Search results for "Walter Pater"

showing 7 items of 17 documents

« ‘one’s first care should be with its elementary particles’ : Walter Pater traducteur, traductologue », atelier « Le traducteur : traductologue à so…

2017

International audience; Cette communication s'intéresse à l'activité de traducteur de Walter Pater (1839-1894) dans ses essais et à l'importance croissante que prend la théorie de la traduction dans son œuvre de critique littéraire et esthétique.

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.PSY] Humanities and Social Sciences/PsychologyTraduction Littéraire[ SHS.PSY ] Humanities and Social Sciences/Psychology[SHS.LITT]Humanities and Social Sciences/Literature[SHS.PSY]Humanities and Social Sciences/PsychologyTraductologie littéraire[ SHS.LITT ] Humanities and Social Sciences/LiteratureWalter Pater
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« ‘Strange Old Italian Dress’: Walter Pater, Victorian Fashionista? »

2017

International audience

[SHS.LITT]Humanities and Social Sciences/Literature[ SHS.LITT ] Humanities and Social Sciences/Literature[SHS.GENRE] Humanities and Social Sciences/Gender studiesBritish Aestheticism[ SHS.GENRE ] Humanities and Social Sciences/Gender studies[SHS.LITT] Humanities and Social Sciences/LiteratureGaston de LatourNew Womengendercross-dressingfashion historyWalter Pater[SHS.GENRE]Humanities and Social Sciences/Gender studiesComputingMilieux_MISCELLANEOUS
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‘Strange old Italian dresses’: Walter Pater, Victorian fashionista?

2019

This article discusses Aesthetic dress as conceived by Walter Pater. Indeed in “Leonardo Da Vinci” (1869), the unfinished Gaston de Latour (1888-1894?), “The School of Giorgione” (1877) and “A Prince of Court Painters” (1885), Pater mentions and describes dress with special emphasis on details. Such descriptions belong to a series of writings on Aesthetic dress, admittedly a core component of British Aestheticism. Pater’s descriptions should therefore be contrasted to the 1870s portraits of Whistler, and to the 1880s-1890s writings of Whistler, Oscar Wilde and Max Beerbohm, along with the caricatures of Aesthetes by George du Maurier and Sir Leslie Ward. Pater responds by progressively deli…

[SHS.LITT]Humanities and Social Sciences/Literaturemedia_common.quotation_subjectArt history[SHS.LITT] Humanities and Social Sciences/LiteratureMode (music)Portraitaestheticismfashiongenderlcsh:Social sciences (General)Walter Patermedia_commonPaintinglcsh:English languageCore componentesthétismemodeArt[SHS.GENRE] Humanities and Social Sciences/Gender studiesDandyGaston de LatourdandyismAestheticismlcsh:H1-99lcsh:PE1-3729[SHS.GENRE]Humanities and Social Sciences/Gender studiesdandysme
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The Politics of Utopia: Walter Pater’s “Lacedaemon”

2016

Walter Pater is not usually considered as a politically committed writer, neither is Aestheticism of which he was the gifted theoretician with The Renaissance (1873). Although the political commitments of the Aesthetic movement have been questioned over the last two decades, both by including women aesthetes, and by re-evaluating the movement’s dissemination among the middle classes, discussion of Pater’s political ideas is almost non-existent. His Plato and Platonism (1893) is however not so remote from politics since it discusses Plato’s political philosophy. In particular, “Lacedaemon”, the chapter devoted to Sparta, enables Pater to intervene in the political debate from an original sta…

[SHS.LITT]Humanities and Social Sciences/Literaturemedia_common.quotation_subject“Lacedaemon”Pater Walter[SHS.LITT] Humanities and Social Sciences/LiteraturePolitics« Lacédémone »UtopiaéthiquePlato and PlatonismPolitical philosophylcsh:Social sciences (General)Walter PaterCitizenshipmedia_commonPlatoLiteratureEthicsLiterary genreeducationDystopialcsh:English languagebusiness.industryPhilosophyPolitics06 humanities and the artséducation[ SHS.LITT ] Humanities and Social Sciences/Literature060202 literary studiesethicspolitiqueutopieutopiaPlaton et le platonisme0602 languages and literatureaestheticsAestheticismlcsh:H1-99politicslcsh:PE1-3729PlatonismbusinessesthétiqueE-REA
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‘Georges Duthuit’s Le Rose et le noir : Disseminating Walter Pater’s The Renaissance in the 1920s’

2023

My proposal presents a lesser-known study of Walter Pater published in 1923 (?) by a young undergraduate named Georges Duthuit (1891-1973). Hovering between different subjects, arguments, portraits, and disciplines, Le Rose et le noir was the first book-length publication of Duthuit, at the time having just obtained his Licence d’anglais (BA) in 1921, and about to embark on a career as a distinguished art historian specialized in Byzantine studies. Duthuit soon stood as a distinguished Franco-British mediator in art matters, a committed scholar and administrator and, later in the 1940s, an editor of Transition. He remains arguably an outstanding art historian but I would like to focus on hi…

[SHS] Humanities and Social SciencesWalter Pater; Georges Duthuit; reception; British Aestheticism; France; Oscar Wilde
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"Walter Pater, de la transparence à l’opacité »

2013

International audience; Cet article étudie la poétique de l'ekphrasis dans "L'Ecole de Giorgione" de Walter Pater (1877)

ekphrasis[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/Literature[ SHS ] Humanities and Social Sciences[SHS] Humanities and Social Sciences[ SHS.LITT ] Humanities and Social Sciences/LiteratureWalter Patermusiquepeinture[SHS]Humanities and Social Sciencestexte
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Essais anglais

2012

Traduction anglais-français, annotation et présentation Diaphaneitè, Aesthetic Poetry, Dante Gabriel Rossetti, Charles Lamb, Thomas Browne.; International audience

traduction en françaishistoire littéraire[ SHS ] Humanities and Social SciencesLittérature anglaise[SHS] Humanities and Social SciencesWalter Pater[SHS]Humanities and Social Sciencesépoque victorienne
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