Search results for "Synchronization"
showing 10 items of 248 documents
Quantitative assessment of regularity and synchronization of intracardiac recordings during human atrial fibrillation
2003
This study proposes the morphology-based evaluation of the regularity (R) and the synchronization (S) of intra-atrial electrograms acquired during atrial fibrillation (AF). R is defined as the degree of repetitiveness over time of the shapes of the activation waves detected in single atrial recordings. S accounts for the simultaneous presence of morphologically similar activation waves in two atrial electrograms, and for the dispersion of the propagation delays between the two sites. Both R and S resulted unitary for normal sinus rhythm and decreased significantly moving from atrial flutter (R=0.93, S=0.88) to AF of increasing complexity class (type I AF: R=0.75, S=0.66; type II AF: R=0.32,…
Non-responders to cardiac resynchronization therapy: Insights from multimodality imaging and electrocardiography. A brief review
2016
Background Cardiac resynchronization therapy (CRT) is a successful strategy for heart failure (HF) patients. The pre-requisite for the response is the evidence of electrical dyssynchrony on the surface electrocardiogram usually as left bundle branch block (LBBB). Non-response to CRT is a significant problem in clinical practice. Patient selection, inadequate delivery and sub-optimal left ventricle lead position may be important causes. Objectives In an effort to improve CRT response multimodality imaging (especially echocardiography, computed tomography and cardiac magnetic resonance) could play a decisive role and extensive literature has been published on the matter. However, we are so fa…
The QRS narrowing index for easy and early identification of responder to cardiac resynchronization therapy.
2013
The rationale for cardiac resynchronization therapy (CRT) in patients with heart failure (HF) is based on the possibility of inducing substantial left ventricular reverse remodeling. It is well known that some of these patients don't benefit from this therapy (the so-called non-responders) [1,2]. No better predictors of a positive answer to CRT than pre-CRT QRS duration (QRSd) were found [3,4]. The aim of our study was to identify a parameter for an easy and early identification of responders to CRT. In this regard, according to Rickard et al., we identified and observed QRS index (QI), as an expression of electrical remodeling after CRT, and its relation with anatomic reverse remodeling, e…
Anxiety reduction with music and tempo synchronization on magnetic resonance imaging patients
2017
Anxiety and claustrophobic reactions in MRI examinations cause unintentional movements, and such motion artifacts lead to interpretation problems. Furthermore, requested anesthesia makes the process costly. A total of 60 outpatients were examined in the Diagnostic Centre of Pécs, Hungary, to test whether synchronizing recorded music to the gradient pulsation of the MRI device can improve the sedative effect of the music. The patients were assigned to three groups: a nonmusic (control), an original tempo (random) and a synchronized music (synchronous) group. Results showed a significantly decreased state anxiety level after the MRI examination in the random and synchronous groups as compared…
The effects of synchronous music on patients undergoing magnetic resonance imaging
2016
Anxiety and claustrophobic reactions in Magnetic Resonance Imaging (MRI) lengthen the duration of examinations through increasing need of scan repetition, furthermore the need of anaesthesia makes the process costly. The sedative and alleviative effect of music is widely used in therapeutics, but in related research, music was only used with its original tempo as an intervention to reduce anxiety among MRI patients. 60 outpatients were examined in the Diagnostic Centre of Pécs to test whether the sedative effect of music can be improved by synchronizing it to the rhythm of the gradient pulsation, therefore reducing the effect of loud noises on the perception of music. The patients were assi…
Tapping Doesn't Help : Synchronized Self-Motion and Judgments of Musical Tempo
2019
For both musicians and music psychologists, beat rate (BPM) has often been regarded as a transparent measure of musical speed or tempo, yet recent research has shown that tempo is more than just BPM. In a previous study, London, Burger, Thompson, and Toiviainen (Acta Psychologica, 164, 70–80, 2016) presented participants with original as well as “time-stretched” versions of classic R&B songs; time stretching slows down or speeds up a recording without changing its pitch or timbre. In that study we discovered a tempo anchoring effect (TAE): Although relative tempo judgments (original vs. time-stretched versions of the same song) were correct, they were at odds with BPM rates of each stimulus…
Spectral entropy based neuronal network synchronization analysis based on microelectrode array measurements
2016
Synchrony and asynchrony are essential aspects of the functioning of interconnected neuronal cells and networks. New information on neuronal synchronization can be expected to aid in understanding these systems. Synchronization provides insight in the functional connectivity and the spatial distribution of the information processing in the networks. Synchronization is generally studied with time domain analysis of neuronal events, or using direct frequency spectrum analysis, e.g., in specific frequency bands. However, these methods have their pitfalls. Thus, we have previously proposed a method to analyze temporal changes in the complexity of the frequency of signals originating from differ…
Two studies investigating the value of DJing for contemporary music education
2014
This research investigated the importance of cognitive skills learned through DJing and perspectives on the potential value of DJing for music education through two studies. The first was a qualitative investigation into contemporary perspectives on the potential value of DJing for music education. Participants were asked three questions in order to establish their perceptions concerning the cultural relevance of DJing regarding the skills that might be learned through DJing and how DJing might be incorporated into formal music education curriculums. Perspectives emerged that showed a majority of participants believed that DJs learn valuable musical skills, DJing had equal relevance with ot…
The Relationship between Auditory Imagery and Musical Synchronization Abilities in Musicians
2009
Musical ensemble performance requires precise action coordination. To maintain synchrony in the presence of expressive tempo variations, musicians presumably anticipate the sounds that will be produced by their co-performers and coordinate their own anticipated actions with these predictions. Anticipatory auditory images in pitch and time may facilitate such predictions. Two experiments were conducted to examine the contribution of different aspects of auditory imagery abilities to sensorimotor synchronization (SMS) in musicians. In Experiment 1, the acuity of single-tone pitch images was measured by an adjustment method and by adaptive threshold estimation. Different types of finger tappin…
An integrative dual-route model of rhythm perception and production
2009
An integrative dual-route model of rhythm perception and production is proposed here. Furthermore, an empirical study illustrated in the second part of this paper provides evidence of the existence of two different cognitive pathways. The development of the model is based on fundamental psychological principles of perception, action control and relevant neurobiological findings in rhythm processing and sensorimotor synchronization. Experiments with a dual-task paradigm were used during synchronization tapping to verify the fundamental assumptions of the model. The aim was to examine whether professional drummers show a change in tapping performance when their attention is drawn to another t…