Search results for "Venice"

showing 10 items of 36 documents

Grammatica storica, storia della civiltà, educazione visiva: tre storie dell’arte nell’Accademia di Venezia nell’Ottocento

2019

L'articolo traccia l'evoluzione storica dell'insegnamento della storia dell'arte all'Accademia di Belle Arti di Venezia attraverso tre casi esemplari: Pietro Selvatico Estense, Antonio Dall'Acqua-Giusti e Angelo Conti. The article traces the historical evolution of the teaching of art history at the Academy of Fine Arts in Venice through three exemplary cases: Pietro Selvatico Estense, Antonio Dall'Acqua-Giusti and Angelo Conti.

Settore L-ART/04 - Museologia E Critica Artistica E Del RestauroVeneziaArtist's educationArt academieAccademie d'arteArt historyVeniceFormazione dell'artistaStoria dell'arteStoria della storia dell'arteAntonio Dall'Acqua-GiustiPietro Selvatico EstenseAngelo ContiHistory of Art history
researchProduct

Canzoni, ariette, gondole e barchette

2012

L'articolo tratta del genere della canzone in forma di barcarola,tra la metà del Settecento e il secondo Ottocento. Nella prima parte vengono evidenziati i tratti caratteristici del genere, a partire da una discussione della definizione data da Rousseau; e in seguito viene proposta una spiegazione del perché è utilizzato soprattutto il metro di 6/8. Nella seconda parte vengono analizzate due canzoni-barcarole particolarmente emblematiche: "La biondina in gondoleta", e "Santa Lucia".

Settore L-ART/07 - Musicologia E Storia Della MusicaBarcarole Songs Rousseau Mayr Cottrau Venice Naples
researchProduct

The polychoral tradition

2006

The article discusses the seminar ‘The polychoral tradition in Italy, the Iberian Peninsula and the New World’, held at Fondazione Levi in Venice in 2005, focusing on concepts such as "cultural transfer" or the same "policorality.

Settore L-ART/07 - Musicologia E Storia Della MusicaMusic Spain Venice polichorality sacred musicMusicEarly Music
researchProduct

Diario minimo veneziano

2012

About the 69th Venice International Film Festival

Settore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateVenice Biennale Cinema
researchProduct

The 'Other' Coastal Area of Venice: Musical Ties with Istria and Dalmatia

2018

Despite the difficulty of classifying the art music of Istria and Dalmatia, and according to several degrees of subordination, adaptation, and autonomy from Venice and Italy, the essay examines the multilingual society of the aforementioned regions and the extraordinary development of a rare Slavic-Romance cultural symbiosis during the sixteenth century. The main topics focused are: 1- the linguistic and cultural frame, 2 - the professional music from Koper (Capodistria) to the free Republic of Dubrovnik (Rugusa), 3 - the music for Protestants and the policy of Catholic Church at the time of the Counter Reformation, 4 - the value of incidental music on stage, either in Croatian or Italian t…

Sixteenth-Century Music Venice Istria Dalmatia Slavic-Romance Cultural SymbiosSettore L-ART/07 - Musicologia E Storia Della MusicaMusica del sedicesimo secolo Venezia Istria Dalmazia Simbiosi culturale slavo-romanza
researchProduct

In viaggio con Stravinsky, gli ultimi anni di tournée e le "Choral-Variationen" sul canto natalizio Vom Himme hoch..." (1955-56)

2022

The text takes up in organic form the speeches held on June 3, 2021 as part of the conference "Stravinsky in/and Italy. Day dedicated to the memory of Igor Stravinsky in the fiftieth anniversary of his death (1971-2021)" and the subsequent round table. The first paragraphs have the character of a reconstruction of the life of Igor Stravinsky ‘as an old man’, dealing above all with the theme of the trips to Italy made by the Maestro together with his wife Vera de Bosset, the conductor Robert Craft. The second part of the text is about the "Choral-Variationen on the Christmas carol “Vom Himmel hoch...”, written in 1955-56 to be performed with the Canticum Sacrum in the St. Mark’s Basilica in …

Stravinsky Italy Venice Canticum Sacrum Choral-Variations Vom Himmal hoch WebernSettore L-ART/07 - Musicologia E Storia Della Musica
researchProduct

La scoperta, sistemazione e conservazione della grande Iscrizione di Gortina, nell'isola di Creta (1884-1921): la protezione delle testimonianze e le…

2013

La scoperta e la conservazione della Grande Iscrizione di Gortina a Creta, da parte degli studiosi italiani, fra la fine del XIX sec. e i primi decenni del XX sec., rappresentò un grande riconoscimento scientifico-culturale per la giovane nazione italiana. Nel passato, l’isola di Creta era stata legata alla Repubblica di Venezia e anche questo rapporto favorì l’invio a Creta del giovane epigrafista F. Halbherr, il quale fra notevoli peripezie rinvenne, assieme all’epigrafista tedesco E. Fabricius, la famosa l’iscrizione nell’antica città di Gortina. L’iscrizione, fra le più antiche e complete finora conosciute in tutta Europa, conteneva le norme sulla famiglia, l’eredità e in generale i dir…

The discovery and preservation of the Great Inscription of Gortyna in Crete by Italian researchers in the late nineteenth century. and the first decades of the twentieth century. was an important cultural and scientific recognition for the young Italian nation. In the past the island of Crete had been tied to the Republic of Venice and this report also favored sending in Crete the young epigraphist F. Halbherr who among considerable vicissitudes came to together to the epigraphist german E. Fabricius the inclusion of the famous ancient city of Gortyna. The inscription among the oldest and most comprehensive so far known throughout Europe the rules contained on the family's legacy in general and the rights and duties of some of the people of the Minoan civilization (480-450 BC). The inscription was carved on blocks organic limestone a restored ancient building which later in Roman times was turned into odeon. The Laws of Gortyn were engraved on the remains of the wall forming the passageway in front of the steps of the odeon. The essay traces the events that led to the discovery and subsequent storage made by Halbherr especially with the help of archaeologist L. Pernier and finally with the help of architect E. Stefani who designed a modern cover on the top of the ambulatory of the segments containing the inscription. This coverage was made to perform during the First World War on the basis of the Italian project from the Greek Government in order to protect the membership from possible war damage but especially from vandalism. The roof brick clay of the Laws of Gortyna still serves its function and ensures the use of the monument bearing witness to the preservation of Italian culture in Greece and more generally in the world. But in Sicily in the remains of the Villa del Casale in Piazza Armerina (Enna) its elegant protection (built in 1957) is representative of a whole period of culture of the Italian restoration is removed and replaced because it has not been able to make a ongoing maintenance is due. A bad example of conservation and management of a UNESCO monument from which arise after the work for the construction of new roofs an equally insulting to the archaeological heritage and scenic Italian and world.Settore ICAR/19 - Restauro
researchProduct

Travel and Disease in Thomas Mann’s "Death in Venice"

2019

Thomas Mann’s novella, Death in Venice (Der Tod in Venedig, 1912), presents a story of an artist, Gustav von Aschenbach, suffering from the writer’s block who travels to Venice to look for inspiration and where he eventually finds his death. In the meantime, he suffers from depression strengthened by feats of febrile listlessness, pressure in the temples, heaviness of the eyelids that make discontent befall him. The putrid smell of the lagoon hastens his departure, but a strange coincidence makes him change his mind. He returns to the hotel drawn by the enthrallment for the young lad, Tadzio, he had spotted there. Wandering through the streets of Venice, he ignores the health notices in the…

Travel and Disease in Thomas Mann’s Death in VeniceEuropean Journal of Language and Literature
researchProduct

Flota wojenna Bazylego II Bułgarobójcy (976-1025)

2016

The Emperor Basil II (976-1025) made his history by virtue of fact victorious war with Bulgaria and other numerous wars, that were fought during his reign in Asia Minor and the Balkans. However, from the very beginning of his reign, he had to pay attention to the naval forces of his empire. This was due to the fact that part of the fleet supported his opponents, aspiring to the imperial crown. After his victory in the civil war, he did not destroy the rebel fleet, but has entrusted her closer inspection. His state possessed a fleet, which could be attributed to the many activities: the fight against internal and external enemies at sea; military transport between distant points within the e…

VarangiansBazyli IIBizantiumWaregowieBasil IIFlotaBizancjumWenecjaFleetVenicePiotrkowskie Zeszyty Historyczne
researchProduct

Venice preserved; or a plot discovered by Thomas Otway: A TEI Edition by Jesús Tronch based on Robert G. Lawrence's edition

2018

Edición electrónica en lenguaje XML según directrices del Text Encoding Initiative (TEI) de la edición de Robert G. Lawrence de la obra VENICE PRESERVED de Thomas Otway, publicada en RESTORATION PLAYS (London: J. M. Dent, 1994, pp. 237-309) en la colección The Everyman Library. An electronic edition in XML language following the Guidelines of the Text Encoding Initiative of Robert G. Lawrence's edition of Thomas Otway's play VENICE PRESERVED published in RESTORATION PLAYS (London: J. M. Dent, 1994, pp. 237-309) for The Everyman Library.

Venice Preservedotwayedición electrónica TEIUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]
researchProduct