Search results for "arts"

showing 10 items of 5330 documents

Testing audiovisual comprehension tasks with questions embedded in videos as subtitles: a pilot multimethod study

2017

<p>Listening, watching, reading and writing simultaneously in a foreign language is very complex. This paper is part of wider research which explores the use of audiovisual comprehension questions imprinted in the video image in the form of subtitles and synchronized with the relevant fragments for the purpose of language learning and testing. Compared to viewings where the comprehension activity is available only on paper, this innovative methodology may provide some benefits. Among them, it could reduce the conflict in visual attention between watching the video and completing the task, by spatially and temporally approximating the questions and the relevant fragments. The technique…

lcsh:Language and Literaturevideo listening testComputer sciencemedia_common.quotation_subjectForeign languageSpanish as a foreign languagecomputer.software_genreSubtitleslistening comprehensionReading (process)Llenguatge i llengües EnsenyamentAudiovisual comprehensionMathematics educationActive listeningLanguage proficiencymultimethod designsubtitlesmedia_common060201 languages & linguisticsMultimediaMultimethodologyEducational technologyVideo listening test06 humanities and the artsLanguage acquisitionComprehension0602 languages and literatureMultimethod designlcsh:PListening comprehensioncomputeraudiovisual comprehensionThe EuroCALL Review
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Modernities in the Americas: from the avant-gardes to nowadays

2018

Revisiting today the question of modernity in literature, in the arts, in society and politics means using the plural. And choosing the plural means not restricting the scope to the multivocal, but often ambiguous, notion of modernism. Often enrolled to designate a cultural imagination of modernity, the term is under duress when it comes to accounting for divergent ways of apprehending the relationship to time, history and culture. “Modernity is not a movement like dada or like imagism. If li...

lcsh:Latin America. Spanish AmericaHistoryScope (project management)Movement (music)Modernitymedia_common.quotation_subjectlcsh:F1201-3799Modernism (music)The artsPoliticsAestheticsGeneral Earth and Planetary Scienceslcsh:H1-99lcsh:Social sciences (General)General Environmental Sciencemedia_commonPluralIdeAs : Idées d’Amériques
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Le infinite vite delle fotografie: l’ecologia delle immagini di Joachim Schmid

2015

The turn from analogue to digital photography requires rethinking the heuristic potential of this medium: in the last century, it was produced countless photos and we lost the sense of them. What should we do with all these pictures? Joachim Schimd reflects on the abundance and proliferation of images and he works to give them a future in the age when digital technology changes our sense of what it means to take a picture. So we need an ecology of images which consists in the re-use of all the existing photos by an aesthetics of remix able to reorganize the sense of the images.

lcsh:Literature (General)Settore M-FIL/04 - EsteticaJoachim Schimdecology of imageslcsh:Visual artsfotografia visual culture esteticalcsh:N1-9211lcsh:PN1-6790photographyphotography; Joachim Schimd; ecology of images
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“Waiting for the Bass to Drop”: Correlations Between Intense Emotional Experiences and Production Techniques in Build-up and Drop Sections of Electro…

2014

This study investigates the correlations between theories of intense emotional experiences and production techniques used in the electronic dance music (EDM) sections “build-up” and “drop”, which are designed to build tension and create a heightened emotional intensity among clubbers. This is done by descriptive and interpretive music analysis, where spectrograms and a schematic model visually represent the dominant production techniques. Through a theoretical framework consisting of musical expectancy and gravity, the analysis suggests that i) extensive use of uplifters, ii) the “drum roll effect”, iii) large frequency changes, iv) removal and reintroduction of bass and bass drum and v) a …

lcsh:M1-5000Cultural StudiesExpectancy theoryEDMlcsh:MusicVisual Arts and Performing ArtsMultimediaMusicalmusical expectancycomputer.software_genreElectronic dance musicgravityBass (sound)Peak experienceMusic theoryemotional experiencesproductionSchematic modelClubPsychologycomputerCognitive psychologyDancecult
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Report on the 10th International Conference of Students of Systematic Musicology (SysMus17)

2018

The 10th annual International Conference of Students of Systematic Musicology (SysMus) took place on September 13–15, 2017, at Queen Mary University of London (UoL). The SysMus series has established itself as an international, student-run conference series aimed at introducing graduate students to networking and discussing their work in an academic conference environment. The term “Systematic Musicology,” first coined by Guido Adler (1885), nowadays covers a wide range of systematic or empirical approaches to theoretical, psychological, neuroscientific, ethnographic, and computational methodologies in music research. Presentations for SysMus17 focused on three central topics in relation t…

lcsh:M1-5000Musicologylcsh:Musiclcsh:PsychologyMusic theorylcsh:BF1-990Systematic musicologyMusic educationQueen (playing card)Visual artsMusic & Science
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Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion Capture

2015

<p>Techniques based on motion capture can be useful in <span><span style="font-size: x-small;">analyzing a wide range of musical styles and practices</span></span>: in this case, Transylvanian village music. We focused on a repertoire known as “Gypsy songs of sorrow”, played by professional Gypsy musicians during parties and celebrations of their own community. Two parameters were the object of study: rhythmic duration, and synchronization between musicians (a violinist and a viola player). Results show that rhythm is a local variant of <em>aksak</em> and is based on two duration units (S=short, L=long) which respect the formula 2:3 < S:L &am…

lcsh:M1-5000Range (music)coordination[ INFO.INFO-TS ] Computer Science [cs]/Signal and Image Processingjazz[INFO.INFO-TS] Computer Science [cs]/Signal and Image Processing[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsmedia_common.quotation_subjectSynchronizationperceptionMotion capture050105 experimental psychologyViolinGestureRhythm[INFO.INFO-TS]Computer Science [cs]/Signal and Image ProcessingPerceptionmotion capture0501 psychology and cognitive sciences0601 history and archaeologyEthnomusicologyAksakmedia_commonmelodyCommunication060101 anthropology[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artslcsh:Musicbusiness.industry05 social sciences06 humanities and the artsArt[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsDuration (music)performing musiciansonset asynchroniesgestureafrican-musicpiano performancebusinessMotion captureaksaksynchronizationmeterPeriod (music)Gestureparticipatory discrepancies
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Música medieval al més enllà

2007

According to the Middle Ages anthropomorphic and anachronical conception, in the other world -in heaven and in hell- they play, listen and dance different musics, vochal and instrumental, mystical hymns or torture shapes. There is too a defined and giving legitimation liturgycal and musical collaboration between heaven and earth’s church, which devils try to sabotage. And different heavenly and hellish attitudes, from pleasure to absolut condemnation, towards human musicians and musics.

lcsh:M1-5000Visual Arts and Performing ArtsDanceTorturemedia_common.quotation_subjectdemoniosMusicalcieloPleasurelcsh:Music and books on Musicmás allaHeavenM1-5000media_commonLiteratureinfiernolcsh:Musicliturgiabusiness.industryMusic and books on MusicArtMLegitimationLiturgymúsicaángelesbusinesslcsh:MMysticismMusic
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¿Música o magia? La presentación de las ondas musicales de Maurice Martenot en España

2015

On 1928, the French musician Maurice Martenot presented at Paris Opera a new electronic musical instrument which he called musical waves. It had success like only a few and attracted the interest of the composers, Martenot strove to spread it with a initial tour that took it all around the world between 1931 and 1932. From the information given by the press –because there are not more references– this article aims to rebuild the presentation of the instrument in Spain all along 1932, to report about the reception by the review and to justify the mystery that involved the instrument because of its unknown electronic running and its performance only with the hands movement on the air.En 1928,…

lcsh:M1-5000Visual Arts and Performing Artsmedia_common.quotation_subjectOperaMusical instrumentMusicalmusic criticismVisual artsMartenotInstrumentos musicalesPresentationondaslcsh:Music and books on MusicM1-5000wavesétermedia_commonMusical instrumentslcsh:MusicMusic and books on MusicMovement (music)electronicsMArtcrítica musicaletherelectrónicaAndrés GaosPerformance artlcsh:MMusicAnuario Musical
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Music May Reduce Loneliness and Act as Social Surrogate for a Friend: Evidence from an Experimental Listening Study

2020

After losing a close other, individuals usually confide in an empathic friend to receive comfort and they seem to have a heightened desire for mood-congruent, consoling music. Hence, it has been proposed that affect-congruent music acts as a social surrogate for an empathic friend. Thus, we hypothesized that listening to comforting music, as a response to a social loss experience, provides a sense of empathic company as indicated by reduced loneliness and heightened empathy. We further predicted that distracting music would have a stronger impact on the listeners’ mood in comparison to comforting pieces. To test these assumptions, an experiment with two factors was designed: (1) Sadness wa…

lcsh:M1-5000emotion regulationlcsh:BF1-990musiikkisocial music cognitionMusic listeningsocial surrogacybehavioral disciplines and activitieskuunteleminen050105 experimental psychology060404 musictunteetcomfortlonelinessmedicine0501 psychology and cognitive sciencesActive listeninglcsh:Music05 social scienceskognitiivinen musiikkitiedeLoneliness06 humanities and the artshumanitieslcsh:Psychologyyksinäisyyslohdutusmusic listeningmedicine.symptomPsychologySocial psychology0604 artspsychological phenomena and processesMusic & Science
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Performing sound of the past: Remix in electronic dance music culture

2014

The term remix, defined as an activity of taking data from pre-existing materials to combine them into new forms according to personal taste, relates to various elements and areas of contemporary culture. Whichever model used, consideration of the remix depends on recognition of pre-existing cultural codes. Therefore, as a second layer, the remix relies on the authority of the original and it functions at the meta-level. The audience may see a trace of history with the pre-existing object and the meaning creates in the viewer(s), reader(s), listener(s) or, in the contemporary world of DJs and popular electronic dance music culture - in dancer(s). With the aim of specifying modes of creating…

lcsh:Musical instruction and studygeographygeography.geographical_feature_categoryremixclubbing ambientmedia_common.quotation_subjectGeneral MedicineArtElectronic dance musicVisual artsperforming audienceGramophonedziePerformance artpre-existing materiallcsh:MT1-960Sound (geography)media_commonMuzikologija
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