Search results for "art history"

From Graz to Göttingen: Neugebauer’s Early Intellectual Journey

2016

Otto Neugebauer’s early academic career was marked by a series of transitions. His interests shifted from physics to mathematics, and finally to the history of ancient mathematics and exact sciences. Yet even from his early years in Graz, Neugebauer was strongly attracted to the mathematical culture of Gottingen. When he arrived there in 1922, he quickly established a strong personal friendship with Richard Courant, the newly appointed Director of the Mathematics Institute. Neugebauer and Courant worked together closely up until 1933, when the Nazi government decimated the Gottingen scientific community. In this essay, Neugebauer’s historical work and his vision for a new approach to the st…

Canova divulgato tra «Können» e «Wollen» nell’opera di Alfred Gotthold Meyer

2014

This article is a critical introduction to the Italian translation of Meyer's Canova monograph (1898), it focuses on the editorial process and on the use of photography during this early stage of popular art history. Further consideration is given to Meyer's critical point of view in the context of the German fin-de-siècle art discourse (Burckhardt, Springer, Bode, Wölfflin, Hildebrand).

DaVinci's Mona Lisa entering the next dimension.

2013

For several of Leonardo da Vinci's paintings, such as The Virgin and Child with St Anne or the Mona Lisa, there exist copies produced by his own studio. In case of the Mona Lisa, a quite exceptional, rediscovered studio copy was presented to the public in 2012 by the Prado Museum in Madrid. Not only does it mirror its famous counterpart superficially; it also features the very same corrections to the lower layers, which indicates that da Vinci and the ‘copyist’ must have elaborated their panels simultaneously. On the basis of subjective (thirty-two participants estimated painter-model constellations) as well as objective data (analysis of trajectories between landmarks of both paintings), …

Aesthetic Lives

2013

Impression(s)

2019

The articles presented in this cluster discuss literary and visual impressions from the premise that literary impressionism and printmaking share the trope of impression as “impress” and as “imprints” in a technical and epistemological sense. Most works on Impressionism and literary impressionism dwell on the genealogy and mutual influence of fiction and painting, but few authors tackle the importance of printmaking. The five essays presented here all examine impressions as theme, trope and technique in 19th and 20th-century texts and images. These essays discuss intermedial practices, the mutual influence of artistic practice and textual production, as well as the dual meaning of impressio…

Banalizing the Alterity

2018

This chapter discusses the problem of poverty as something finely integrated in dark tourism. Though originally, both concepts sound very distant, no less true is that dark tourism and slum tourism are inextricably intertwined. Throughout this chapter review, we placed a hot debate on the role of globalization as a chief agent oriented to connect dissimilar economies into an all-encompassing system. The question whether tourism should be considered ethical or not still remains open. In days of Thana-Capitalism the suffering pivoted as the main commodity not only that helps structuring social institutions, but the necessary mediator between lay-people and their states.

The Destructive Passions of Life and the Soul: An Interdisciplinary View

1996

Man is a marvelous but also a mysterious creature. In spite of the surprising progress of science and technology, in spite of indubitable success in the utilization of the forces of nature, our crimes against nature as well as against man continue. One of the latest phenomena of this kind is the cruel conflict in the former territory of Yugoslavia.

Willem Boshoff, artist's monograph and catalogue

2013

Willem Boshoff’s work articulates around a pivotal date, April 1994, the first democratic elections in South Africa. He may choose to work gigantic rocks of granite or establish vast installations of accumulated material. The artist claims that his work is based on language, often taking the form of Dictionaries. While reviewing the main questions by artists of the twentieth century, texts or artworks from Europe are systematically tested against their South African counterpart. Boshoff’s attitude is determined by a melancholic questioning of his role as a creator linked to a political situation and cultural milieu. He discovers more dynamic ways of presenting gestures when his artistic act…

Images et usages de l’Agnus Dei à l’époque moderne

2018

Actes de la journée d'études à paraître. Rouen, archevêché de la cathédrale de Rouen.; International audience

Albert Robida et la guerre de demain

2014

International audience