Search results for "movies"

showing 10 items of 22 documents

Stepping on invisible land: on the importance of communicating the value of soils.

2022

Soils play fundamental roles in the functioning of the Earth's ecosystems. Despite numerous initiatives to protect soils, it continues to be generally perceived as dirt or, at best, the surface we walk on. To better understand soil perception by the public, we conducted a survey with 99 participants from Poland and Brazil. We applied opportunity sampling and conducted semi-structured interviews with 40 respondents from Poland and 30 from Brazil, and 29 unstructured interviews in Brazil. Most of the respondents (53%) of the semi-structured interviews associated soil with the surface where plants grow, while 27% said that it is the ground we step on. When asked about pro-environmental campaig…

ArtistsArtistasSoilServiços ecossistêmicos do soloMoviesDivulgaçãoEcosystem servicesDisseminationSoil ecosystem serviceScience-practice interfaceInterface ciência-práticaFilmes
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Propaganda y mitografía en el cine de la guerra civil española (1936-1939)

2007

La guerra civil española puso en marcha la maquinaria de propaganda más audaz conocida hasta ese momento. Fue decisiva la tensión dramática de los totalitarismos entre sí y del nazismo y fascismo respecto a las democracias occidentales, mas también influyó el estado de desarrollo de los medios de comunicación y representación (revistas ilustradas, nuevas técnicas fotográficas, circulación de imágenes en movimiento a través de los noticiarios¿). El presente artículo fija su atención en dos aspectos principales: en primer lugar, el papel de que la cinematografía nacional e internacional sobre la guerra civil desempeñó en fijar algunos géneros y motivos de la representación de la guerra en Occ…

Comunicación socialSpanish civil warMoviesPropagandaCinematografia i històriaPrensa escrita
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Movies, ethics and accounting: a teaching experience

2022

This research presents an innovative learning experience undertaken in three groups of a financial accounting course at the University of Valencia (Spain). After watching three accounting-related movies, students answered a test based on each movie with questions about the ethical and accounting issues described in them and their satisfaction with the learning technique. Nonparametric tests and a multivariate analysis showed that the students who participated in this experience obtained a higher exam mark than those who did not. Our results evidence a significant effect on the final exam mark for more questions only in one of the movies. Our results are valuable because they show that stude…

Economics and EconometricsmoviesaccountingUNESCO::CIENCIAS ECONÓMICASethicsengagement
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Resisting Bodies: Power Crisis / Meaning Crisis in the Zombie Film from 1932 to Today

2011

Critics have repeatedly focused on the political subtexts of the living dead films of George A. Romero, revealing, notably, how they reflect specific social concerns. In order to determine what makes the zombie movie and the figure of the zombie so productive of political readings, this article examines, first, the classic zombie movies influenced by voodoo lore, then Romero’s initial living dead trilogy (1968-1985), and finally some of the most successful films released in the 2000s. Resorting to a post-structuralist framework including Althusser’s notions of state apparatuses, Foucault’s distinction between subjection and subjectification, and Butler’s analyses of subversive resignificati…

Georges A. Romero[SHS.LITT]Humanities and Social Sciences/Literaturezombie moviesDawn of the DeadDay of the DeadresignificationJudith ButlersubversionmeaningNight of the Living Deadcontingency[ SHS.LITT ] Humanities and Social Sciences/LiteratureMichel FoucaultLouis Althussersubjection[SHS.LITT] Humanities and Social Sciences/LiteraturepowerresistanceIdeological State ApparatusessubjectificationI Walked with a ZombieVictor HalperinWhite ZombieJacques Tourneurpolitics
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¿Mozart era un mutante?: propuestas didácticas sobre la música preexistente en el cine de superhéroes.

2019

Con el inicio del siglo XXI se produjo el comienzo de una edad dorada para el cine de superhéroes; especialmente, en las películas basadas en cómics de la editorial Marvel. Su éxito se debe, sobre todo, a la adaptación al cine del concepto de 'universo compartido', lo que permite mostrar personajes y situaciones interrelacionadas. Ello ofrece la opción de conectar con diversas promociones de alumnos, puesto que se trata de personajes presentes en los cines durante las últimas dos décadas. Como muestra de ello, en esta propuesta se incluirán fragmentos de dos películas distantes en el tiempo: 'X-Men 2' (2003) y 'Thor: Ragnarok' (2017). La popularidad creciente de estos filmes se ve intensifi…

Higher educationsuperhero moviesdidactic through the audio-visualconcert musicbusiness.industryMúsica de pel·lículesConsumption (sociology)ComicsPopularitydidactics of musicMovie theaterrock music.Meaningful learningAestheticsmarvel moviesRock musicM1-5000SociologyMOZARTbusinessMusicMúsica EnsenyamentPopular Music Research Today: Revista Online de Divulgación Musicológica
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"That's Real! That's What You Want!": Producing Fear in George A. Romero's Dawn of the Dead (1978) vs Zack Snyder's remake (2004)

2011

International audience; This article examines traditional oppositions between terror and horror in Dawn of the Dead (1978) and its recent remake (2004), by focusing on one of the major changes made by the producers of the remake: the use of running zombies, which emphasizes the danger the creatures represent to the characters, and enables the film-makers to resort to the kind of cheap startle effects that abound in contemporary slasher and action movies. That the living dead of 1978 were slow-moving allowed for contemplation of their pathetic state and questioned the border between living and dead. The 1978 film underlined how incompatible the living dead were with such techniques that rely…

Hollywood[SHS.LITT]Humanities and Social Sciences/LiteratureLiterature and Literary TheoryVisual Arts and Performing ArtsDawn of the DeadContemplationmedia_common.quotation_subjectfilm aestheticsliving deadremake[SHS.LITT] Humanities and Social Sciences/LiteratureMovie theaterPoliticshorrorState (polity)terrorVerisimilitudeGeorge A. RomeroSociologymedia_commonzombie moviesbusiness.industry[SHS.ART]Humanities and Social Sciences/Art and art history[ SHS.LITT ] Humanities and Social Sciences/Literature[ SHS.ART ] Humanities and Social Sciences/Art and art historyAction (philosophy)AestheticsGeorge (robot)[SHS.ART] Humanities and Social Sciences/Art and art historybusinessMusic
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Filmowe rozmowy na ekranie i przed ekranem. O wieloaspektowej dialogiczności filmu

2020

Autor artykułu zwraca uwagę na podwójną dialogiczność filmu: jako komunikatu kierowanego do widza oraz jako źródła inspiracji do rozmów publiczności. Od początku istnienia pierwszego audiowizualnego medium, jakim jest film, rozmowa stanowi część narracji, której adresatem jest widz. Słowa obecne w filmie to komunikaty, które dostarczają informacji o przedstawionym w nim świecie, wpływają na rozwój akcji i tworzą atmosferę scen. Filmowe monologi czy rozmowy, będące w istocie dialogiem z widzem, umożliwiają zagłębienie się w znaczenia kreowane przez twórców filmów, którzy dotykają także spraw istotnych. W artykule przywołane zostały przykłady takich rozmów, zaczerpnięte z twórczości Krzysztof…

Ingmar BergmanTeologia filmuKrzysztof KieślowskiChristian moviesTheology of the filmSacrofilmEthos. Kwartalnik Instytutu Jana Pawła II Kul
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Biblia w filmie

2009

Jezus w filmiefigury Chrystusacinemaaudiovisual translationprzekład audiowizualnyBibleJesus moviesChrist-figurefilmBibliaStudia Nauk Teologicznych PAN / Komitet Nauk Teologicznych PAN
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Recensione: Marcello Ravveduto, Lo spettacolo della mafia. Storia di un immaginario tra realtà e finzione, Torino, Edizioni Gruppo Abele, 2019

2020

Review

Mafia mafia movies crime history Cosa Nostra Italian-Americans Cultural StudiesSettore M-STO/04 - Storia ContemporaneaMafia mafia al cinema storia della criminalità Italo-americani Cultural Studies
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Assessing movie similarity using a multilayer network model

2021

International audience; This work investigates the movie similarity issue. A multilayer network model capturing various aspects of the story is built from movie scripts. Based on this representation, movies are compared not from summary or actors but using their storyboard. We rely on the "Portrait divergence" to quantify distances between graph characteristics. We illustrate the effectiveness of this approach in comparing movie series.

Network portrait[INFO.INFO-CV] Computer Science [cs]/Computer Vision and Pattern Recognition [cs.CV]MoviesMultilayer networksNetwork similarity[INFO.INFO-CV]Computer Science [cs]/Computer Vision and Pattern Recognition [cs.CV][INFO]Computer Science [cs][INFO] Computer Science [cs]GeneralLiterature_REFERENCE(e.g.dictionariesencyclopediasglossaries)ComputingMilieux_MISCELLANEOUS
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