Search results for "monument"

showing 10 items of 217 documents

Teaching the restoration of monuments at Palermo: the state of the art

2008

Il contributo spiega le modalità dell'insegnamento del restauro nella facoltà di Architettura di Palermo, illustrandone i contenuti anche con la preparazione di tesi di laurea The Architecture Faculty of the University of Palermo, founded in 19 5, is the oldest in Sicily; a Faculty of Architecture based in Siracusa was added in the 1990s and is dependant on the University of Catania; while in 2005 teaching began at the University Kore based in Enna, which o ers a three-year degree course in the Science of Architecture as part of its department of Fine Arts Conservation. The faculty of architecture of the University of Palermo provides a ve-year architecture course (cl 4/S) as well as anothe…

Teaching restoration monumentsSettore ICAR/19 - RestauroInsegnamento restauro monumenti
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La scoperta, sistemazione e conservazione della grande Iscrizione di Gortina, nell'isola di Creta (1884-1921): la protezione delle testimonianze e le…

2013

La scoperta e la conservazione della Grande Iscrizione di Gortina a Creta, da parte degli studiosi italiani, fra la fine del XIX sec. e i primi decenni del XX sec., rappresentò un grande riconoscimento scientifico-culturale per la giovane nazione italiana. Nel passato, l’isola di Creta era stata legata alla Repubblica di Venezia e anche questo rapporto favorì l’invio a Creta del giovane epigrafista F. Halbherr, il quale fra notevoli peripezie rinvenne, assieme all’epigrafista tedesco E. Fabricius, la famosa l’iscrizione nell’antica città di Gortina. L’iscrizione, fra le più antiche e complete finora conosciute in tutta Europa, conteneva le norme sulla famiglia, l’eredità e in generale i dir…

The discovery and preservation of the Great Inscription of Gortyna in Crete by Italian researchers in the late nineteenth century. and the first decades of the twentieth century. was an important cultural and scientific recognition for the young Italian nation. In the past the island of Crete had been tied to the Republic of Venice and this report also favored sending in Crete the young epigraphist F. Halbherr who among considerable vicissitudes came to together to the epigraphist german E. Fabricius the inclusion of the famous ancient city of Gortyna. The inscription among the oldest and most comprehensive so far known throughout Europe the rules contained on the family's legacy in general and the rights and duties of some of the people of the Minoan civilization (480-450 BC). The inscription was carved on blocks organic limestone a restored ancient building which later in Roman times was turned into odeon. The Laws of Gortyn were engraved on the remains of the wall forming the passageway in front of the steps of the odeon. The essay traces the events that led to the discovery and subsequent storage made by Halbherr especially with the help of archaeologist L. Pernier and finally with the help of architect E. Stefani who designed a modern cover on the top of the ambulatory of the segments containing the inscription. This coverage was made to perform during the First World War on the basis of the Italian project from the Greek Government in order to protect the membership from possible war damage but especially from vandalism. The roof brick clay of the Laws of Gortyna still serves its function and ensures the use of the monument bearing witness to the preservation of Italian culture in Greece and more generally in the world. But in Sicily in the remains of the Villa del Casale in Piazza Armerina (Enna) its elegant protection (built in 1957) is representative of a whole period of culture of the Italian restoration is removed and replaced because it has not been able to make a ongoing maintenance is due. A bad example of conservation and management of a UNESCO monument from which arise after the work for the construction of new roofs an equally insulting to the archaeological heritage and scenic Italian and world.Settore ICAR/19 - Restauro
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Tommaso Maria Napoli Utriusque Architecturae Compendium Roma 1688 Breve trattato sulle fabbriche civili e militari e la conservazione delle architett…

2013

Il volume Tommaso Maria Napoli Utriusque Architecturae Compendium Roma 1688 Breve trattato sulle fabbriche civili e militari e la conservazione delle architetture del frate domenicano Tommaso Maria Napoli, vuole contribuire ad accrescere le nostre conoscenze sui principi che dovevano sottendere alla realizzazione dell’architettura civile e militare del periodo barocco e tardo barocco, così come espressi nel breve trattato scritto dal frate architetto, nato a Palermo, Tommaso Maria Napoli (1659-1725), e pubblicato a Roma alla fine del Seicento. Alla traduzione dal latino del trattato, redatta da esperti (Fabio Zarbo e Pietro Zarbo), è inclusa un’interessante ricerca, redatta congiuntamente c…

The volume Tommaso Maria Napoli Utriusque Architecturae Brief Compendium 1688 Rome treaty on civil and military factories and preservation of the architecture of the Dominican friar Tommaso Maria Napoli wants to help increase our understanding of the principles that should underpin the realization of civil and military baroque and late baroque period as expressed in the short treatise written by the monk architect born in Palermo Tommaso Maria Napoli (1659-1725) and published in Rome at the end of the seventeenth century. This translation from the Latin of the treaty drawn up by experts (Fabio Zarbo e Pietro Zarbo) included is an interesting research drafted jointly with Giuseppe Tantillo status of some of the architecture without realizing or attributed to the architect Tommaso Maria Napoli. In fact some cards are attached to the volume on the substance and state of preservation of the cathedral of the Assumption of Mary in Dubrovnik (Croatia) of the villas Valguarnera and Palagonia in Bagheria (near Palermo Italy) of the monument to the Immaculate and one of the towers of the church of San Domenico in Palermo (Italy). The volume is enriched by the presentation and afterword by Francesco Tomaselli that among other things starting from the definition of Restoration expressed by Tommaso Maria Napoli in his book presents a stimulating reflection on the meaning of Restoration. The essay Tommaso Maria Napoli Utriusque Architecturae Compendium 1688 ... is the first of the series Monument Document for the conservation of the architectural heritage and environment: Theory knowledge interventions publisher Aracne in Rome with director Francesco Tomaselli and with Comittee Scientific and editorial international.Settore ICAR/19 - Restauro
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Theatrum vel Monumentum: The Permanence of Ephemeral in the Work of Aldo Rossi

2020

At the base of the poetics of Aldo Rossi those who Manfredo Tafuri called the "unspeakable extremes", life and death, in the architectural form of the theatre and the monument are counterposed. Although Rossi has often joined them, for a long time the criticism of his work has been disinterested taking the apparent aporia between ephemeral and definitive, only with the purpose to recompose them in unities ending up in simplifying a complex reasoning that had mainly to do with a rituality of the architectural element and building contrasting sides between those who believe that the primacy of Rossi’s architecture is held by the monument and who by the theatre. This way, far from the theoreti…

Theater Monument Architecture Opposite EphemeralSettore ICAR/16 - Architettura Degli Interni E Allestimento
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The necropolis of Orriols (Valencia): examples of funerary ritual in the Roman age (2nd – 4th centuries AD)

2016

La necrópolis de la barriada de Orriols (Valencia) se levanta sobre una pequeña elevación del terreno en relación con la Vía Augusta. Se trata de un cementerio periurbano que estuvo en uso entre los siglos II y IV d. C. Los enterramientos responden a los rituales de cremación e inhumación, lo que nos ha permitido constatar dos fases cronológicas durante las que se emplean otras prácticas funerarias. Además, los materiales estudiados se corresponden con las distintas fases que atravesaba el difunto, incluso después de ser enterrado. The necropolis of Orriols (Valencia) stands on a small hill a bit more elevated than the Via Augusta. It is a suburban cemetery that was used between the 2nd and…

TombArcheologyHistorylcsh:Prehistoric archaeologymedia_common.quotation_subjectTumbaRitualArqueologíaMonumentoInhumationlcsh:CC1-960ValenciaVidrioDeceasedCremaciónmedia_commonbiologyBustumMonumentPaleontologyArtFunusbiology.organism_classificationArchaeologyCremationUncturaDifuntolcsh:ArchaeologyGlasslcsh:GN700-890InhumaciónLucentum
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The ultimate message : a study of medieval tombstones in ducal Burgundy : 12th-16th centuries

2011

The tombstone has long been neglected by historians. As obituaries and wills, tombstones reveal as much the relationship of the deceased to death that the management of their memory by their heirs. This study first shows the wealth of medieval Burgundy graves goods. Typological diversity adds to the richness of iconography with large amounts of effigial monuments. Tombs materialize burial of prestige. Originally reserved for prelates and princes, burial ad ecclesiam progressively extended to the feudal aristocracy and the bourgeoisie. The location and the materialization of a burial monument also reflect the evolution of medieval piety. Epigraphy and iconography show the mutation of "gothic…

TombMoyen AgeSépultureBurialGisant[ SHS.HIST ] Humanities and Social Sciences/HistoryPlate tombeMonumentDalle funéraireTombeEpigraphyDeathIncised slabsRecumbent figureIconography[SHS.HIST] Humanities and Social Sciences/HistoryMiddle AgesTombstoneMort[SHS.HIST]Humanities and Social Sciences/HistoryEpigraphieIconographie
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Jardines históricos, parque públicos y escultura monumental contemporánea en Jumilla (Región de Murcia)

2016

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS0211-5808 9678 Archivo de arte valenciano 446845 2016 97 5767309 Jardines históricosFrancisco Javier 277 315:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]parque públicos y escultura monumental contemporánea en Jumilla (Región de Murcia) Delicado Martínez
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Una muestra representativa del regionalismo escultórico en Valencia: el monumento al labrador de Carmelo Vicent

2019

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]0211-5808 9678 Archivo de arte valenciano 532661 2019 100 7158126 Una muestra representativa del regionalismo escultórico en Valencia: el monumento al labrador de Carmelo Vicent López CataláEnrique 151 164el monumento al labrador de Carmelo Vicent López Catalá [0211-5808 9678 Archivo de arte valenciano 532661 2019 100 7158126 Una muestra representativa del regionalismo escultórico en Valencia]
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Los orígenes del Museo de Pinturas de Valencia y la Comisión Provincial de Monumentos Históricos y Artísticos

2014

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASFrancisco Javier 123 165:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]0211-5808 9678 Archivo de arte valenciano 385455 2014 95 4935794 Los orígenes del Museo de Pinturas de Valencia y la Comisión Provincial de Monumentos Históricos y Artísticos Delicado Martínez
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Las pinturas murales de los arcosolios del Cementerio del Conjunto Histórico de San Juan del Hospital de Valencia

2020

Los últimos trabajos de restauración llevados a cabo en los arcosolios del cementerio del Conjunto Histórico de San Juan del Hospital de Valencia han sacado a la luz parte de las pinturas murales que sirvieron como decoración al intradós de estas pequeñas arquitecturas funerarias. Dichas pinturas, ocultas bajo diferentes capas de cal desde mediados del siglo XIV, se suman a las descubiertas en las anteriores etapas de rehabilitación y restauración en la capilla de San Miguel y en el arcosolio llamado de Fernández Heredia. De este modo el conjunto hospitalario se sitúa entre los monumentos con más numerosos e interesantes restos pictóricos murales de época medieval de la ciudad de Valencia. …

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASMar0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707975 Las pinturas murales de los arcosolios del Cementerio del Conjunto Histórico de San Juan del Hospital de Valencia Sabaté Lerínse suman a las descubiertas en las anteriores etapas de rehabilitación y restauración en la capilla de San Miguel y en el arcosolio llamado de Fernández Heredia. De este modo el conjunto hospitalario se sitúa entre los monumentos con más numerosos e interesantes restos pictóricos murales de época medieval de la ciudad de Valencia. En el siguiente artículo se aborda el estudio y la descripción de los motivos decorativos encontradospeninsulares y localesocultas bajo diferentes capas de cal desde mediados del siglo XIVponiéndolos en relación con los conservados en otros conjuntos europeos:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Emilio Jesús Los últimos trabajos de restauración llevados a cabo en los arcosolios del cementerio del Conjunto Histórico de San Juan del Hospital de Valencia han sacado a la luz parte de las pinturas murales que sirvieron como decoración al intradós de estas pequeñas arquitecturas funerarias. Dichas pinturasDíaz Garcíaubicando las pinturas de San Juan en su contexto histórico-artístico a nivel localnacional e internacional. Una de las aportaciones más importantes es el descubrimiento de la estrecha relación entre las pinturas murales conservadas en una de las capillas exteriores de la Catedral de Valencia y las que decoran los arcosolios del conjunto sanjuanista. 27 40
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