Search results for "kaappaus"
showing 10 items of 20 documents
Description of movement sensor dataset for dog behavior classification
2022
The description and results of the original investigation are found in: Dog behaviour classification with movement sensors placed on the harness and the collar, Kumpulainen, P., Valldeoriola Cardó, A., Somppi, S., Törnqvist, H., Väätäjä, H., Majaranta, P., Gizatdinova, Y., Antink, C. H., Surakka, V., V. Kujala, M., Vainio, O. & Vehkaoja, A., Aug 2021, In: Applied Animal Behaviour Science. 241, 7 p., 105393. Movement sensor data from seven static and dynamic dog behaviors (sitting, standing, lying down, trotting, walking, playing, and (treat) searching i.e. sniffing) was collected from 45 middle to large sized dogs with six degree-of-freedom movement sensors attached to the collar and the ha…
¡Venceremos! : chileläisten poliittisten julisteiden kuva-aiheita vuosilta 1965-1973 ja vuoden 1973 Chilen sotilasvallankaappauksen jälkeen ilmestyne…
2016
Kandidaatintutkielma käsittelee vuosina 1965-1973 ilmestyneitä chileläisiä poliittisia ja yhteiskunnallisia julisteita sekä lyhyesti Chilen vuoden 1973 sotilasvallankaappauksen jälkeisiä kansainvälisiä ja Suomessa ilmestyneitä solidaarisuusjulisteita. Tutkielmassa tarkastellaan chileläisille julisteille tyypillisiä kuva-aiheita teemoitteluun perustuvan luokittelun kautta. Keskeistä on julisteiden kuva-aiheiden historiallinen kontekstointi.
Influences of rhythm- and timbre-related musical features on characteristics of music-induced movement
2013
Music makes us move. Several factors can affect the characteristics of such movements, including individual factors or musical features. For this study, we investigated the effect of rhythm- and timbre-related musical features as well as tempo on movement characteristics. Sixty participants were presented with 30 musical stimuli representing different styles of popular music, and instructed to move along with the music. Optical motion capture was used to record participants’ movements. Subsequently, eight movement features and four rhythm- and timbre-related musical features were computationally extracted from the data, while the tempo was assessed in a perceptual experiment. A subsequent c…
Move the way you feel : effects of musical features, perceived emotions, and personality on music-induced movement
2013
All Eyes on Me : Behaving as Soloist in Duo Performances Leads to Increased Body Movements and Attracts Observers’ Visual Attention
2020
Duo musicians exhibit a broad variety of bodily gestures, but it is unclear how soloists’ and accompanists’ movements differ and to what extent they attract observers’ visual attention. In Experiment 1, seven musical duos’ body movements were tracked while they performed two pieces in two different conditions. In a congruent condition, soloist and accompanist behaved according to their expected musical roles; in an incongruent condition, the soloist behaved as accompanist and vice versa. Results revealed that behaving as soloist, regardless of the condition, led to more, smoother, and faster head and shoulder movements over a larger area than behaving as accompanist. Moreover, accompanists …
Relationships Between Audio and Movement Features, and Perceived Emotions in Musical Performance
2023
A core aspect of musical performance is communicating emotional and expressive intentions to the audience. Recognition of the musician's intentions is constructed from a combination of visual and auditory performance cues, as well as compositional features. The current study attempted to quantify these contributions by measuring relationships between ratings of perceived emotion, and motion and auditory performance features. A pianist and violinist with advanced degrees in music performance individually performed four short western tonal pieces. The musicians were tasked with performing the pieces while invoking different expressive intentions: sad, happy, angry, and as a control, deadpan. …
What comes first: Combining motion capture and eye tracking data to study the order of articulators in constructed action in sign language narratives
2020
We use synchronized 120 fps motion capture and 50 fps eye tracking data from two native signers to investigate the temporal order in which the dominant hand, the head, the chest and the eyes start producing overt constructed action from regular narration in seven short Finnish Sign Language stories. From the material, we derive a sample of ten instances of regular narration to overt constructed action transfers in ELAN which we then further process and analyze in Matlab. The results indicate that the temporal order of articulators shows both contextual and individual variation but that there are also repeated patterns which are similar across all the analyzed sequences and signers. Most not…
Turning Heads on the Dance Floor: Synchrony and Social Interaction Using a Silent Disco Paradigm
2023
Music and dance appear to have a social bonding effect, which some have theorized is part of their ultimate evolutionary function. Prior research has also found a social bonding effect of synchronized movement, and it is possible that interpersonal synchrony could be considered the “active ingredient” in the social bonding consequences of music or dance activity. The present study aimed to separate the effects of synchrony from other factors associated with joint experience of dancing by using a “silent disco” manipulation, in which the timing of a musical stimulus was varied within a dyad in a freestyle dance setting. Three conditions were included: synchrony, tempo-shifted (in which the …
Empathy, Entrainment, and Perceived Interaction in Complex Dyadic Dance Movement
2019
The current study explores how individuals' tendency to empathize with others (trait empathy) modulates interaction and social entrainment in dyadic dance in a free movement context using perceptual and computationally derived measures. Stimuli consisting of 24 point-light animations were created using motion capture data selected from a sample of 99 dyads, based on self-reported trait empathy. Individuals whose Empathy Quotient (EQ) scores were in the top or bottom quartile of all scores were considered to have high or low empathy, respectively, and twelve dyads comprised of four high-high, four low-low, and four high-low empathy combinations were identified. Animations of these dyads were…