Search results for "Visual culture"

showing 10 items of 72 documents

Figurazioni dell'amor patrio - Esuli, profughi e migranti nelle arti visive del Risorgimento

2019

Figura simbolica fortemente radicata nell’immaginario risorgimentale, l’esule conferisce un volto umano a valori fondativi del discorso patriottico, come lo spirito di sacrificio e il senso di appartenenza alla comunità nazionale. Da tempo oggetto di studi storici, storico-letterari e comparatistici, il tema dell’esilio conosce una notevole fortuna iconografica nell’Europa del XIX secolo, qui per la prima volta esaminata in maniera sistematica grazie alla ricostruzione puntuale della genesi di opere che in virtù della loro natura allusiva suscitano l’interesse degli ambienti patriottici. Oltre a proporre una casistica dei motivi più ricorrenti, l’autore interpreta le immagini dell’esilio al…

HistoryArte pubblicaNazionalismoArt publicArt criticismRisorgimentoStoriaSettore L-ART/03 - Storia Dell'Arte ContemporaneaStoria dell'arteStudi sull'esilioCultura visivaNationalismEmotionSettore L-ART/04 - Museologia E Critica Artistica E Del Restauro19th CenturyLe emozioniVisual cultureArt exhibitionArt historyItaliaItalyExileIconografia politicaEsibizione artisticaPolitical iconography19esimo secoloEsilioExile studieCritica d'arte
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Introduction: Impression(s)

2019

This is the introduction to the volume "Impression(s)". The articles presented in this cluster discuss literary and visual impressions from the premise that literary impressionism and printmaking share the trope of impression as “impress” and as “imprints” in a technical and epistemological sense. Most works on Impressionism and literary impressionism dwell on the genealogy and mutual influence of fiction and painting, but few authors tackle the importance of printmaking. The five essays presented here all examine impressions as theme, trope and technique in 19th and 20th-century texts and images. These essays discuss intermedial practices, the mutual influence of artistic practice and text…

ImpressionsAestheticism[SHS.LITT] Humanities and Social Sciences/LiteratureVisual culturesModernismPrint culture
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Post-fotografia etnografica

2021

È evidente come la nostra società tecnologica sia legata senza alcun dubbio alla diffusione delle immagini. Autori come Gottfried Boehm, John Mitchell, Hans Belting hanno indagato la natura dell'immagine ponendo le basi, negli anni Novanta, per l'idea di un pictorial turn, di una cultura totalmente dominata dalle immagini che è diventata adesso una possibilità tecnica reale su scala globale. Un nuovo statuto dell'immagine che si usa raccogliere sotto l'etichetta di iconic turner inserito nel più vasto campo visual culture studies. L'uso del termine cultura accanto a quello di visuale è indicativo dell'ampiezza del campo d'indagine che visual culture studies si prefiggono di ricercare: essi …

It is evident that our technological society is undoubtedly linked to the diffusion of images. Authors such as Gottfried Boehm John Mitchell Hans Belting investigated the nature of the image by laying the foundations in the 1990s for the idea of ​​a pictorial turn of a culture totally dominated by images that has now become a real technical possibility on global scale. A new statute of the image that is used to collect under the label of iconic turner inserted in the wider field of visual culture studies. The use of the term culture alongside that of visual is indicative of the breadth of the field of investigation that visual culture studies aim to seek: they do not want to limit themselves to ascertaining the predominance of the visual in contemporary society and an evaluation of its aesthetic component. but they want to proceed towards an anthropological research in which visual culture is analyzed as a particular lifestyle that expresses certain meanings and values ​​not only in art and high culture but also in institutions and daily behavior. We will try to apply this new paradigm to photographs: instead of asking ourselves what the images mean let's try to ask ourselves what they want.
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Variación en la imagen de la Prudencia : entre la tradición y la «nueva visualidad»

2020

ABSTRACT: Although Italian influences prevail in the visual tradition of Prudence, beginning in the 15th century a new iconographic type emerges as a result of a «new visuality» deriving from French art. This innovation has been considered «monstrous» and breaking with the preceding visual tradition. However, this new visual manifestation is a result of the continuation of philosophic theories about Prudence. What is more, Italian art offers a response to the «new visuality» with another new iconographic type of the Prudence.
 KEYWORDS
 Prudence; Iconography; Visual Culture; Italian Art; French Art; Early Modern Age.
 RESUMEN: Aunque en la tradición visual de la Prudencia imp…

Linguistics and LanguageVisual Arts and Performing ArtsUNESCO::HISTORIACommunicationmedia_common.quotation_subjectPrudenceArtIconography:HISTORIA [UNESCO]HumanitiesLanguage and Linguisticsmedia_commonVisual culture
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The Survival of Ancient Monsters: Freud and Baubo

2015

The book explores the significance and dissemination of ‘monstrous anatomies’ in British and German culture by investigating how and why scientific and literary representations and descriptions of abnormal bodies were proposed in the late Enlightenment, during the Romantic and the Victorian Age. Since the investigations of late eighteenth century natural sciences, the fascination with monstrous anatomies has proved crucial to the study of human physiology and pathology. Featuring essays by a number of scholars focusing on a wide range of literary texts from the long nineteenth century and foregrounding the most important monstrous anatomies of the time, this book intends to offer a signific…

Literature and ScienceHistory of IdeasSettore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateVisual Culture
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The unnecessary image

2014

Medical Imagery Embryology Visual Culture
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Mitchell in Italia

2017

L'articolo, postfazione al libro Pictorial Turn. Saggi di cultura visuale, mette in evidenza e collega gli studi italiani che hanno subito l'influenza delle teorizzazioni di WJT Mitchell e che hanno contribuito a creare la corrente italiana della visual culture attraverso discipline differenti come le letterature comparate, l'estetica, la filosofia, gli studi sul cinema, persino l'architettura.

MictehllSettore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateVisual CultureLetterature comparatePictorial TurnEstetica
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Cinema Letters: Queer Typography to Training Teachers in Diversity and Visual Culture

2020

This paper presents a series of proposals to innovate in the field of teacher training from a critical perspective. We use art and design education incorporating creative aspects that range from the textual discourses of visual culture (cinema) and typography to issues of sexual diversity and queer dissidences. We promote creative experiences by introducing as a reference the study of typographies designed for films that raise LGBT issues. We review the typographical tradition of design elements related to the cinema, such as posters or main titles. We approach different questions from a multidisciplinary perspective, always thinking about teacher training and also about the educational pot…

Movie theaterTypographybusiness.industryMultidisciplinary approachField (Bourdieu)Perspective (graphical)General Social SciencesQueerSociologybusinessVisual artsVisual cultureTheme (narrative)Athenea Digital. Revista de pensamiento e investigación social
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La ribellione delle lingue: interrelazione delle arti e poesia sperimentale

2018

Este artículo plantea una sintética historia del surgimiento de la poesía ex perimental en España, enfocada hacia la utopía expresiva de la integración de las artes como lenguaje supranacional y réplica al dominio de la imagen en la cultura de masas. This paper presents a synthetic history of the emergence of experimental poetry in Spain, focused on the expressive utopia of the integration of the arts as a supranational language and a replica of the hegemony of image in mass culture. Cet article présente une histoire synthétique de l’émergence de la poésie expérimentale en Espagne, centrée sur l’utopie expressive de l’intégra tion des arts en tant que langue supranationale et réplique de l’…

Neo-avantgardes; Experimental poetry; Relation between the arts; Visual culture; PostmodernismVisual cultureNeo-avantgardesRelations entre les artsPoesía experimentalExperimental poetryPostmodernismeInterrelación de las artesPoesia sperimentaleNéo-avantgardesRelazione tra le artiNeovanguardias; Poesía experimental; Interrelación de las artes; Cultura visual; PostmodernismoArte. GeneralidadesCultura visualPoésie experimentaleRelation between the artsCulture visuelleNéo-avantgardes; Poésie experimentale; Relations entre les arts; Culture visuelle; PostmodernismeNeo-avanguardie; Poesia sperimentale; Relazione tra le arti; Cultura visiva; PostmodernismoPostmodernismoPostmodernismNeo-avanguardieArteNeovanguardiasCultura visiva
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Los <i>Padres de la Iglesia</i> de Joaquín Oliet y la obra de Francisco de Goya

2008

The painter from Castellón, Joaquin Oliet Cruellas, carried out prolific mural decorations for various churches in Valencia, Alicante and Castellón in which his intense visual culture is evident. Especially interesting are the series of Fathers of the Latin Church painted for several of these churches, which display, with variants, compositions identical to those attributed to Francisco de Goya in Calatayud, Muel and Remolinos.<br><br>El pintor castellonense Joaquín Oliet Cruella realizó para diversas parroquias valencianas, castellonenses y alicantinas una prolífica decoración mural, en la que es palpable una intensa cultura visual. Especialmente interesante es la serie de Padr…

PaintingVisual culture18th centuryIbiVisual Arts and Performing ArtsSiglo XVIIIlcsh:NX1-820media_common.quotation_subject19th centuryOlietMuralGoyaPinturaSiglo XIXArtlcsh:Arts in generalCultura visualPaintingCastellónValenciaHumanitiesVisual culturemedia_commonArchivo Español de Arte
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