Search results for "Textual criticism"
showing 10 items of 92 documents
Review of: S. Seelentag, Der Pseudovergilische Culex, Stuttgart 2012
2013
Ueber den Titel und den text der sogenannten "Epistula Annae ad Senecam"
2022
We try to demonstrate that the so-called "Epistula Annae ad Senecam" derives from a Jewish environment. Furthermore, an attempt is made to heal some corrupted points in the text.
Note ai Florida e all´Apologia di Apuleio
2021
Vengono proposte alcune congetture al testo dei Florida e dell´ Apologia di Apuleio. Some conjectures are proposed to the text of the Florida and Apuleius' Apology
Recensione a: Scholia in Claudi Aeliani De natura animalium
2019
Si recensisce il vol. Scholia in Claudii Aeliani Libros De Natura Animalium proponendo una serie di congetture testuali.
Coniectanea (IV)
2021
Si cerca di sanare per congettura alcuni passi di Seneca filosofo e della commedia anonima tardo-latina "Querolus" We try to heal by conjecture some passages of Seneca the philosopher and of the late Latin anonymous comedy "Querolus"
Per il testo, il ritmo e lo iato dell´Epistola di Aristea a Filocrate
2021
Epistulae Aristeae ad Philocratem loci nonnulli ad genuinam lectionem revocantur; praeterea quaeritur utrum hiatus vitetur atque clausolae numerosae sint. The aim of the first part of this paper is to cast new light on the textual constitution of some passages of the Epistula Aristeae ad Philocratem. Ca. 20 pieces are discussed and for most of them a new solution is proposed; in the other cases I argue for a solution already proposed, but not accepted by the editors. The aim of the second part is to establish whether the ps.-Aristeas used rhythmical prose or not, and whether he avoided the hiatus. The analysis shows that he wrote rhythmical prose and avoided the hiatus.
Guillem Peire de Cazals, “Be·m plagr’ueymais qu’ab vos dona·m valgues” (BdT 227.6)
2011
This paper proposes a new edition with commentary of the poem “Be·m plagr’ueymais qu’ab vos, dona, ·m valgues” by Guillem Peire de Cazals and represents a first critical and hermeneutical reassessment of the poetry of the troubadour from Cahors, that has long been neglected. The text presents the classical structure of a love-story (springtime exordium, singing brought on by love, the theme of improvement, courting with no hope of a reward, a request for mercé) and invites the fin aman to be patient. The song is examined from the viewpoint of its metrical and stylistic relations to other troubadour poems (Bernart de Ventadorn, “Can par la flors josta·l vert folh” [BdT 70.41] and “La dousa v…
Fautes musicales et fautes textuelles dans les lais lyriques transmis par les chansonniers du Roi (M) et de Noailles (T)
2020
In this contribution we shall present some anomalies in the musical notation of the anonymous lyric lais transmitted by French chansonniers M and T (i.e. Kievrefoil, Markiol and Nompar), which share the same source, and to which a recently discovered chansonnier fragment (Bo) can be added. The plural attestation of these heterostrophic texts allows to nuance the strict notion of musical error, advocated by John H. Marshall for this very corpus. Finally, we discuss an interesting case (Nompar, str. X) where musical notation can effectively help the reconstruction of a text corrupted in both witnesses.
Zu Ps.-Skylax, Periplos 94
2021
Si emenda per congettura un passo del Periplo dello ps.-Scilace A passage from the Periplus of ps.-Scilace is to be amended by conjecture