Search results for "Theater."

showing 10 items of 158 documents

Documenting the indignation: Responses to the 2008 financial crisis in contemporary Spanish cinema

2017

ABSTRACTThe aim of this article is to analyze two Spanish documentary films that reflect on the 2008 financial crisis in Spain, Mercado de futuros (Mercedes Alvarez, 2011) and No estamos solos (Pere Joan Ventura, 2015). These movies could be marked as political for their choice of a collective protagonist and for dealing with the issues of inequality with the purpose of appealing to mobilization and resistance to the neoliberal Western agenda that have provoked social cutbacks after the 2008 crisis. Mercedes Alvarez and Pere Joan Ventura follow the tradition of political documentaries traced by filmmakers such as Dziga Vertov, Joris Ivens, Pere Portabella, and Basilio Martin Patino and open…

060201 languages & linguisticsCultural StudiesLiteratureHistoryLiterature and Literary TheoryInequalitybusiness.industrymedia_common.quotation_subject05 social sciences050801 communication & media studies06 humanities and the arts16. Peace & justiceIndignationPoliticsMovie theater0508 media and communications0602 languages and literatureFinancial crisisEconomic historybusinessResistance (creativity)media_commonRomance Quarterly
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El Derecho visto por Berlanga | The Law seen by Berlanga

2019

Resumen: El cine de Luis García Berlanga habla del Derecho, del que ofrece una visión cómica y crítica a la vez. La pena de muerte, la reivindicación de la libertad, la censura a la autoridad, el machismo y la corrupción son los tópicos jurídicos berlanguianos.
 Abstract: The cinema of Luis García Berlanga talks of Law, of which he offers a comical and critical vision at the same time. The death penalty, the vindication of freedom, censorship of authority, sexism and corruption are the Berlanguan legal topics.

:CIENCIAS JURÍDICAS [UNESCO]DerechobiologyCorruptionbusiness.industrymedia_common.quotation_subjectGarciaK201-487Censorshipbiology.organism_classificationPhilosophyMovie theaterUNESCO::CIENCIAS JURÍDICASPolitical scienceJurisprudence. Philosophy and theory of lawbusinessLawHumanitiesmedia_common
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Cine, vida y derecho. Palabras en recuerdo de Mario Ruiz | Cinema, Life and Law. Some Words in Remembrance of Mario Ruiz

2019

espanolCine, vida y derecho. Palabras en recuerdo de Mario Ruiz EnglishCinema, Life and Law.Some Wordsin Remembrance of Mario Ruiz

:CIENCIAS JURÍDICAS [UNESCO]Derechobusiness.industrymedia_common.quotation_subjectK201-487ArtPhilosophyMovie theaterUNESCO::CIENCIAS JURÍDICASJurisprudence. Philosophy and theory of lawbusinessLawHumanitiesmedia_common
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Derecho y cine. Entre la filosofía y la pedagogía. En reconocimiento a Mario Ruiz | Law and Cinema, Between Philosophy and Pedagogy. In Recognition o…

2019

Resumen: Intervenciones en los homenajes a nuestro compañero Mario en Valencia y Valladolid
 Abstract: Interventions in tribute to our partner Mario held in Valencia and Valladolid

:CIENCIAS JURÍDICAS [UNESCO]Derechobusiness.industrymedia_common.quotation_subjectK201-487ArtPhilosophyMovie theaterUNESCO::CIENCIAS JURÍDICASJurisprudence. Philosophy and theory of lawbusinessLawHumanitiesmedia_common
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Maxwell Anderson's uncertain position in the american theater canon

1997

:LINGÜÍSTICA [UNESCO]TheaterUNESCO::LINGÜÍSTICA
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La transformación de DICAT: el potencial de la visualización digital de redes para el teatro clásico español

2021

This paper analyses and proposes the steps to transform Diccionario biográfico de actores del teatro clásico español DICAT in order to be federated on ASODAT system of databases. We intend to assess whether or not the visualization of nets may be a useful and operational tool to analysing the biographical and professional information established between actors and actress of early modern Spanish theater, and to show patterns of social relation. Este artículo analiza y propone los pasos para transformar el Diccionario biográfico de actores del teatro clásico español DICAT para que pueda ser federado en el sistema de bases de datos ASODAT. Se pretende evaluar si la visualización de redes pued…

Actrices050101 languages & linguisticsActressesData Visualization05 social sciencesTeatreVisualización de datosActorsBases de datosBases de dadesTeatro clásico españolClassical TheaterDatabasesOrder (business)Actores0501 psychology and cognitive sciencesSociology0509 other social sciences050904 information & library sciencesHumanitiesTalía. Revista de estudios teatrales
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The big picture: effects of surround on immersion and size perception.

2014

Despite the fear of the entertainment industry that illegal downloads of films might ruin their business, going to the movies continues to be a popular leisure activity. One reason why people prefer to watch movies in cinemas may be the surround of the movie screen or its physically huge size. To disentangle the factors that might contribute to the size impression, we tested several measures of subjective size and immersion in different viewing environments. For this purpose we built a model cinema that provided visual angle information comparable with that of a real cinema. Subjects watched identical movie clips in a real cinema, a model cinema, and on a display monitor in isolation. Wher…

AdultMaleVisual perceptionMotion PicturesEntertainment industryExperimental and Cognitive PsychologyVisual artsMovie theaterYoung AdultContextual designArtificial IntelligenceHumansGeneralLiterature_REFERENCE(e.g.dictionariesencyclopediasglossaries)Size PerceptionAnalysis of Variancebusiness.industryViewing angleSensory SystemsOphthalmologyDisplay sizeFemaleSize PerceptionVisual anglePsychologybusinessPhotic StimulationPerception
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Akustische Masken auf dem Theater/ Maschere acustiche in teatro: Text - Sprache - Performanz/ Testo - Lingua - Performance

2019

I molteplici interessi scientifici e professionali - teatrologici, storici, linguistici, derivanti dall'attuale prassi attoriale e registica - che sono alla base di questi saggi offrono un quadro sfaccettato e complesso delle riflessioni sul discorso della comunicazione teatrale nei due paesi, le cui peculiarita, piu che le somiglianze, spiccando nel confronto, gettano una luce incrociata particolarmente interessante. Il filo rosso che si intreccia alla trama di questi contributi e senz'altro il complesso rapporto che lega la parola del testo teatrale con quella che si realizza sulla scena, ovverosia cio che in realta si puo definire lo specifico dell'evento teatrale in se, il quale si real…

Akustische Masken Chor Didaskalien Gegenwartstheater Germania Handlungspartituren Performanz Sprechakte Sprechtheater Stimme Theater Theatergeschichte Theatersprache Theaterwissenschaft deutsch-italienischSettore L-ART/05 - Discipline Dello Spettacoloitalo-tedesco teatrologia scena testo performance atti performativi estetica lingua del teatro linguistica performance storia e attualità del teatro teatro traduzione
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Techniques de construction traditionnelles et techniques romaines dans le théâtre d’Althiburos et les monuments de spectacle de l’Afrique Proconsulai…

2023

The contribution aims to study the relationship between the traditional construction techniques of the territories of Proconsular Africa and those imported by the Romans and used in the construction of entertainment buildings, in particular theaters and amphitheatres, also taking into account the importation of typological models, starting from the “case study” of the theater of Althiburos. During the 1st and 2nd centuries AD there is a gradual introduction of Roman construction techniques, such as the opus caemaenticium, especially in the construction of substructures and vaults, sometimes with the importation of urban models, of techniques but also of Italic workers (just think of the opu…

Althiburos theatre amphitheater performance buildings construction techniques Roman architecture opus quadratum quarry marks.Settore L-ANT/07 - Archeologia ClassicaSettore ICAR/18 - Storia Dell'Architettura
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"Saliamoci sopra e voliamo via..." Percorsi di Beni Montresor e Philip Glass verso "Le Streghe di Venezia" (1994-2009)

2016

Il saggio delinea i percorsi creativi di Philip Glass a partire dall'inizio dalla fine degli anni Sessanta, con particolare riferimento alle opere o spettacoli di teatro musicale. Nella seconda parte vengono descritti l'eperienza biografica e artistica di Beni Montresor, nonché la genesi e i caratteri musicali dell'opera in due atti "The Witches of Venice" (Le Streghe di Venezia, 1994-2009), presentata al Teatro Massimo di Palermo nella versione che include anche i testi di Vincenzo Cerami.

America Music Musical theater Minimal Music Philip Glass Beni Montresor Vincenzo Cerami The Witches of Venice.Settore L-ART/07 - Musicologia E Storia Della MusicaAmerica Musica Teatro musicale Minimalismo Philip Glass Beni Montresor Vincenzo Cerami The Witches of Venice Le Streghe di Venezia.
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