Search results for "mediality"

showing 10 items of 39 documents

Il cinema politico

2020

The essays aims to illustrate the new form of political contemporary cinema, starting from the event of September 2001

Contemporary cinema political cinema intermediality
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Pictorial Real, Historical Intermedial. Digital Aesthetics and the Representation of History in Eric Rohmer’sThe Lady and the Duke

2016

AbstractInThe Lady and the Duke(2001), Eric Rohmer provides an unusual and “conservative” account of the French Revolution by recurring to classical and yet “revolutionary” means. The interpolation between painting and film produces a visual surface which pursues a paradoxical effect of immediacy and verisimilitude. At the same time though, it underscores the represented nature of the images in a complex dynamic of “reality effect” and critical meta-discourse. The aim of this paper is the analysis of the main discursive strategies deployed by the film to disclose an intermedial effectiveness in the light of its original digital aesthetics. Furthermore, it focuses on the problematic relation…

Eric Rohmer simulation illusion history and discourse intermediality tableau vivantmedia_common.quotation_subjectArt historyGeneral MedicineRepresentation (arts)Artsimulationtableau vivantVisual artsVisual artsintermedialityN1-9211illusionhistory and discourseeric rohmermedia_commonActa Universitatis Sapientiae, Film and Media Studies
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Lignes et points : Illustration, impressionnisme littéraire et procédés

2020

International audience; Cette conférence a porté de manière générale sur les rapports entre illustration et procédés de reproduction. Elle est plus précisément consacrée à l’utilisation de la photogravure dans le livre illustré britannique de la fin du 19ème siècle. L’exemple choisi est le recueil d’essais London Impressions (Constable, 1898) d’Alice Meynell, illustré par l’artiste britannique William Hyde. Peintre et aquafortiste, Hyde collaborait avec l’inventeur écossais Donald Cameron-Swan (1863-1951) de la Swan Electric Engraving Company, spécialisée dans le cliché trait comme dans le cliché simili. À la croisée de pratiques autographiques et d’opérations mécaniques, la photogravure al…

Fin de siècleIllustrated booksimpressionnisme littéraire[SHS.LITT]Humanities and Social Sciences/Literatureillustrated bookFin de siècle esthétiqueAlice Meynell[SHS.ART]Humanities and Social Sciences/Art and art historyWilliam Hyde[SHS.LITT] Humanities and Social Sciences/LiteratureReproduction -- Et les artsLivre illustré[SHS.ART] Humanities and Social Sciences/Art and art historyIntermedialityLiterary impressionismprocessProcédés photomécaniquesIntermédialité
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Changing the ownership of ideas: Multimedial accomplishment of collaborative reflection in an organizational workshop

2022

Reflecting on work processes together with one's co-workers is becoming increasingly important in workplaces. This study examined collaborative reflection in the organizational context through analyzing a case of a complex workplace setting where an enterprise social media platform, talk-in-interaction, and handwriting were used to engage participants in the process of reflection. Drawing on the concept of remediation, the results show that collaborative reflection is interactionally accomplished through a multimedial activity chain, in which the ownership of presented ideas is transformed from individual ideas into shared views of the team. The study shows in detail how the process of coll…

Linguistics and LanguagemultimedialitySocial PsychologykeskustelunanalyysiCommunicationExperimental and Cognitive PsychologyideointityöprosessittiimityöyhteistyöLanguage and Linguisticstyöpajatcollaborative reflectionworkplacerecontextualizationremediationkielellinen vuorovaikutusreflektiomultimodaalisuusLanguage & Communication
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Dal martire al cacciatore. Traduzioni intersemiotiche dell’eroismo antimafia

2022

Questo contributo muove da un'analisi comparativa tra la biografia di Alfonso Sabella "Cacciatore di mafiosi" (Mondadori, 2008) e le prime due stagioni della fiction Rai "Il Cacciatore" (2018-2020), tratte dal libro. L'obbiettivo è problematizzare questo processo di traduzione intersemiotica alla luce dell'evoluzione dei modelli d'eroismo dei personaggi. Nel saggio, ricolleghiamo questa evoluzione a una riflessione più generale sulla natura transmediale della memoria collettiva, sempre più legata allo spettacolo del passato costruito dai media, che ibridano tra loro generi diversi. Per situare le tendenze contemporanee della memoria dell'eroismo antimafia all'interno di una genealogia pià a…

Mafia and antimafiaMediaMemory StudieGiovanni FalconeSettore SPS/08 - Sociologia Dei Processi Culturali E ComunicativiAlfonso Sabella Il cacciatore di mafiosiGomorraThe hunterTransmedialityFrancesco La LicataRoberto SavianoIntersemiotics TranslationAlfonso Sabella The mafia hunterGomorrahAverageRAIMafia and anti-mafiaIl cacciatoreSettore M-FIL/05 - Filosofia E Teoria Dei Linguaggi
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The Inner Border: Edward Hopper’s Reimagining the Frontier

2020

International audience

Paintingmedia_common.quotation_subjectliteratureArt historyArt[SHS.ART]Humanities and Social Sciences/Art and art historypaintingintermedialityFrontierborderHopperAmerican studies[SHS.ART] Humanities and Social Sciences/Art and art historyComputingMilieux_MISCELLANEOUSmedia_common
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Intermedialitāte P. Handkes darbos

2018

Intermedialitāte – mākslu mijiedarbība, kas pieprasa estētisko izpratni un pamatojumu. Daudzi 20. gs. autori atsaucās uz pagātnes māksliniekiem un mākslas darbiem, kuri kļūst par iedvesmas avotu un turpmāk par estētiskām pozīcijām. Īpaši lielu iespaidu un ietekmi uz rakstniekiem 20. gs. literatūrā atstāj franču gleznotājs, klasiskā modernisma tēvs Pols Sezans. Viens no iedvesmotajiem rakstniekiem ir austriešu rakstnieks un dramaturgs Pēteris Handke. Šī darba mērķis ir izpētīt intermedialitāti, t. i. vārda un attēla attiecības, izskatīt, aprakstīt literārās mākslas un glezniecības saiknes problemātiku P. Handkes darbos. Analīze tiek veikta, izmanto…

Pols SezansPēteris HandkeValodniecībaIntermedialitāteIntermedialityPeter Handke
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Fare ricerca al di fuori dell'Accademia. Un documentario storico su Furio jesi.

2015

Since September 2014 I am engaged in a multimedia research project focused on the life and works of Furio Jesi; in this article I will discuss the genesis of my research and methodological consequences arising from my choice of doing research outside of academic institutions. Assuming that the oral history in the Digital Age should not be deprived of the use of video as an investigative historiography tool, I will then try to explain how the work of the documentarian is often intertwined with that of the historian. Hence I will describe how Public History is inevitably linked to a form of private funding different from traditional Academics. In this sense I will describe my research project…

Public History; Oral History; Furio Jesi; Documentary; Digital Humanities; Transmediality.Public HistorySettore M-STO/04 - Storia ContemporaneaOral HistoryDocumentaryFurio JesiDigital HumanitieTransmediality.TransmedialitàPublic History; Storia orale; Furio Jesi; Documentario; Digital Humanities; TransmedialitàStoria oraleDocumentario
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Les topologies imaginaires de Lauren Beukes dans Moxyland (2008) et The Shining Girls (2013)

2019

International audience; This article examines two novels published by South African writer Lauren Beukes. More specifically, it explores the way in which the two cities in which the novels are set blur a number of boundaries, thus creating paradoxical, and intermedial, topologies.

Science fiction[SHS.LITT] Humanities and Social Sciences/LiteratureSouth AfricaCrime fiction[SHS.LITT]Humanities and Social Sciences/LiteratureLittérature anglophone postcolonialeRoman policierIntermedialityIntermédialitéComputingMilieux_MISCELLANEOUSLauren BeukesDystopia
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The Third Memory: stati della finzione nell’arte di Pierre Huyghe

2013

This paper focuses on The Third Memory, a re-enactment of Dog Day Afternoon (Lumet, 1975) by French artist Pierre Huyghe. By starting with the theoretical perspective developed by Nicolas Bourriaud in Relational Aesthetics and Postproduction, the essay attempts to show how a relational reading of the re-enactment of Pierre Huyghe may represent a valid investigative tool to analyze the relationship between cinematic narrative structures and everyday life narrative structures, between fiction and reality, in the work of the French artist."and reality, in the work of the French artist.

Settore L-ART/06 - Cinema Fotografia E TelevisioneRelational aesthetics Transmediality Film Theory Pierre Huyghe
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