Search results for "exhibition"

showing 10 items of 142 documents

Exposer l’âge du Bronze

2021

Exhibitions about the Bronze Age in France are quire a recent affair and only eighteen temporary exhi­bitions, most with their own catalogue, have been curated since 1986. This conference has given us the opportunity to overviev, the exhibitions that have given eirher a regional perspective of the Bronze Age or have focused on a particular theme. ln the last few years, several exhibitions have highlighred non-funerary metal deposits. The museography and public ourreach have varied for each exhibition, but ail have dealt with the difficult question of recontextualisation and how we understand and interpret archaeological data. This is particularly relevant, as the public still knows lirrle o…

Bronze age[SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistoryillustrationarchaeological contextdrawingdessincastingexhibitionmuséologieâge du Bronzemuseologycontexte archéologiquecollection archéologiquearchaeological collectionmoulageexposition
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Carlo Scarpa e la sala del dubbio di palazzo Abatellis

2016

Questo articolo descrive, da un disegno di studio e da foto d'archivio, la sala del dubbio in divenire al processo di progettazione. E' uno sguardo alla realizzazione di Scarpa con la consapevolezza che le forme e gli allestimenti di palazzo Abatellis, stabiscono alla scala di dettaglio; "raccontare" di possibili somiglianze tra il dispositivo e le relazioni spaziali che si instaura con gli occhi del visitatore. This paper describes, from a study design and the photo archive, the challenge of the lost set-up in the making that the design process. It's a look at the making Scarpa with the knowledge that forms and exhibitions for Abatellis palace, established the scale of detail; "recount" of…

Carlo Scarpa palazzo Abatellis MuseoSettore ICAR/14 - Composizione Architettonica E UrbanaCarlo Scarpa Exhibitions Spatial relations.
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L'architettura dei padiglioni dell'alimentazione e della ristorazione nelle esposizioni dell'Oltremare del Secondo Imperialismo

2014

Il periodo compreso fra le rivoluzioni liberali del 1848 e lo scoppio della seconda guerra mondiale nel 1939 (che dà il via al tramonto della cosiddetta “età aurea” del sistema capitalista e della supremazia del “vecchio continente” sul resto del mondo), pur in maniera difforme, è caratterizzato da un nuovo scenario economico e tecnologico della civiltà occidentale che riconosce nelle grandi esposizioni internazionali e nazionali, ma anche in quelle regionali e coloniali, le sedi più idonee per azioni di propaganda commerciale e politica. L’origine del genere delle esposizioni coloniali, che prende il via in sordina e con sensibile ritardo, è puramente mercantilistica e si manifesta inizial…

Colonial Exhibition area overseasPadiglioni Alimentazione OltremareSettore ICAR/18 - Storia Dell'Architettura
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Ilustración, cómic y compromiso social. Crónica de una exposición en movimiento

2017

[EN] This article describes an exhibition project that puts to value the relationship between graphic illustration, comics, and social commitment through numerous examples of commissions and personal works carried out by today’s Valencian authors. Divided into eleven thematic areas or social causes, the exhibition offers a wide array of styles and poetics, focused on acting as speaker of the claims of various invisible groups

ComicCómicSocial commitmentValencian illustratorsSocial commitmentbusiness.industryExhibitionIlustradores valencianosmedia_common.quotation_subjectCompromiso socialArtComicsSocial issuesIlustraciónValencianlanguage.human_languageVisual artsExhibitionIllustrationPoeticsExposiciónlanguagebusinessHumanitiesmedia_common
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Pictorial meaning-making in a community project in Helsinki. Freirean interpretations of a dialogical process

2018

Participation in public discourse belongs to a democratic citizenship. However, part of the population is excluded from such communal discussion. This paper describes how the photography group Camera Obs., which principally contained unemployed people in Helsinki, created pictorial voices from their own everyday experiences through a dialogical process, rendering them also visible to other people. The research focuses on the group’s activity during the years 2004–6, from the beginning of the project to its first exhibition. As a theoretical background, Paulo Freire’s ideas of dialogue and voice creation, combined with Vygotsky’s and Mezirow’s concept of meaning-making, have been applied. T…

Community projecteducation.field_of_studyLC8-6691Dialogical selfPopulationSocial SciencesParticipatory action researchSpecial aspects of educationVisual artsExhibitionHReciprocity (social psychology)Meaning-makingNarrativeSociologyeducationInternational Journal of Social Pedagogy
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Simone Geraci. Echos

2019

The essay was made on the occasion of Simone Geraci's solo show at the Quam gallery in Scicli, where the artist presented a very refined selection of his most recent artistic production. Geraci, who prefers the definition of painter to that of artist, is firmly convinced of the condition of painting as a living language, not devoid of narrative implications, and as an expressive tool that is still current and capable of great fascination.

Contemporary ArtExhibitionSettore L-ART/03 - Storia Dell'Arte ContemporaneaSimone Geraci
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Renegotiating the Boundaries of the Virile Nation: the España negra of José Gutiérrez Solana in the art exhibitions of postwar Spain (1940–45)

2020

Throughout the years immediately following the Spanish Civil War, Francoist discourse on the nation was strongly linked to the idea of virility. All the different political cultures of the dictator...

Cultural Studies050101 languages & linguisticsLinguistics and LanguageHistory05 social sciencesLanguage and LinguisticsExhibitionSpanish Civil WarPolitical scienceEconomic historyDictatorPolitical culture0501 psychology and cognitive sciencesVirilityJournal of Iberian and Latin American Studies
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Animated Corpses: Communicating with Post Mortals in an Anatomical Exhibition

2006

‘Plastinates’ (i.e. corpses conserved through plastics) are lab created artifacts which since the nineties have been the subject of a cultural field experiment via an anatomical exhibition. Similarly to brain-dead or digitalized bodies, they constitute an ambiguous form of post-mortem existence. The article inquires after the ways in which the ontological status of these entities is constituted through the practices of body donors, anatomists and visitors. Plastinates owe their ambiguity to an oscillation between two different frames of perception. Their meaning is determined by the extent to which an anatomy exhibition can impose a ‘medical gaze’ over a non-professional way of perception, …

Cultural Studies060101 anthropologyHealth (social science)Social PsychologyMultimediamedia_common.quotation_subjectAssociation (object-oriented programming)05 social sciencesMedical gazeSubject (philosophy)06 humanities and the artsArtAmbiguity050905 science studiescomputer.software_genreCultural fieldExhibitionAestheticsPerception0601 history and archaeologyMeaning (existential)0509 other social sciencescomputermedia_commonBody & Society
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Pauls Daija, Deniss Hanovs, and Ilze Jansone Riga, Civilizāciju karš? Pirmais pasaules karš ideoloģijās, mākslās un atmiņās. Latvijas versijas

2017

In 2014, the centenary of World War I was commemorated worldwide, particularly in Europe, where events in remembrance of the ‘Great War’, such as commemorations, exhibitions, and conferences, were ...

Cultural StudiesExhibitionHistoryArts and Humanities (miscellaneous)Ancient historyFirst world warJournal of Baltic Studies
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Categories and boundaries in Sámi exhibitions

2019

This article examines the construction of ethnicity in the permanent exhibitions of two Sami museums: Siida, the National Museum of the Finnish Sami and a Nature Centre of Metsahallitus, and ajtte, the Swedish Mountain and Sami Museum. The aim of the article is to find out how ethnic categories and boundaries are created by the exhibitions, and how the museum presentations relate to contemporary public discussions about Sami ethnicity. The presentations are analysed within the framework of discourse analysis. The findings suggest that the two museums, with a few possible exceptions, tend to produce a clear and stable ethnic boundary between the Sami and other ethnicities. Like the Sami ethn…

Cultural StudiesHistorySociology and Political ScienceNational museumAnthropologyDiscourse analysis05 social sciences0507 social and economic geographyEthnic groupthe Samisaamelaisuussaamelaiset0506 political sciencekulttuurihistorialliset museotdiskurssianalyysiExhibitionAnthropologymuseot050602 political science & public administrationethnicitydiscourse analysis050703 geographymuseum exhibitionsetnisyys
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