Search results for "afro-américain"
showing 3 items of 3 documents
A Chain of Voices: A "Masters and Slaves" Narrative
2022
Because no less than thirty different narrators take turns to tell us the story of a slave revolt, A Chain of Voices can be read as Brink's attempt at revisiting the classical "slave narrative", turning it into a polyphonic "masters and slaves" narrative in which everyone is given a say. This article examines how this polyphonic, and even multifocal, mode of narration enables Brink to write back to both classical slave narratives and to their twentieth-century counterparts, the neo-slave narratives. What it suggests is that although A Chain of Voices bears many resemblances to neo-slave narratives in terms of form, especially because of its recourse to polyphony, it is also extremely close …
La représentation de l'afro américain et du jazz dans les cartoons des années 1930-1940
2012
Friday Black et Intruders : lecture croisée au prisme de l'afrofuturisme
2022
This article contrasts “The Finkelstein 5” and “Zimmer Land”, from Nana Kwame Adjei Brenyah’s short story collection Friday Black (2018) with the “Untitled” series from Mohale Mashigo’s Intruders (2018), using Mark Dery’s definition of Afrofuturism as a reading grid and a starting point. While both collections draw on the codes of science fiction and dystopia to portray racialized characters in futuristic settings to examine their relation to technology and their place in fictional ‘future’ societies, they take on different approaches. The article concludes that Adjei-Brenyah’s writing, in Friday Black, leans towards what could be termed ‘Afropresentism’ based on François Hartog’s definitio…