Search results for "icono"
showing 10 items of 567 documents
Abraham Bids Farewell to Hagar and Ishmael: Continuity and Variation of the Iconographic Type
2021
In traditional Christian artistic visualization, the episode of Hagar and Ishmael in the desert has given rise to various iconographic types: “The feast for the weaning of Isaac and Sara’s protests,” “Abraham bids farewell to Hagar and Ishmael,” “Hagar and Ishmael in the desert” and “Divine salvation for Hagar and Ishmael”. This study looks into the continuity and variation over time of the second of these types: “Abraham bids farewell to Hagar and Ishmael,” the one most depicted out of this entire biblical topic or episode. Since the Byzantine Octateuch in the East (11th century.) and the Canterbury Hexateuch (ca. 1025&ndash…
Introduzione: la musica dipinta
2009
L'esser persona della persona
2017
Nelle Lezioni di pedagogia fondamentale, curate dall'Autore, questo testo costituisce il capitolo iniziale della Quinta unità formativa, che porta il titolo L'avvenimento personale. Il senso della relazione educativa. Scrive l'Autore in avvio del capitolo: "Fedeli allo stile proprio del metodo fenomenologico, facciamo partire la nostra riflessione da quanto, nell’esperienza vissuta, ci s’impone con evidenza: dal dato, già emerso nella Lezione dedicata all’analisi dell’esistenza nella quotidianità, che abitiamo i mondi della nostra vita con altri esseri umani, che il nostro esserci è sempre un con-esserci. Lo abbiamo visto, ciascuno percepisce l’altro di fronte a sé con una speciale forma di…
Le son et le pouvoir en Bourgogne au XVe siècle
2000
Place: Paris Publisher: PUF
La musique dans et hors de la cathédrale : fête des fous et carnavals en Bourgogne à la fin du Moyen Age
2000
dir. Micheline Durand et Laura Weigert; International audience
Riflessioni sull’iconografia funeraria lilibetana nell’età di Cicerone
2021
Twenty-four, and possibly twenty-five painted stelae and aediculae were found, in different times, in the area of the necropolis of Lilybaeum (1903, 1974-1984), and further North, nearer to the ancient sea-shore (1895); most recently, two new entries enhanced the Museo Lilibeo (2009), beside two elements from decorated epitymbia. Despite previous scholarly opinions spread these artifacts over three centuries, as a whole, they can be assigned approximately to Cicero’s time. Some cross-cutting features, as a matter of fact, connect the stelae and the “Salinas” aediculae, and indicate that both date between the late 2nd and the late 1st century BC. Nevertheless, they constitue two neatly diffe…
El Guernica. Estudio iconográfico. Jesús María González de Zárate
2014
Recension critica del libro de Jesua Maria Gonzalez de Zarate: El Guernica. Estudio iconografico, Ayuntamiento de Gernika-Lumo, Fundartes, 2013, 93 pp.
Fernando R. de la Flor: De Cristo. Dos fantasías iconológicas
2013
Recension critica del libro de Fernando R. de la Flor: De Cristo. Dos fantasias iconologicas, Abada Editpores, Madrid, 2011.
Usos impropios de los términos 'Iconografía' e 'iconología'
2013
ABSTRACT: A reflection on the meaning of the terms «iconography» and «iconology», as defined by the fields of Art History and Archeology, in a strict sense, as disciplines concerned with the description and interpretation of images, respectively. In the everyday use of these terms we can also observe an inappropriate meaning when the object itself to which one of these disciplines is applied is designated as «iconography». Likewise, the term «iconology», in its migration from Art History to areas such as Theology, has come to acquire —in one concrete case analyzed here— a completely inappropriate meaning due to the loss of the correct epistemological orientation. KEY WORDS: Iconography, Ico…
Laurentius Lotus [Lorenzo Lotto]. De Amore
2014
ABSTRACT: In the study presented here of some portraits by Lorenzo Lotto, I have attempted to establish a reading of the image, of the details that the artist offers us in his canvas which, to my way of thinking, orient us towards the semantic meaning of the painting. In this concrete case I deal with the theme of love. This entails, therefore, an in-depth exploration of the story that the artist wishes to consider through his work, with the aim of recording and classifying the image by analyzing both its graphic as well as literary precedents. KEY WORDS: Lorenzo Lotto, Portrait, Love, Allegory, Iconography. RESUMEN: En el estudio presentado aqui sobre algunos retratos de Lorenzo Lotto, se …