Search results for "Theatre."

showing 10 items of 161 documents

Validity of NMR pore-size analysis of cultutal heritage ancient building materials containing magnetic impurities

2007

NMR relaxation time distributions, obtained with laboratory and portable devices, are utilized to characterize the pore-size distributions of building materials coming from the Roman remains of the Greek-Roman Theatre of Taormina. To validate the interpretation of relaxation data in terms of pore-size distribution, comparison of results from standard and in situ NMR experiments with results of the mercury intrusion porosimetry (MIP) has been made. Although the pore-size distributions can be obtained by NMR in terms of either longitudinal (T-1) or transverse (T-2) relaxation times distributions, the shorter duration of the T-2 measurement makes it, in principle, preferable, although the dete…

Pore sizeNuclear and High Energy PhysicsNMR porosimetryPOROUS-MEDIAMineralogyGRADIENTSNMR building materialsSingle-sided NMRImpurityPORE-SIZE DISTRIBUTIONSStatistical physicsInstrumentationNMR porous mediaRadiationChemistryIN SITU ANALYSISRelaxation (NMR)nmr building materials; nmr cultural heritage; nmr porosimetry; nmr porous media; nmr relaxation; pore-size distribution; single-sided nmr; taormina theatrePOROUS MEDIANMR cultural heritageGeneral ChemistryRESONANCENmr dataFIELDSDIFFUSIONNMRMagnetic fieldPore-size distributionCultural heritageDistribution (mathematics)Taormina TheatreNMR relaxationCULTURAL HERITAGEMercury intrusion porosimetry
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Decamerone der Künstler des Rigaer Stadttheaters nebst anderen Beiträgen

1897

Rigaer Stadttheater - Geschichte:HUMANITIES and RELIGION::Aesthetic subjects::Theatre [Research Subject Categories]Teātra trupasTheatergeschichteRīgas Pilsētas teātrisTeātra vēsture
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«Un uomo di lettere». Ipotesi sul programma figurativo dei rilievi scultorei del pulpitum del Teatro di Sabratha

2020

After some considerations about the chronology of Theatre of Sabratha and on the internal organization of pulpitum reliefs, this paper puts forward the hypothesis of the attribution to Apuleius of the most part of the iconographic programme. In particular, Florida and Metamorphosis are suggested as direct sources of some scenes. The reconsideration of the pulpitum's first scene, starting from the left, previously interpreted as a sort of theatral academy, confrims this hypothesis. The scene represents a group of philosophers, strictly derived from the representation of the seven savants, as depicted on two well known mosaics. The iconography is adapted to the specific context, with the elim…

Sabratha Theatre Roman sculpture Apuleius Marcus AureliusSettore L-ANT/07 - Archeologia Classica
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ASPETTI DI SOSTENIBILITÀ NEL RECUPERO DEI TEATRI STORICI

2014

It is well known as the "Italian" historic theater in our country is largely widespread, sufficiently stable in its typological configuration characterized by the stalls area with the boxes rows and the stage with the handling systems of stagecraft, behind a rich facade able to qualify the urban environment. As a result of the recent legislation bills, a number of public and private Italians authorities have begun an intensive recovery, value and protection of the theatrical architectural heritage present in own territories. However several conflicting proposals regarding the way of the maintenance work, highly variable in relation to attitudes brought, on one hand, to privilege stability, …

Settore ICAR/10 - Architettura TecnicaHistoric Theatres Sicily Rehabilitation Conservation
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Rehabilitation of theatres in Sicily

2014

ABSTRACT: In Sicilian area, as well as elsewhere in Europe, the theatres built between the last decades of the XVIII century and the beginning of the XX century are progressively disappearing because of integrations and substitutions required by the new “modernity”, the change of use of the building itself that do not respect the original purpose. The current study, starting from a 1868 census carried on by the Home Office of the Italian Reign, punctually retraces the status of the surveyed theatres, and updates the list of those that were built afterwards, it also analyzes theatres’ state of maintenance, current use and occurred changes. In the most of the cases we are in front of “Italian…

Settore ICAR/10 - Architettura TecnicaHistoric theatres Sicily Rehabilitation
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Giuseppe Samonà e la “spina dorsale” di Gibellina Nuova

2020

Nel 1970 Giuseppe Samonà coordina il gruppo di progettazione formato da Vittorio Gregotti, Gianni Pirrone e Alberto Samonà per il Progetto del Centro civico, commerciale e culturale di Gibellina Nuova. Del piano è realizzato il municipio e poi, rielaborato e in altro luogo, il teatro. I monumenti, fondati su un asse pedonale in quota connesso a un suolo artificiale articolato, esprimono l’unità architettura – urbanistica e anticipano, per certi versi, una riflessione successiva del Direttore dello IUAV sulla dialettica fra urbano e rurale.

Settore ICAR/14 - Composizione Architettonica E UrbanaIn 1970 Giuseppe Samonà coordinated a design team (with Vittorio Gregotti Gianni Pirrone and Alberto Samonà) for the project of the Civic Commercial and Cultural Centre of Gibellina Nuova. From this plan among the monuments just the town hall was built. The theatre was proposed later for a different place. The buildings should have been linked to a pedestrian axial gangway connected to an articulated artificial ground. The complex should have shown the unity between architecture and urban planning anticipating in some ways a later Samona’s reflection about the dialectic between urban and rural.
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Poster: Contaminations

2010

Settore ICAR/16 - Architettura Degli Interni E Allestimentoitalian theatre performance town art
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Giuseppe Damiani Almeyda: design drawings compared

2012

Giuseppe Damiani Almeyda is among the most important designers, architects, engineers and designers at the end of '800. He has participated in numerous architectural competitions, both at Palermo in Sicily and again in Italy. He has conducted numerous studies on the identification of significant types of construction from coffee house to the shrines cemeteries, the decorative detail to the urban study on a large scale. Of course He is remembered in our city, especially as the designer of the Politeama, an imposing structure that dominates the central square of Palermo. Very old city, whose roots, evidenced by the presence dating back to the Punic, have never found a break until the present …

Settore ICAR/17 - DisegnoTheatre iron coverage architectural drawings
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Ricerche a Solunto (2022)

2023

New Investigations at Solunto (2022) ∙ The last fieldwork campaign in Solunto by the University of Palermo, in the sanctuary above the theatre and in the baths near the agora (the North Baths), obtained some relevant results concerning both the building sequences and the architectural configurations. In the sanctuary, a clearer picture is emerging of the oldest layout, dating from the 4th century B.C. (1st phase). After the first reshaping of the street grid and of the urban layout (2nd phase), in the second half of 2nd century B.C., an overall restyling (3rd phase) gave the whole sanctuary area an impressive organization into terraces linked through ramps and stairways. A striking feature,…

Settore L-ANT/10 - Metodologie Della Ricerca ArcheologicaSolunto Fieldwork Sanctuary above the Theatre Agora Baths Virtual Reconstruction
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La mauresque sur scène et les contacts musico-teatraux entre l'Italie et la ville de Dubrovnik au XVIe siècle

2019

The moresca, and the related forms of weapon dance, either spread in the Mediterranean basin or in several countries of Central and Southern Europe, was a kind of 16-century choreography. Born as a battle between Saracens and Christian knights, this dance inspired different kinds of mimic spectacle that served as a part of comedies and pastoral plays. The article analyses the relationship between the moresca intermingled in the pastorals of Dubrovnik and Siena, both marked by a strong presence of dances, songs and choruses to increase the fantastic and sentimental emphasis of the performances. Both Dubrovnik’s and Italian’s plays were characterized by shepherds, nymphs, and rustic men (the …

Settore L-ART/07 - Musicologia E Storia Della MusicaMorrish dance Moresca 16th-century Italian Theatre Pastorals plays Dubrovnik
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