Search results for "Theater"
showing 10 items of 161 documents
El escultor del tiempo: claves de la “filosofía cinematográfica” de Gilles Deleuze
2018
Gilles Deleuze ha ofrecido en sus dos estudios sobre cine —L’image–mouvement y L’image– temps— una de las propuestas más ambiciosas de las últimas décadas en lo que concierne a la relación entre filosofía y cine, hasta el punto de construir una auténtica “filosofía cinematográfica” y de inaugurar, en paralelo a Stanley Cavell, una fructífera línea de investigación filosófica que ha dado en denominarse como “film–philosophy”. Su primera obra se centra, fundamentalmente, en elaborar una metafísica del tiempo inspirada en la filosofía de Henri Bergson, pero utilizando las posibilidades del cine para complementar y trascender las ideas del autor de L’évolution créatice. En su se…
Sceniczna noc upiorów w rytmie powtórzeń i formalnych przekodowań - o "byronowskiej" dramie Nodiera
2015
Ancora sulla fortuna de La Fuerza lastimosa nell’opera del Seicento: Alfonso I di Matteo Noris (Venezia Napoli Palermo)
2020
Lope de Vega’s play, La fuerza lastimosa, written around 1599 and first published in 1609, was very popular in Seventeenth-Century Italy, as research by Fausta Antonucci and Salomé Vuelta has demonstrated. Several Italian adaptations are already known, among which a dramma per musica, La forza compassionevole, written by Antonio Salvi and staged in Leghorn in 1694. In the same year, another opera based on Lope’s drama was staged in Venice (as Alfonso I) and in Naples (under the title Alfonso il Sesto re di Castiglia). Two years later, this last version was revived in Palermo, again, as in Naples, to celebrate the birthday of King Charles II of Spain. None of these three librettos indicates …
Brief an Garlieb H. Merkel
1799
Ms. 930a, Nr. 8, Bl. 22r-23v Böttiger, Karl August. Brief an Garlieb H. Merkel, Weimar, d[en] 13. November 1797 Autora rokraksts / Autograph, vācu, angļu un latīņu val. / Deutsch, Englisch und Latein [4] lpp. / S. Attēlu numuri / Bildnummern: 930a-008-1 – 930a-008-4 Der Verfasser nennt in diesem inhaltsreichen Brief zahlreiche Namen und hält nicht nur die Verbindung mit Merkel, die aus dessen erstem Aufenthalt in Weimar resultierte, aufrecht, sondern gibt ihm weitere Hinweise und Empfehlung für seinen weiteren Aufenthalt in Dänemark. So rät er zur Übersetzung dreier Romane aus dem Englischen, darunter Jane Wests „A gossip's story“ (London 1796). Ferner bittet der Verfasser Merkel um Gefälli…
Movements by Drawing: Avant-Garde Set-Design and Sound Landscapes
2018
The article deals with the study of visual images produced by the movement through the drawing’s set-design realized between 1920 and 1930, moment of theatre revolution, which saw the cooperation of different sectors of art, including photography, painting, architecture, cinema, dance, sculpture, and music. The visual values that triggered the theorization of the artistic avant-garde and, subsequently, the production of the scenographic drawing, in form and space, constitute a corollary of dynamic systems, a metaphor of the deconstructed movement through the figuration of the idea and at the same time signification of the interpretative distortion. The aim is to deepen the issue of movement…
La voce, il gesto, la scena. Elementi teatrali nelle commedie latine del XII e XIII secolo
2019
In questo volume, dopo aver delineato un panorama organico delle cosiddette commedie latine elegiache del XII e XIII secolo, viene discussa l'antica questione della reale possibilità di rappresentare questi testi, cercando di mostrare - anche sulla base di alcune glosse di Arnolfo di Orléans e un'intera serie di spie e indizi interni dei testi stessi - come è ipotizzabile una rappresentazione teatrale, almeno per alcune di queste commedie. Gli argomenti qui trattati riguardano l'alternanza, nelle composizioni comico-elegiache, tra parti narrative e sezioni monologiche e / o dialogiche; le didascalie "interne"; possibili relazioni con la tradizione giullaresca; la convivenza, all'interno di …
recensione a: GIORGIA BANDINI - CATERINA PENTERICCI (a c. di), Personaggi in scena. Il Parasitus (Ludi Plautini Sarsinates 2), Roma, Carocci 2019
2023
Review to the volume of: GIORGIA BANDINI - CATERINA PENTERICCI (a c. di), Personaggi in scena. Il Parasitus (Ludi Plautini Sarsinates 2), Roma, Carocci 2019
Kolmas merkitys toiseen
2016
The Third Meaning Squared. Kinekphrasis in Contemporary Finnish Poetry
 In this article I develop the concept of kinekphrasis to designate a particular form of intermediality, speci cally, the verbal representation of cinema or other form of moving image. Kinekphrasis builds upon ekphrasis, the classical rhetorical term that today generally refers to texts about static artworks, such as paintings and statues. Representing the medial complex of cinema, however, sets a distinct sensorial and semiotic challenge to a text and brings about a form of intermediality di erent from the traditional ekphrasis. I exemplify kinekphrasis with a reading of contemporary Finnish poetry, namely, individ…
Poetycki teatrzyk małych form dramatycznych na łamach "Muchy" i "Kolców" w latach siedemdziesiątych XIX wieku
2017
The repertoire of humorous periodicals, even at its early inception, allows to be organized according to numerous criteria – thematic, genealogical, formal and aesthetic ones. One can distinguish marriage and family, professional and social, fantastic and parody dramas. The selected types penetrate each other. Formal parody was signaled by subtitles containing the qualification that determined the formal shape of the work. In this way the newspaper theater revived the conventions revoked by the literary reform of Romanticism. A theater of Paris cabarets was to soon follow in its footsteps with the projects of great 19th century stage reformers – and this is not the only resemblance to the l…
Littérature et film noirs dans Et on tuera tous les affreux (1948) de Vernon Sullivan, l’alter negro de Boris Vian, ou une mise en question de la be…
2018
espanolEn este articulo proponemos el estudio de un curioso proceso de combinacion generica, de genero negro y ciencia ficcion distopica, y un fenomeno intermediatico de literatura y cine a traves del analisis de los pastiches de Boris Vian bajo el seudonimo de Vernon Sullivan. Nos centramos, en concreto, en un subgenero Hollywoodiense de critica a la serialidad y la perfeccion artificial. Para ello exponemos un acercamiento original a la novela Et on tuera tous les affreux (1948) en relacion con tres films norteamericanos catalogados como neonoir, –dos de ellos adaptaciones de novelas de Ellroy– con el objeto de estudiar la representacion de la femme fatale en un contexto hipermasculinizad…