Search results for "narrative"

showing 10 items of 1060 documents

Joan Roís de Corella, Lamentació de Mirra, de Narciso, de Píramus i Tisbe: edizione critica

2016

Il contributo, che è un’anticipazione parziale dell’edizione critica integrale delle narrazioni mitologiche di Joan Roís de Corella (XV sec.) per Barcino (ENC), nasce dall’esigenza di rivedere la situazione testuale della faula in oggetto (Lamentació de Mirra, de Narciso, de Píramus i Tisbe) e di avanzare, dove necessario, nuove proposte di lettura. Esso consta di due parti, delle quali la prima contiene l’Introduzione, la seconda il Testo con note a piè di pagina, in cui si discutono questioni relative alla constitutio textus, l’Apparato e l’Apparato complementare. Nell’Introduzione si danno informazioni essenziali circa la tradizione manoscritta delle Lamentacions (altrimenti note come Lo…

HistoryUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLiterature and Literary TheoryLamentacionFilologíasmedia_common.quotation_subjectJoan Roís de CorellaMedieval Catalan literatureArtOtras filologías modernasCritical editioncritical editionOvid in the Middle Ages.:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]mythological narrativeMedieval Catalan literature; Joan Roís de Corella; mythological narratives; Lamentacions; critical edition; Ovid in the Middle AgesHumanitiesmedia_commonMagnificat Cultura i Literatura Medievals
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Franc cavallier de bona fe, v. 8466 : su alcuni elementi intertestuali nel Jaufre

2020

On a very original narrative system, Jaufre's novel is constructed through inter-textual references and relationships withmany contemporary romance texts. The work presented here tries to highlight specific relationships that connect thenovel with the Première Continuation Perceval and with the novel by Renaut de Beaujeu Le Bel Inconnu.

HistoryUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLiterature and Literary Theorymedia_common.quotation_subject:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]NarrativeArtIntertextualityRomanceHumanitiesmedia_common
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The Line: committing and commemorating ‘the crime without a name’

2018

This article analyses Gina Shmukler’s verbatim play The Line (2012) and argues for another look at the testimonies captured from witnesses, survivors and perpetrators of the violence targeting foreign and perceived as foreign persons in South Africa that escalated in 2008 and in 2015. It is a narrative analysis of the play that uses Gregory H. Stanton’s Ten Stages of Genocide model and the United Nations Convention on Genocide to investigate the theatrical representation of the violence. This account argues that the events that are captured in the play and that inspired it should be reconsidered as acts of genocide. In the absence of an official acknowledgement of the events as genocide, pe…

HistoryVisual Arts and Performing Artsmedia_common.quotation_subject05 social sciencesAcknowledgement0507 social and economic geographyCriminologyGenocideThe VoidRepresentation (politics)Narrative inquiry050906 social workConventionEmbodied cognitionXenophobia0509 other social sciences050703 geographymedia_commonSouth African Theatre Journal
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Gendering multi-voiced histories of the North American space industry: the GMRD White women

2019

Purpose The authors focus on “writing women into ‘history’” in this study, embracing the notion of cisgender and ethnicity in relation to the “historic turn”. As such, the authors bring forward the stories of the US Pan American Airway’s Guided Missile Range Division (GMRD) and the White women who worked there. The authors ask what has a Cold War US missile division to tell us about present and future gendered relationships in the North American space industry. Design/methodology/approach The authors apply Foucault’s technology of lamination, a form of critical discourse analysis, to both narrative texts and photographic images in the GMRD’s in-house newsletter, the Clipper, dating from 19…

HistoryWhite (horse)laminointi060106 history of social sciencesSocial reality05 social sciencesEthnic groupGender studiesAutoethnography06 humanities and the artscritical discourse analysisSpace (commercial competition)kylmä sotaGeneral Business Management and AccountingdiskurssianalyysiCritical discourse analysisHistory and Philosophy of Science0502 economics and businessSpace industry0601 history and archaeologyNarrativeavaruusteollisuus050203 business & managementNorth American space industryautoetnografia
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Curating Objects from the European Border Zone: The “Lampedusa Refugee Boat”

2019

The cultural politics of the present encourage museums and artists to seek an ethical vision within Europe navigating the knowledge of ongoing mass death at the border. This is one explanation for the interest in objects symbolising present-day irregular border crossing among museum curators, artists, designers and activists. Wooden fishing boats, inflatable dinghies and life jackets appear regularly in exhibitions and installations. This chapter focuses on the meaning of “the Lampedusa boat” and argues that the narrative context within which the boats are exhibited guides the work of imagination that animates the object. While exhibiting the boats carries the critical potential to relocate…

HistorybiologyRefugeemuistin politiikkarajatContext (language use)kuolemabiology.organism_classificationObject (philosophy)objectsborder deathspakolaisuusVisual artsExhibitionPoliticsNarrativemuseumsmuseoesineetLampedusaartMeaning (linguistics)
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COVID-19, Terrorism, and Conspiracy Plot: Everyone Is Guilty Until Proven Innocent

2021

COVID-19 is reaffirming the tendency of nation-states to find imaginary enemies when hit with a crisis—enemies to whom its origins and perpetuation could be attributed. This is needed for their unity and survival. However, a strong and serious global pandemic like COVID-19 would need the identification of strong and serious enemies. This is a dangerous proposition if taken to anywhere beyond rhetoric. China is identified as the antagonist; yet, a real confrontation with China would cause more harm than what COVID-19 might cause. It is essential that we lead the world toward a new war, “against a virus”. This chapter reflects the problem of hospitality, as strongly associated with conspiracy…

Historybusiness.industrymedia_common.quotation_subjectEnvironmental ethicsPostmodernismPoliticsHarmHospitalityRhetoricTerrorismPlot (narrative)businessThe Imaginarymedia_common
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On Forced Migrations: Transnational Realities and National Narratives in Post-1945 (West) Germany

2014

This article examines tensions between the transnational realities of the extensive forced migrations that accompanied the end of the Second World War in Europe and the nationally focused public portrayals of those forced migrations that have prevailed in individual European countries since the war. The article does so through a case study of West Germany, which became home to some eight million forced migrants defined as ethnic Germans. It argues that a nationally oriented, highly selective public narrative of the forced migrations soon emerged in the Federal Republic, a narrative that stressed German suffering, relativized German crimes, and, crucially, elided differences among the forced…

HistoryexpelleeGender studieskansalaisuuskylmä sotaWest germanymemoryEuropePolitical scienceGermanymaahanmuuttota615Narrativeetnisyys
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La asimilación de experiencias problemáticas a través de narraciones: un estudio de caso

2014

Title: The assimilation of problematic experiences through narratives: A case study. Abstract: In this study we aim to describe the assimilation process through our participant narratives, Monica, who had oncological problems and to explore the advantages of the use of narratives for assimilating these expe- riences. Monica wrote 31 narratives during 8 months about her experiences of hav- ing fibroadenomas and benign tumors. These narratives were analized by the assimilation model and the Assimilation of Problematic Experiences Scale or APES. The procedure to obtain the data ended with a sample of 373 passages that were analized with APES. Those passages were related to eight differ- ent to…

Historylcsh:BF1-990NarracionesAPES narraciones159.9 - Psicologíainvestigación de procesoslcsh:PsychologyAPESEthnologyNarrativeGeneral PsychologyModelo de asimilaciónInvestigación de procesos
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Historia y lenguaje: la vuelta al relato dos décadas después

2019

This essay aims to give a critical account of the main arguments involved in the debate about the so called «linguistic turn» in History. Bringing into discussion the most recent historiographical production, we argue that there is space for, and an unrgent need of, thinking seriously about the relationship between 'language' an 'history' without, necessarily, collapsing our discipline into a mere narrative or a postmodern technique of «reading the signs». We want to challenge, therefore, rhe rigid dichotomy between a perception of language as a reflection of social reality and a perception of language as the ultimate creator of it.

Historymedia_common.quotation_subjectSocial realityPhilosophySocial SciencesHistoriographySpace (commercial competition)PostmodernismEpistemologylcsh:Social Scienceslcsh:HHReading (process)PerceptionNarrativeLinguistic turnmedia_commonHispania : Revista española de historia
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Epäkerrotun mahdollisuuksia Elina Hirvosen romaanissa Että hän muistaisi saman

2012

The possibilities of the disnarrated in Elina Hirvonen’s novel When I Forgot Anna, the character-narrator of When I Forgot (2005), a debut novel by Elina Hirvonen, spends the present-day of the novel sitting in the cafes and remembering the past. She works through some traumatic events and embarrassing situations, and speculates what could have happened. Her unrealized desires, fantasies etc. constitute what Gerald Prince calls the disnarrated. As delineated by Prince, the disnarrated refers to those events that remain unrealized though they are given as possible or actual elements of the narrative. It can fulfill various functions of which the present article examines its possibilities as …

Historymedia_common.quotation_subjectyhdenpäivänromaanidisnarratedepäkerrottumemorymemorieshenkilökuvausNatural (music)NarrativeHirvonencharacterizationRelation (history of concept)media_commonmuistotbiologymuistiGeneral Medicineone-day novelbiology.organism_classificationSketchFeelingElinaAestheticsMemoirArtikkelitElement (criminal law)
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