiecznej Europie. W tekście przywołano genezę padewskich spotkań o charakterze theatrum anatomicum, z dokładnym opisem najważniejszych rytuałów, procedur oraz okoliczności w ich organizowaniu. Autorka, korzystając z bogatego studium Anny Wieczorkiewicz Muzeum ludzkich ciał oraz szkiców autorstwa Radosława Grześkowiaka zatytułowanych Amor Curiosus. Szkice o osobliwych tematach dawnej poezji erotycznej, buduje swój wywód na użytej w tych pozycjach naukowych nazwie „spektakl anatomiczny”. Pozwala to na zgłębienie dychotomii sensu tychże…
L'interaction lieu – objet comme conceptualisation de l'expérience vécue : proposition d'un modèle intégrateur
2008
This article proposes to reconsider the concept of lived experience by the consumer which is the object of a normative vision in marketing. Thanks to the concept of value, we seek to improve the conceptualization of the experience by defining it as an interaction place - object. We conduct an empirical analysis on the field of live shows to compare rival modellings of lived experience. The results show the importance of the consumption place as frame of lived experience and confirm an indirect influence of the place on global perceived value. Finally, they allow a validation of differents scales used in this model.