Search results for "musica"
showing 10 items of 1344 documents
Songs Perceived as Relaxing : Musical Features, Lyrics, and Contributing Mechanisms
2020
How we listen to music has been changing rapidly in the last years, with online streaming becoming more predominant. Besides the gain in accessibility for the listeners, the growth of online services also affords easier access to data for musical analyses. A growing body of research has been showing that daily life music listening serves varied functions, from affect regulation to social bonding. More specifically, the reduction of stress responses is quite pertinent in the contemporary world, and recent studies have high-lighted the importance of adequate musical choices. This study aimed to identify the characteristics of music that individuals perceive as favorable to relax and to compar…
"Les Espagnols" a Milano. René Leibowitz nell'archivio di Luigi Rognoni
2009
In the archives of the musicologist and musician Luigi Rognoni, in Palermo University, René Leibowitz's letters and documents are recorded wich give evidence of their intellectual and amicable relationship, emblematic among the European intellectuals born at the beginning of 20th century. Between the documents there is an Italian translation made by Rognoni in 1963 of "Les Espagnol à Venise", a play by Georges Limbour, set to music by Leibowitz in the same year. Rognoni and Leibowitz tried many times to see their work performed at "La Scala" in Milan, and from the papers an interesting description of a cultural climate that they live with a particular involvement emerges.
“La tonadilla a la Barcelona del darrer terç del Set-cents més enllà de la Casa de Comèdies"
2014
Resum: Encara que el monopoli oficial dels espectacles teatrals a la Barcelona del Set-cents era en mans de l’Hospital de la Santa Creu, és sabut que l’afició dels barcelonins pel teatre anava més enllà de la Casa de Comèdies gestionada per aquesta entitat. En el present article es mostren diversos casos que manifesten l’interès del públic barceloní per la tonadilla, gènere lírico-escènic breu importat a la Ciutat Comtal per imitació dels teatres madrilenys. Aquest interès ultrapassava l’escenari de la Casa de Comèdies, amb un curiós comerç dels textos i la possibilitat d’una pràctica privada. D’aquesta manera s’observa com aquest gènere importat pogué arrelar entre el públic barceloní, esp…
"Il resto è silenzio". Riflessioni su "Sette storie per lasciare il mondo"
2013
Il saggio descrive la genesi, la struttura teatrale e la partitura musicale dello spettacolo di Roberto Andò e Marco Betta "Sette storie per lasciare il mondo", anche in relazione al ciclo di fotografie "sul sonno" di Ferdinando Scianna ("Dormire, forse sognare", 1997).
Paradoxe sur le théâtre lyrique. La réforme de l'opéra entre Rousseau et Diderot
2014
This article examines the relationship between fiction and reality in the opera according to the approach of Rousseau and Diderot. The ambiguous and contradictory definition of this relationship brought Rousseau to remove the singing from the opera and to invent a new genre, the "mélodrame". It was a very paradoxical solution that Diderot could have shared as this article tries to prove. Sujet de cet article c’est la relation entre la fiction et la réalité dans l’opéra selon Rousseau et Diderot. La définition ambiguë et contradictoire de cette relation conduit Rousseau à l’élimination du chant dans le théâtre lyrique par l’idéation du “mélodrame”, une solution paradoxale que – on veut montr…
Senso e significati: un esempio
2018
Il secolare dibattito sulla semantica della musica ha prodotto innumerevoli studi, e diverse teorie che riflettono la grande varietà dei modi significanti che possono ritrovarsi nella musica d’arte occidentale di ogni tempo. Questo scritto propone come strumento di chiarificazione e di sintesi la distinzione tra rappresentazione e espressione che ha origine storica ed evidenza ermeneutica. La rappresentazione può cogliersi in tutte le componenti strutturali di una composizione musicale determinate, chiuse, codificate che si dispongono percettivamente nella dimensione spaziale; l’espressione in quelle indeterminate, fluide, tragressive che riflettono il tempo psicologico. Un esempio straordi…
Unità minime in Guido d'Arezzo e nei grammatici latini
2009
Guido d’Arezzo in the Micrologus points out an ascending scale of the units that form the songs, drawing a parallel between this one and the ascending scale of the units that form the metres according to the Latin grammarians. The units of the metres are: litterae, syllabae, partes, pedes, versus; the units of the songs are: soni, syllabae, neumae/partes, distinctiones. There are problems as regards the interpretation of the song units that are in the middle, especially neumae/partes and syllabae. From the analysis of Guido’s text and from the comparison with the Latin grammarians’ works, it turns out that the neumae/partes, called in a clearer manner partes cantilenae, correspond to the pa…
Microformas: Mi solitario vuelo (Microrrelato), La mariposa efímera (Microcuento)
2021
Music, vibrotactile mediation and bodily sensations in anorexia nervosa : "It's like I can really feel my heart beating"
2020
This article presents the theoretical, scientific, and methodological foundations for the design and implementation of an innovative technological and clinical platform that combined sound, music, and vibrotactile mediation used in a therapeutic setting by adolescents suffering from anorexia nervosa. In 2019, we carried out a pilot experiment with a group of 8 adolescent patients hospitalized in the Eating Disorders Unit of the Department of Adolescent and Young Adult Psychiatry of the Institut Mutualiste Montsouris in Paris. Within this clinical framework, we aimed to create conditions suitable for patients to reinvest in their “disaffected” bodily zones and internal experiences through re…
ACTO II / ACT II Mujeres / Women ¿Es gay la música de Chopin? Aspectos de la recepción de la música de Chopin en el siglo XIX
2021
Considering that it is difficult, if not impossible, for an analysis of Chopin?s music to unmask some aspects of his private life (such as an alleged sexual and affective attraction for individuals of his own sex), we can however argue that, throughout the 19th century, a connection was established between his work and a ?feminine universe.? That connection might have had implications in the way in which the feminized image of its author was constructed. The analysis of certain aesthetic and stylistic traits of Chopin?s music can help understand the causes of that perception.