Search results for "museum"

showing 10 items of 363 documents

THE SIGNS OF WATER

2020

Signs of Water. A hidden waterscape in Palermo is recovered from the oblivion through a process consisting in a territorial analysis, a careful reading of ancient maps and historical archives, a deep design of new landscapes trancing the signs of the passage of water in a land where water has a permanent role along the centuries. A vast agricultural territory covers the Conca d'Oro valley, where lays the city of Palermo: rich in landscape, environmental and archaeological heritage, only some areas were subtracted from the intense construction and speculative activity that characterized the history of the city in the sixties and the seventies of the twentieth century. The main goal of this s…

Settore ICAR/15 - Architettura Del PaesaggioFossa della GarofalaWaterscape.LandscapeMuseum of WaterPalermo
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Museum and Exhibition Design in the Digital Age

2013

From temples of sacred objects to repositories of colonial trophies and from monuments of civility to spaces for self-expression, the shape and the appeal of museums through history has been fashioned to hold particular collections of objects. Moreover the museums have been also designed to adapt to particular display techniques appropriate for a particular collection. In the last century, a period of structural reinvention in the design and shaping of the exhibitions, the museum making is challenging, creative, and complex. The ‘new museum making’ includes emotive exhibitions within communicative buildings in order to create ‘narrative experiences’ which integrate objects, spaces, and audi…

Settore ICAR/16 - Architettura Degli Interni E AllestimentoMuseum new media display techniquesinteractivity
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The interpretation of prehistoric visual expression in indoor museums

2011

Representing Prehistory in museums, with all the contradictions that the term “representation” may imply, is always very controversial from the interpretative point of view, implicating a series of different philosophical and scientific positions, both on Prehistory itself, and on the way of introducing it to the public, particularly today with the resurfacing of the need to dedicate some attention also to the social and the so-called “immaterial” contexts, to the myths, the rites, the cults, to the interpretation of life and nature, overcoming the obsolete concept of the museums exposing manufactured articles. In the long decontestualization process of the objects involving, unfortunately,…

Settore ICAR/16 - Architettura Degli Interni E AllestimentoPrehistoric art visual expression museum interpretation
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Oradour-sur-Glane and the Memorial Museum: A Site of Reconciliation

2013

When a community has a suffering memory, within the memory-oblivion mechanisms characterizing every form of social stability, the interventions of musealization of a specific landscape can usefully contribute to the “trauma elaboration” process, being the only helpful expedients to turn the painful events that the community is not able to cope with into a “shared commemoration”. However, based on the experience from the Charles de Gaulle Memorial in Colombey, the museal interpretation can determine a touristic earning power which can often overwhelm the more expected “duty of memory”. Every new museal insertion, being a place fit for the building of the community mind, has in fact to fulfil…

Settore ICAR/16 - Architettura Degli Interni E Allestimentomuseums territory and identity re-evocation community mind
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Formazione e trasformazione di un'immagine urbana. Ricostruzioni architettoniche tra l'asse della via Notarbartolo e il secondo tronco della via Libe…

2022

The contribution presented here is part of a work-in-progress project, which has as its focus the “extra-moenia” urban transformations suffered by the city of Palermo after World War II, with the aim of cataloging, reconstructing and restoring the remarkable heritage -lost in the years of the economic boom and building speculation- in three-dimensional virtual images. The analysis is part of the urban context affected by the extension of via Libertà starting from the intersection with via Notarbartolo, the transversal directional axis conceived in the Giarrusso Plan of 1887 as a connection to the Shipyards and built starting from the subdivisions of Villa Carini in the years 1891-1902. This…

Settore ICAR/17 - DisegnoUrban Analysis Architectural 3D reconstructions 3D printing for a “City Museum” Catalog of lost “Art Nouveau” Architectures
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Cities inside the City on River Amstel

2017

Paramaribo, Curaçao, Jakarta. Se utilizzassimo il linguaggio gastronomico, potrebbero suonare rispettivamente come moksie alesie (il coloratissimo riso misto a carne, pollo, verdure, fagioli bianchi, peperoncino e latte di cocco), planteur (il rinfrescante long drink con il frutto di guava, ananas, melograno, arancia, rum agricolo, cannella e noce moscata), nasi goreng (il classico piatto unico indonesiano a base di riso fritto, pollo e gamberetti). Per gustarli tutti dovremmo compiere un impegnativo tour attorno al pianeta, dal Suriname alle isole caraibiche e spingerci fino all'Indonesia. Oppure potremmo scegliere un'alternativa forse più interessante: passeggiare comodamente tra i canali…

Settore ICAR/21 - UrbanisticaAmsterdam EYE Film Museum River Amstel Amsterdam Historical Museum Zaanse Schans
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Dallo spazio pubblico come museo al museo come spazio pubblico

2021

Dalla nascita della museologia moderna il museo è mutato progressivamente, seguendo le esigenze dei tempi con cui si è confrontato. E se l'arte storicamente prefigura mondi, ciò che avvenne a ridosso degli anni Sessanta con la progressiva fuoriscita dell'arte nello spazio pubblico, anticipa la crescente vocazione partecipativa e inclusiva che pare caratterizzare la tensione trasformativa del museo d'oggi. Un luogo che da spazio conservativo ed espositivo si va trasformando - in alcune significative esperienze - in uno spazio critico, luogo della creazione e dell'innovazione civica.

Settore ICAR/21 - Urbanisticamuseum public space artistic practicesmuseo spazio pubblico pratiche artistiche
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Risk indexes evaluation in view of a new showcase designing of “L’Annunciata” by Antonello da Messina

2018

Museums are often hosted by heritage buildings, where the indoor thermal conditions are usually subjected to a free-floating regime, due to the difficulty of equipping them with HVAC systems that, generally, are highly impacting tools from a visual point of view. These technological tools, in fact, could conflict with the established arrangement of the works of art. This would represent a problem, since the indoor physical conditions of these premises must fall within the ranges of values suitable to ensure the safety of the works of art there exhibited. In addition, the increasing time spent by visitors inside museums (now offering various possibilities of leisure, ranging from the book sh…

Settore ING-IND/11 - Fisica Tecnica AmbientaleIndoor museum conditions painting preserving risk indexes showcase.
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Experiences with CiceRobot, a Museum Guide Cognitive Robot

2005

The paper describes CiceRobot, a robot based on a cognitive architecture for robot vision and action. The aim of the architecture is to integrate visual perception and actions with knowledge representation, in order to let the robot to generate a deep inner understanding of its environment. The principled integration of perception, action and of symbolic knowledge is based on the introduction of an intermediate representation based on Gardenfors conceptual spaces. The architecture has been tested on a RWI B21 autonomous robot on tasks related with guided tours in the Archaeological Museum of Agrigento. Experimental results are presented.

Settore ING-INF/05 - Sistemi Di Elaborazione Delle InformazioniCALIBRATIONVisual perceptionKnowledge representation and reasoningRobotbusiness.industryComputer scienceRoboticsCognitionCognitive architectureAutonomous robotCicerobotAction (philosophy)Knowledge baseHuman–computer interactionRobotMuseum guide robotArtificial intelligencebusiness
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QRouteMe: A Multichannel Information System to Ensure Rich User-Experience in Exhibits and Museums

2012

In this article the QRouteMe system is presented. QRouteMe is a multichannel information system built to ensure rich user experiences in exhibits and museums. The system starts from basic information about a particular exhibit or museum while delivering a wide user experience based on different distribution channels. The organization of the systems’ components allow to build different solutions that can be simultaneously delivered on different media. A wide range of media from touch-screen installations to portable devices like smartphones have been used. The used devices can communicate each others to increase the usability and the user experience for the visitors. Another important featur…

Settore ING-INF/05 - Sistemi Di Elaborazione Delle InformazioniMultichannel Information System User-experience Museums Exhibition Personalization Integration
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