Search results for "Statue"

showing 10 items of 40 documents

Preliminary study on analysis and removal of wax from a Carrara marble statue

2015

This preliminary study has mainly focused on the wax identification by nuclear magnetic resonance (NMR) and removal. Wax is used for many purposes in the field of art as protective coatings on wooden, stone or metal objects. From the comparison of the spectra H NMR and in particular with the correspondence of the resonance peaks of the samples taken from the statue and beeswax and paraffin, we can conclude that the wax applied on the statue surface is beeswax. From our data, it can be concluded that, to remove the beeswax, from any stone support, the more effective solvent is the mixture of cyclohexane/ethyl acetate. The removal percentages ranged from 19 to 99%. Lower percentages of remova…

WaxMagnetic Resonance SpectroscopyMaterials scienceEthyl acetateMineralogycleaningPlant ScienceAcetates01 natural sciencesBiochemistryBeeswaxSettore CHIM/12 - Chimica Dell'Ambiente E Dei Beni CulturaliCalcium CarbonateAnalytical Chemistrychemistry.chemical_compoundPlant scienceCyclohexanesPorosityWax010405 organic chemistryOrganic Chemistryfood and beveragescultural heritageNMR0104 chemical sciencesSolvent010404 medicinal & biomolecular chemistryCalcium carbonatechemistryParaffinWaxesvisual_artSolventsvisual_art.visual_art_mediumStatuePorosityArtNuclear chemistry
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Some tests of 3D ultrasonic traveltime tomography on the Eleonora d'Aragona statue (F. Laurana, 1468)

2013

Abstract The use of a non-destructive technique in situ can be a valuable diagnostic tool to support verification of restoration, as well as a monitoring technique in works of art or historical monuments. We present a high resolution 3D ultrasonic tomography to one of the most important statues of the Regional Gallery of Palazzo Abatellis of Palermo, the bust of Eleonora d'Aragona by F. Laurana (1430–1502). This technique allowed to study the structural continuity of the material of the marble. Some tests have been carried out to optimize inversion parameters, such as voxel size and to choose between straight and curved rays. We propose to calculate a minimum lateral resolution using the sa…

Ultrasonic measurements 3D tomography Inversion tests Lateral resolution Voxel size Raytracingbusiness.industry3d tomographyLateral resolutionGeophysicsOpticsHomogeneousUltrasonic TomographyUltrasonic sensorStatueTomographybusinessVoxel sizeGeology
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Un contributo alla conoscenza del foro di Siracusa: i reperti scultorei

2023

Il contributo raccoglie e contestualizza i rinvenimenti scultorei di età romana nell'area del Foro di Siracusa e adiacenze. Ciò dà l'occasione di individuare alcuni momenti chiave e aspetti salienti della trasformazione delle aree pubbliche e sacre presso l'istmo di collegamento tra Acradina e Ortigia e sulla fascia alle spalle del Porto Grande.

Roman Syracuse statues forum and public areasSettore L-ANT/07 - Archeologia Classica
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Les bronzes figurés antiques du Musée de Mâcon (Saône-et-Loire, F)

2011

In the course of its history, the Musee des Ursulines, at Macon, collected about 10 bronze figurines, some of them found as early as the mid-17th c. This article describes this largely unpublished collection and its scientific implications. Among the new data appears a votive bronze statuette, of italic type, found locally and datable to the Vth-IVth c. BC.

[SHS.ARCHEO] Humanities and Social Sciences/Archaeology and PrehistoryAmour[SHS.ARCHEO]Humanities and Social Sciences/Archaeology and PrehistorySolpanthercavalrymanrfigurinepanthèreAmorMercurysolierstatuetteSilenussoldat[ SHS.ARCHEO ] Humanities and Social Sciences/Archaeology and PrehistoryJupiterFortuneSucellusMercureCeresFortunacavalierSilene
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Scultura ellenistica e paesaggio urbano: i casi di Tindari e Solunto

2019

The archaeological evidence provides us with significant clues about the role of the sculptural display in the urban space during the Hellenistic period. The paper focuses on two study cases from Tindari and Solunto respectively. Thanks to the investigation of overlooked archival documents and historiography, it has been possible to single out the monumental contexts of the sculptures. It is now quite certain that the two marble Nikai from Tyndaris come from the mid-19th century excavation at the theatre, perhaps from the paraskenia of the huge late Hellenistic scene building. The second part deals with the so-called Zeus of Solunto, its extant pieces and the puzzling remains of the sacred …

Hellenistic sculpture Sicily cityscape acroters cult statues Tyndaris Solunto architectural contextsSettore L-ANT/07 - Archeologia Classica
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Per tirare le fila

2018

Il contributo trae le conclusioni del seminario "Simbolo e gesto" con riferimento all'apporto dello studio della coroplastica nell'ambito dei Gender studies.

gender archaeology coroplastica pratica rituale funzioni statuette antichitàSettore L-ANT/07 - Archeologia Classica
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Le dossier de M. Helvius Anthus. Ou comment une mauvaise édition initiale entraîne la création d’ un « monstre » social

2021

An inscription discovered in Baetica and wrongly read by the publishers, was understood only late. The first reading, erroneous, gave rise to an impossible social situation of the Roman point of view : a slave would have had his statue on the forum of Lucurgentum ! More recent works allowed to correct this initial error and to restore the text, a testimony of the essay of upward social mobility of an emancipated slave, an evergete offering among others a statue of the god Ianus Pater.

HommageDieu Ianus Pater[SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory[SHS.ARCHEO]Humanities and Social Sciences/Archaeology and PrehistoryLucurgentumÉpigraphieBétiqueAffranchiStatueStatue ; Lucurgentum ; Bétique ; Épigraphie ; Affranchi ; Dieu Ianus Pater ; HommageComputingMilieux_MISCELLANEOUSEpigraphy ; Emancipated Slave ; God Ianus Pater ; Statue ; Tribute ; Lucurgentum ; BaeticaPériodiques Scientifiques en Édition Électronique
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Analysis of Sagunto Ibero-Roman votive bronze statuettes by portable X-ray fluorescence

2019

Abstract The main objective of this work was the study of chemical composition of an important collection of Ibero-Roman votive bronze statuettes exposed in the Archaeological Museum of Sagunto (Spain). Precision and accuracy of the measurements were obtained developing a proper analytical method, also avoiding any possible damage to the studied objects using a portable energy dispersive X- ray fluorescence system. Principal Components Analysis (PCA) to discriminate between groups based on ratios Fe/Cu, Pb/Cu, Sn/Cu, Ag/Cu, Ni/Cu and Impurities/Cu were employed to observe differences between the used smelting, manufacturing processes and raw materials. The characterisation of bronze statuet…

Bronze statuettesRadiationMaterials sciencepXRFMetallurgyortable energy dispersive X- ray fluorescence systemMetals provenanceengineering.materialpXRF; Bronze statuettes; Ibero-Roman; Sagunto; Metals provenanceIbero-RomanSmeltingengineeringPortable X-raySaguntoBronzeRadiation Physics and Chemistry
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La estatua marmórea del duque de Lerma en el castillo de Dénia, obra de Giuseppe Carlone

2018

On the 28th of August of 1612, Juan Vivas de Canamas, the ambassador of king Philip III in Genoa, commissioned the Genoese sculptor Giuseppe Carlone to carve a large statue made of Polveracio white marble representing, according to the drawing attached to the contract, the figure of a knight. The portrait depicts none other than the Duke of Lerma, whose marble effigy was intended to preside in his castle and palace of the Valencian city of Denia and was installed there at the end of 1613. In this sense, the work is historically framed in the process of renovation of the castle that Lerma began at the end of the 16th century and that included the incorporation of this exclusive artistic comm…

estatua de mármolWhite (horse)Visual Arts and Performing Artsmedia_common.quotation_subjectgiuseppe carloneArts in generalfelipe iiiArtcastillo de déniaNX1-820Valencianlanguage.human_languageEffigyduque de lermaPortraitgénovalanguageKnightStatuejuan vivas de cañamásHumanitiesmedia_commonArchivo Español de Arte
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Compte rendu de : Caroline Van Eck, François Lemée et la statue de Louis XIV. Les origines des théories ethnologiques du fétichisme, Paris Éditions d…

2017

National audience

idole[ SHS.HIST ] Humanities and Social Sciences/HistoryFrançois Leméefétiche[SHS.HIST] Humanities and Social Sciences/Historystatue[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS
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