Search results for "amore"
showing 10 items of 51 documents
Prefazione
2012
Eros prefigurazione di Agape
2014
I Rimada koris lie neon metaxì elinikìs lie ditikìs paradosis
2014
Descrizione della caratteristiche della Rimada koris pie neou, con valutazione delle componenti occidentali e orientali Description of the characteristics of the Rimada koris pie neou, with evaluation of the western and eastern components
"L'educazione è cosa del cuore". Temi e problemi di una pedagogia della patosfera
2014
Mercenari italici in viaggio verso l’entroterra della Sicilia? Il contributo delle evidenze numismatiche e archeologiche
2014
The subject of the contribution is the analysis of a series of numismatic evidences, coming from Amorella, Monte Raffe, Castellazzo di Marianopoli, Santa Caterina di Villarmosa, through which it is possible to observe how, from the mid-4th century BC, the hinterland had become a veritable enclave of mercenaries. These are allogeneic groups, who presumably arrived in Sicily from the Italian peninsula to serve as soldiers in the ranks of the Dionysian armies, and were subsequently exhorted or chose to settle permanently in the indigenous communities of the interior
Nichilismo e amore in attesa del Regno
2023
The author uses the link between nihilism and love as a key to understanding Giancarlo Gaeta's book "Waiting for the Kingdom" and exposes, with the help of the reflections of J.-L Marion and P. Celan, the meaning of the aforementioned link.
«Tange, sodes, citharam» (CB 121): «chiodo scaccia chiodo», Orazio e al disillusione d'Amore
2011
The poetry of Horace (not only the author of «Satyres» and «Epistles», but also that of «Odes» and «Epodes») has a big diffusion in «Carmina Burana», and there are many compositions who clearly show that. CB 121 («Tange, sodes, citharam») is a lyric in wich we can find a brilliant, amusing and ironical reflection about women’s fidelity and infidelity in love. At the first time (stanzas 1-3) a boy, addressing his speech to a friend, contrasts the infidelity and venality of his earlier girl with his idealized new lover; but, at the end of the poem (stanza 4), the second spokesman rupts love illusion of the first, because he, who is being consulted on how make the girl more submissive, casuall…
Μετάβασις εἰς ἄλλο γένος: scelte biotiche e interdetti negli Amores
2018
The Amores’ collection is rich in declarations of literary intents, among which the introductory poem stands out: in this elegy the poet announces a metabasis eis allo genos, by blending echos from Bio frr. 3 e 10 G. with echoes from Prop. 2.13a.1-4, in order to legitimise the transition from the original epic inspiration to the elegiac one. The motif occurs again in 2.1 and 18: in the first case Ovid justifies, for the second time, this evolution, in the latter he informs the reader of his comeback to the erotic elegy, after a break in the space of the tragedy and of the didascalic and/or epistolary poetry with erotic content (Ars, Heroides). Later, in Am. 3.1 the famous dispute between El…
La nuova retorica dello spazio nell'elegia erotica ovidiana
2008
A study on the symbolic connotations of 'internal' and 'external' space (including urban places, travels and trips, the countryside, Egypt etc.) in Ovid's Amores, Ars Amatoria and Remedia Amoris. In this respect, Ovid is very innovative with respect to Tibullus and Propertius.
Boccaccio, «Ninfale fiesolano» 309, 5-8: per la storia di un tópos fra tradizione classica e suggestioni medievali
2022
Questa nota, alla luce della lettura e dell’interpretazione di un passo del «Ninfale fiesolano» del Boccaccio (309, 5-8), ripercorre la fortuna del motivo della “reciprocità” amorosa e, in particolare, dell’intimo rapporto che fa sì che “due” giovani innamorati, legati da affinità di costumi, età, bellezza, siano come “una” sola persona. Un motivo molto antico, questo, che affonda le sue radici nella tradizione biblica e nella letteratura classica, e che conoscerà ampia fortuna nel Medioevo latino e volgare. Fra i testi che vengono proposti e analizzati si segnalano, soprattutto, le «Metamorfosi» di Ovidio, l’«Ero e Leandro» di Museo, il «Narcissus», il «Pamphilus», l’«Alda» di Guglielmo di…