Search results for "emblemática"
showing 10 items of 27 documents
Breves notas sobre la cultura emblemática barroca
1978
La capilla de la Virgen de Campanar en Valencia: tradición popular erigida en erudita retórica visual
2018
This chapel forms part of the parochial church of Campanar, which belongs to the municipality of Valencia. The Virgen de Campanar (Virgin of Campanar) is an image executed in alabaster, discovered on the subfloor of the church of this place on February 19th, 1596, by some construction workers who were undertaking some remodeling at that time. From that moment forward it began to be worshipped by the masses as a miraculous image. Among its alleged properties we find the mysterious fact that powder from its plaster had miraculous effects: it was taken dissolved in water to cure the sick or to assure a healthy birth for pregnant women, and it even calmed storms at sea if it was thrown into the…
Fernando R. de la Flor: De Cristo. Dos fantasías iconológicas
2013
Recension critica del libro de Fernando R. de la Flor: De Cristo. Dos fantasias iconologicas, Abada Editpores, Madrid, 2011.
Fuentes de información y recursos de utilidad para el estudio e investigación de la Emblemática
2015
ABSTRACT: This study provides a list of sources and resources available for the study and research of emblem books and other materials produced by emblematic culture (15th-18th centuries), with a special focus on the contributions that have been produced in recent years with the widespread use of the Internet, both in terms of primary and secondary sources, as well as electronic resources (digital libraries, databases, digital editions with text encoding inner markup, search engines, specialized portals, etc.). KEYWORDS: Emblematics, Emblems, Imprese, Devices, Hieroglyphs, Resources for Emblem Studies. RESUMEN: Este trabajo ofrece una relacion de fuentes y recursos disponibles para el estud…
On the Origins of Spanish Hieroglyphs: Part One
2015
ABSTRACT: In this paper the Spanish reception of hieroglyphs, and its outcome, is presented as an important aspect of the process of transmission of hieroglyphs in Early-Modern Europe. This change of perspective is important because it gives a general context for the phenomenon in Spain, clarifies its ties with the rest of the continent through the process of diffusion and –perhaps more relevantly– highlights the distinct characteristics that hieroglyphs assumed in Spain as response to a different mentality, culminating with the creation of what the author regards as «classic Spanish hieroglyphs». KEYWORDS: Hieroglyph, Emblem, Diffusion, Genre. RESUMEN: En este trabajo, dividido en dos part…
Cuestiones religiosas en los Emblemata (Amberes, 1565) de Adriano Junio
2014
ABSTRACT: In this study I deal briefly with some issues related to the visual culture of the Baroque festival; and more specifically, with those related to the royal portraits that were on display during the festive activities. To this end I place special emphasis on developing the concepts of presence, body and virtuality –as applied to those works or visual objects– from an approach that offers a new theoretical framework, namely, that which involves «image studies» or «visual culture studies» (Bildwissenschaft, Bildanthropologie y visual studies). KEYWORDS: Baroque Festival, Royal Portraits, Presence, Body, Virtuality, Image Studies. RESUMEN: En el presente estudio abordaremos brevemente…
La divisa de las granadas del rey Enrique IV de Castilla y su estela posterior
2015
ABSTRACT: This study analyzes the meaning of the impresa or device of the pomegranates, with the motto « Agro dulce », utilized by Henry IV (1425-1474), of the House of Trastamara, King of Castile from 1454 until his death. By means of a review of vestiges that remain of the device, especially in architectonic elements, I postulate that the pomegranate may have been used as the family impresa of the House of Trastamara and their descendants. This, it seems, can be deduced from the pictura of the device in several personal imprese of relatives who lived in the sixteenth century. KEYWORDS: pomegranate, devices, royal clemency, Henry IV, Catholic Monarchs, Catherine of Aragon, Charles V, Phili…
Le Chevalier délibéré de Olivier de la Marche traducido por Acuña: poesía y emblemática
2014
ABSTRACT: If in the French original of Le Chevalier delibere one can appreciate the intimate relationship between the poetic text and the gorgeous engravings that accompany and illustrate it, in the tranlated version of Acuna this association is even stronger, to the point that one might say that the translator not only translates the French text linguistically, but also the book's images. This results then in a fusion between text and images that points clearly towards an emblematic vision in the book. KEYWORDS: Hernando de Acuna, Le Chevalier delibere , Emblematics, Translation RESUMEN: Si en la edicion original francesa de Le Chevalier delibere se aprecia una intima relacion entre el tex…
Imagen e iconografía en las exequias del príncipe Baltasar Carlos en Zaragoza en 1646.
2014
ABSTRACT: This article studies the ceremonial funeral rites for Prince Baltasar Carlos of Austria, son of Philip IV and the hope for the healing of a monarchy in crisis, in the exequies celebrated in the city of Zaragoza, where the young heir to the throne died shortly before his seventeenth birthday, in 1646. The monumental catafalque erected in the plaza of the market place (a fantastic ephemeral tumulus characterized by a splendid Baroque architecture full of symbols), demonstrates the magnificence with which the death of such a beloved prince was presented to the public, in the second third of the seventeenth century. KEYWORDS: Prince Baltasar Carlos of Austria, Spanish Golden Age, roya…
El mundo vegetal en la mitología clásica y su representación artística
2005
La representación artística de los contenidos de la mitología clásica ofrece innumerables temas de estudio entre los que se encuentra la presencia del mundo vegetal. A partir de las referencias literarias de la Antigüedad, enriquecidas e interpretadas especialmente desde el siglo XVI, el presente artículo explica cómo un buen número de árboles, plantas y flores se convirtieron en atributos de dioses y héroes, bien como símbolo de sus virtudes o de sus actividades. (A)