Search results for "aesthetic"

История испанской литературы

1915

История испанской литературы

1915

История испанской литературы

1915

Испанская поэзия в ХѴІ столетии

1915

Испанская поэзия в ХѴІ столетии

1915

Il vetro e il velluto. La casa tra opacità e trasparenza

2016

All’inizio del XX secolo le nuove tecniche consentono di sostituire il muro in materiali opachi con pareti di vetro che aboliscono le barriere visive tra interno ed esterno. Dopo aver illustrato l’estetica della trasparenza propugnata dal Movimento moderno, il presente saggio contrapporrà alla casa di vetro modernista orientata verso un’estetica prevalentemente visiva la dimora ottocentesca che, con i suoi pesanti velluti, esprime l’idea del calore e della tattilità. Infine si interrogherà su come la dialettica opacità/trasparenza si configuri nella casa ipertecnologica del Terzo millennio. At beginning of twentieth century, new techniques allow to replace the wall built with opaque materia…

The development of aesthetic responses to music and their underlying neural and psychological mechanisms.

2011

In the field of psychology, the first studies in experimental aesthetics were conducted approximately 140 years ago. Since then, research has mainly concentrated on aesthetic responses to visual art. Both the aesthetic experience of music and, especially, its development have received rather limited attention. Moreover, until now, very little attention has been paid to the investigation of the aesthetic experience of music using neuroscientific methods. Aesthetic experiences are multidimensional and include inter alia sensory, perceptual, affective, and cognitive components. Aesthetic processes are usually experienced as pleasing and rewarding and are, thus, important and valuable experienc…

Definitionen der ästhetischen Begriffe

1881

Datējums nav atrodams. Manuskripts, iespējams, attiecināms uz 19. gadsimta 80-jiem gadiem.

Showing and Saying. An Aesthetic Difference

2013

Wittgenstein’s distinction between saying and showing and the associated thesis, what can be shown cannot be said, were crucial to his first philosophy, persisted throughout the evolution of his whole thought and played a key role in his views on aesthetics. The objective of art is access to the mystical, forcing us to become aware of the uniqueness of our own experience and life. When art is good is a perfect expression and the work of art becomes like a tautology. An important consequence of this understanding of art is the irreducibility of the aesthetic to the scientific perspective.

The Other in Western Civilization

2017

This chapter explores how the Otherness was imagined by Europeanness, as well as the stereotypes, prejudices and idealized image around the non-Western Other. This section not only discusses to what extent Europe launched to colonize the world but the socio-cultural background for the European proclamation of supremacy over the rest of the world. The perverse core of European ethnocentrism rests in its paternalism to understand the cultural difference, adjoined to the rise and consolidation of Science, which paradoxically accelerated what David Riesman dubbed ‘the Other-oriented’ gaze. This is the moment of great technological breakthrough and the flourishing of romantic novels, literature …